1 00:00:05,573 --> 00:00:08,607 CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP 2 00:01:30,991 --> 00:01:33,992 IT'S A BEAUTIFUL DAY. 3 00:01:33,994 --> 00:01:36,962 AH, BUT A SAD ONE. 4 00:01:36,964 --> 00:01:42,634 IT WAS JUST SUCH A DAY AS THIS 40 YEARS AGO... 5 00:01:42,636 --> 00:01:47,139 40 YEARS. IT'S A LONG TIME. 6 00:01:47,141 --> 00:01:51,944 ANYHOW, WE WERE HAPPIER THEN, MUCH HAPPIER. 7 00:01:51,946 --> 00:01:54,146 WE WERE STANDING HERE ON THIS VERY SPOT, 8 00:01:54,148 --> 00:01:56,615 EDITH AND I. 9 00:01:56,617 --> 00:02:00,519 WE'D BE STANDING HERE STILL IF SHE WASN'T SO STUBBORN. 10 00:02:11,098 --> 00:02:14,099 AAH! AAH! 11 00:02:15,402 --> 00:02:17,636 AAH! AAH! 12 00:02:21,976 --> 00:02:23,408 AAH! 13 00:02:34,021 --> 00:02:36,388 SERVES YOU RIGHT, OLD MAN. 14 00:03:01,315 --> 00:03:02,981 THERE YOU GO. 15 00:03:11,859 --> 00:03:12,958 OH! 16 00:03:17,631 --> 00:03:19,298 I WONDER WHAT HAPPENED TO THE OLD GUY. 17 00:03:19,300 --> 00:03:20,499 HERE HE IS. 18 00:03:29,843 --> 00:03:30,876 NEED ANY HELP? 19 00:03:30,878 --> 00:03:32,678 WELL, I AIN'T DIVING FOR PENNIES. 20 00:03:32,680 --> 00:03:33,879 WE GOT THE OLD GUY. 21 00:03:33,881 --> 00:03:35,013 OH. 22 00:03:38,719 --> 00:03:40,085 TURN HIM OVER. 23 00:03:40,087 --> 00:03:41,119 HERE. 24 00:03:41,121 --> 00:03:43,388 WORK HIS ARMS AND LEGS. 25 00:03:43,390 --> 00:03:44,690 COME ON, POP, SNAP OUT OF IT. 26 00:03:44,692 --> 00:03:45,824 HIS CHIN'S CUT. 27 00:03:45,826 --> 00:03:47,526 I CLUNKED HIM. I HAD TO. 28 00:03:47,528 --> 00:03:48,594 POOR OLD DUCK. I KNEW HE'D TRY IT. 29 00:03:48,596 --> 00:03:49,595 TRY WHAT? 30 00:03:49,597 --> 00:03:50,963 SUICIDE. PROBABLY DOWN AND OUT. 31 00:03:50,965 --> 00:03:53,232 OH, YOU'RE NUTS. NOBODY YELLS "HELP" AS AN EXIT LINE. 32 00:03:53,234 --> 00:03:55,367 THEY DO WHEN THEY LOSE THEIR NERVE. 33 00:03:55,369 --> 00:03:58,036 HE'S COMING OUT OF IT. STEP ASIDE, FELLAS. 34 00:03:58,038 --> 00:04:01,306 OK, POP. OPEN THOSE ROLY BOLY EYES. 35 00:04:01,308 --> 00:04:02,341 WHERE'S ME HAT? 36 00:04:02,343 --> 00:04:03,308 THAT'S GRATITUDE. 37 00:04:03,310 --> 00:04:04,509 NOW HE WANTS HIS HAT. 38 00:04:04,511 --> 00:04:05,644 IT'S PRACTICALLY NEW. 39 00:04:05,646 --> 00:04:07,145 HOW DO YOU FEEL? 40 00:04:07,147 --> 00:04:08,880 WELL, I'LL TELL YOU. 41 00:04:08,882 --> 00:04:12,451 I'M A MAN THAT'S ALLERGIC TO WATER. 42 00:04:12,453 --> 00:04:14,620 NOW DON'T BOTHER. DON'T BOTHER. 43 00:04:15,889 --> 00:04:17,823 SO YOU SAVED ME LIFE. 44 00:04:17,825 --> 00:04:19,391 OH, IT'S NOTHING. 45 00:04:19,393 --> 00:04:20,659 OH, ISN'T IT, THOUGH? 46 00:04:20,661 --> 00:04:22,494 ON SECOND THOUGHT, I AGREE WITH YOU. 47 00:04:22,496 --> 00:04:24,830 POP, YOU'VE GOT A LOT TO LIVE FOR YET. 48 00:04:24,832 --> 00:04:26,365 HAVE I, NOW? 49 00:04:26,367 --> 00:04:28,133 WHAT ARE YOU STANDING THERE GAPING AT? 50 00:04:28,135 --> 00:04:30,168 BE OFF WITH YOU! 51 00:04:31,639 --> 00:04:33,705 IF YOU'RE BROKE, MAYBE I CAN HELP YOU OUT. 52 00:04:33,707 --> 00:04:34,906 THAT'S VERY KIND OF YOU. HOW? 53 00:04:34,908 --> 00:04:36,341 BY GETTING YOU A JOB. 54 00:04:36,343 --> 00:04:37,509 WHAT KIND OF A JOB? 55 00:04:37,511 --> 00:04:38,443 HE'S KIND OF FUSSY, AIN'T HE? 56 00:04:38,445 --> 00:04:41,947 I WASN'T TALKING TO YOU. 57 00:04:41,949 --> 00:04:43,448 YOU WERE SAYING, YOUNG LADY? 58 00:04:43,450 --> 00:04:45,917 IF YOU COME AND SEE ME, MAYBE WE CAN DOPE SOMETHING OUT. 59 00:04:45,919 --> 00:04:47,619 I GOT TO HURRY NOW. I'M LATE FOR WORK ALREADY. 60 00:04:47,621 --> 00:04:48,887 WHAT'S YOUR NAME? 61 00:04:48,889 --> 00:04:50,422 JUDY. JUDY PEABODY. 62 00:04:50,424 --> 00:04:51,423 WHERE CAN I FIND YOU? 63 00:04:51,425 --> 00:04:53,191 I WORK AT THE STORK CLUB. 64 00:04:53,193 --> 00:04:55,460 STORK CLUB. WHAT'S THAT-- A FOUNDLING HOME? 65 00:04:55,462 --> 00:04:57,996 THERE ARE A LOT OF BEAUTIFUL BABIES THERE. 66 00:04:57,998 --> 00:04:59,298 TAKE CARE OF YOURSELF, POP. 67 00:04:59,300 --> 00:05:00,332 I WILL. THANKS. 68 00:05:00,334 --> 00:05:02,034 [SPLASH] 69 00:05:02,036 --> 00:05:03,035 WANT A LIFT? 70 00:05:03,037 --> 00:05:04,036 LIFT? 71 00:05:04,038 --> 00:05:05,437 IN MY CAR. 72 00:05:05,439 --> 00:05:08,173 NO, THANKS. I'VE GOT A CAR OF ME OWN. 73 00:05:24,558 --> 00:05:25,657 [AH-CHOO] 74 00:05:25,659 --> 00:05:26,892 YOU'RE SNEEZING, SIR. 75 00:05:26,894 --> 00:05:28,694 YOU DON'T SAY? 76 00:05:30,864 --> 00:05:32,097 [AH-CHOO] 77 00:05:32,099 --> 00:05:34,733 YOU'RE SNEEZING, SIR. 78 00:05:34,735 --> 00:05:37,069 YOU KNOW, I FIGURED THAT OUT FOR MESELF. 79 00:05:37,071 --> 00:05:38,503 YOU'RE ALL WET, SIR. 80 00:05:38,505 --> 00:05:40,539 I DIDN'T THINK IT SHOWED. 81 00:05:40,541 --> 00:05:42,708 AND WHATEVER HAPPENED TO YOUR CHIN? 82 00:05:42,710 --> 00:05:44,376 WHY? DID I LOSE IT? 83 00:05:44,378 --> 00:05:45,477 IT'S BLEEDING. 84 00:05:45,479 --> 00:05:47,379 A GIRL TIPPED ME. 85 00:05:47,381 --> 00:05:48,847 SHE WAS TRYING TO PROTECT HERSELF. 86 00:05:48,849 --> 00:05:49,981 I SEE, SIR. 87 00:05:49,983 --> 00:05:51,616 NO, YOU DON'T. 88 00:05:51,618 --> 00:05:53,151 I WAS DROWNING. 89 00:05:53,153 --> 00:05:54,419 HOW AWFUL! 90 00:05:54,421 --> 00:05:55,754 YOU'D BETTER TAKE OFF THOSE WET CLOTHES, SIR. 91 00:05:55,756 --> 00:05:58,824 I'LL TELEPHONE DR. MARSTON IMMEDIATELY. 92 00:05:58,826 --> 00:06:00,392 GIVE ME YOUR WAISTCOAT, SIR. 93 00:06:01,795 --> 00:06:04,563 YOU'RE ALL RIGHT-- SOUND AS A DOLLAR. 94 00:06:04,565 --> 00:06:06,231 SOUND AS A DOLLAR? 95 00:06:06,233 --> 00:06:07,799 NOW, WHAT DOES THAT MEAN? 96 00:06:07,801 --> 00:06:10,602 YOU'D BETTER STAY IN BED TODAY, J.B. 97 00:06:10,604 --> 00:06:12,237 I'LL LOOK IN ON YOU IN THE MORNING. 98 00:06:12,239 --> 00:06:13,605 DON'T BOTHER. 99 00:06:13,607 --> 00:06:14,773 EVERY TIME YOU LOOK IN ON ME, 100 00:06:14,775 --> 00:06:16,007 IT COSTS ME 10 BUCKS. 101 00:06:16,009 --> 00:06:17,876 [CHUCKLING] GOOD-BYE, J.B. 102 00:06:20,881 --> 00:06:22,447 WILL THERE BE ANYTHING ELSE, SIR? 103 00:06:22,449 --> 00:06:23,515 DID YOU CALL CURTIS? 104 00:06:23,517 --> 00:06:24,716 HE'S ON HIS WAY OVER HERE, SIR. 105 00:06:24,718 --> 00:06:27,052 GOOD. SIT DOWN, FISKE. 106 00:06:27,054 --> 00:06:28,053 I BEG YOUR PARDON, SIR? 107 00:06:28,055 --> 00:06:30,522 SIT DOWN. SIT DOWN, MAN! 108 00:06:30,524 --> 00:06:33,658 I WANT TO ASK YOU SOMETHING. 109 00:06:33,660 --> 00:06:36,628 FISKE, DID YOU EVER DROWN? 110 00:06:36,630 --> 00:06:37,963 WHY, NO, SIR. 111 00:06:37,965 --> 00:06:40,632 I MEAN ALMOST. 112 00:06:40,634 --> 00:06:42,567 WELL, I JUST DID. 113 00:06:42,569 --> 00:06:44,336 AS I WAS GOING DOWN FOR THE THIRD TIME, 114 00:06:44,338 --> 00:06:46,138 ME WHOLE LIFE FLASHED BEFORE ME, 115 00:06:46,140 --> 00:06:47,472 JUST LIKE A MOVIE. 116 00:06:47,474 --> 00:06:48,707 HOW WAS IT, SIR? 117 00:06:48,709 --> 00:06:49,741 IT STANK. 118 00:06:49,743 --> 00:06:50,742 I UNDERSTAND, SIR. 119 00:06:50,744 --> 00:06:53,078 OH, YOU DO, HUH? 120 00:06:53,080 --> 00:06:55,247 WELL. 121 00:06:55,249 --> 00:06:58,083 FISKE, I WANT TO ASK YOU SOMETHING AS MAN TO MAN. 122 00:06:58,085 --> 00:06:59,584 IF I HAD DROWNED, 123 00:06:59,586 --> 00:07:01,119 WOULD YOU HAVE MISSED ME? 124 00:07:01,121 --> 00:07:02,187 YES, SIR, I WOULD. 125 00:07:02,189 --> 00:07:03,655 YOU'RE LYING. 126 00:07:03,657 --> 00:07:05,157 NO ONE WOULD MISS ME, 127 00:07:05,159 --> 00:07:06,458 NOT EVEN ME WIFE. 128 00:07:06,460 --> 00:07:08,593 I'M SURE MRS. BATES WOULD BE INCONSOLABLE, SIR. 129 00:07:08,595 --> 00:07:11,430 NAH. SHE WOULDN'T SHED A TEAR. 130 00:07:11,432 --> 00:07:13,698 WELL, MAYBE ONE OR TWO JUST TO BE POLITE. 131 00:07:13,700 --> 00:07:15,667 I'M CERTAIN MRS. BATES LOVES YOU VERY MUCH 132 00:07:15,669 --> 00:07:16,935 AND ALWAYS WILL, SIR. 133 00:07:16,937 --> 00:07:18,503 THEN WHY DID SHE UP AND LEAVE ME? 134 00:07:18,505 --> 00:07:19,571 YOU TOLD HER TO. 135 00:07:19,573 --> 00:07:21,273 THAT'S NO EXCUSE. 136 00:07:21,275 --> 00:07:24,009 [KNOCK ON DOOR] 137 00:07:24,011 --> 00:07:27,012 I DON'T WANT TO SEE ANYBODY BUT ME LAWYER. 138 00:07:27,014 --> 00:07:28,580 VERY WELL, SIR. 139 00:07:30,517 --> 00:07:31,550 COME IN, MR. CURTIS. 140 00:07:31,552 --> 00:07:32,918 HELLO, FISKE. 141 00:07:34,121 --> 00:07:37,088 HIYA, J.B. GOT HERE AS SOON AS I COULD. 142 00:07:37,090 --> 00:07:39,357 REMIND ME TO GIVE YOU A MEDAL. 143 00:07:39,359 --> 00:07:41,159 SCOTCH AND SODA, PLEASE. 144 00:07:41,161 --> 00:07:42,694 WHY CAN'T YOU DRINK BOURBON? 145 00:07:42,696 --> 00:07:44,129 SCOTCH COSTS MONEY. 146 00:07:44,131 --> 00:07:46,832 YOU'VE GOT ENOUGH MONEY TO BUY ALL THE SCOTCH IN TOWN. 147 00:07:46,834 --> 00:07:48,066 SCOTCH AND SODA. 148 00:07:48,068 --> 00:07:49,067 BRING ME ONE, TOO. 149 00:07:49,069 --> 00:07:50,168 VERY WELL, SIR. 150 00:07:50,170 --> 00:07:52,537 MAY AS WELL TRY IT BEFORE IT'S ALL GONE. 151 00:07:52,539 --> 00:07:54,773 WELL, J.B., WHAT'S ON YOUR MIND? 152 00:07:54,775 --> 00:07:56,908 TOM, I WANT TO DO SOMETHING FOR A YOUNG LADY-- 153 00:07:56,910 --> 00:07:58,777 SOMETHING IN A FINANCIAL WAY. 154 00:07:58,779 --> 00:08:00,745 FINANCIAL. BLOND OR BRUNETTE? 155 00:08:00,747 --> 00:08:03,081 BLOND. HAIR OF SPUN GOLD. 156 00:08:03,083 --> 00:08:04,449 HOW OLD IS SHE? 157 00:08:04,451 --> 00:08:06,117 21 OR 22, I'D SAY. 158 00:08:06,119 --> 00:08:07,452 AT YOUR AGE, I'D SAY-- 159 00:08:07,454 --> 00:08:09,621 YEAH, I KNOW WHAT YOU'D SAY, BUT DON'T SAY IT. 160 00:08:09,623 --> 00:08:13,558 I FELL IN THE OCEAN, AND SHE SAVED ME LIFE. 161 00:08:13,560 --> 00:08:17,262 MM-HMM. SO NOW YOU'RE FEELING GENEROUS, HUH? 162 00:08:17,264 --> 00:08:20,298 VERY. I WANT TO MAKE HER LIFE BEAUTIFUL. 163 00:08:20,300 --> 00:08:21,666 YOU CAN COUNT ME OUT. 164 00:08:21,668 --> 00:08:23,101 COUNT YOU OUT? WHAT DO YOU MEAN? 165 00:08:23,103 --> 00:08:25,103 REMEMBER, I'VE SEEN YOUR BURSTS OF BENEVOLENCE BEFORE. 166 00:08:25,105 --> 00:08:26,805 BUT THIS ONE IS DIFFERENT. 167 00:08:26,807 --> 00:08:28,940 SO WAS GOGGINS. YOU WERE SORRY FOR HIM. 168 00:08:28,942 --> 00:08:31,476 ORDERED ME TO PAY HIM $50 A WEEK FOR LIFE. 169 00:08:31,478 --> 00:08:33,311 THEN YOU FELT YOU'D ROBBED HIM OF HIS INCENTIVE TO WORK 170 00:08:33,313 --> 00:08:34,679 AND STOPPED HIS ALLOWANCE. 171 00:08:34,681 --> 00:08:35,714 I WAS RIGHT. 172 00:08:35,716 --> 00:08:37,148 YOU WERE RIGHT, AND I WAS HOOKED. 173 00:08:37,150 --> 00:08:39,184 I'VE BEEN PAYING HIM OUT OF MY OWN POCKET EVER SINCE. 174 00:08:39,186 --> 00:08:41,853 IF I TAKE GOGGINS BACK, WILL YOU DO WHAT I ASK? 175 00:08:41,855 --> 00:08:44,222 UH-UH. I DON'T WANT TO WIND UP SUPPORTING ANY BLONDE. 176 00:08:44,224 --> 00:08:45,724 SUPPOSING I GIVE YOU A SIGNED PAPER 177 00:08:45,726 --> 00:08:46,758 SAYING I CAN'T STOP YOU. 178 00:08:46,760 --> 00:08:48,059 HOW WOULD THAT DO? 179 00:08:48,061 --> 00:08:50,729 WELL, IF YOU CAN'T STOP ME, THAT'S OK. 180 00:08:50,731 --> 00:08:52,597 AH. GOOD MAN. 181 00:08:52,599 --> 00:08:53,665 ANYTHING ELSE, SIR? 182 00:08:53,667 --> 00:08:56,234 YEAH. LOCK UP THE SCOTCH. 183 00:08:56,236 --> 00:08:59,871 UH, JUST HOW HAPPY DO YOU WANT TO MAKE THIS GIRL? 184 00:08:59,873 --> 00:09:01,473 COMPLETELY HAPPY. 185 00:09:01,475 --> 00:09:02,674 IT WON'T COST MUCH. 186 00:09:02,676 --> 00:09:04,175 I'M SURE HER WANTS ARE SMALL. 187 00:09:04,177 --> 00:09:05,176 HOW DO YOU FIGURE THAT OUT? 188 00:09:05,178 --> 00:09:07,879 BY THE BATHING SUIT SHE WAS WEARING. 189 00:09:07,881 --> 00:09:10,115 LOOK, WHY DON'T YOU LEAVE IT TO MY JUDGMENT? 190 00:09:10,117 --> 00:09:13,351 I LEARNED ABOUT MAKING GIRLS HAPPY THE HARD WAY. 191 00:09:13,353 --> 00:09:14,786 WHAT'S HER NAME? 192 00:09:14,788 --> 00:09:16,121 JUDY PEABODY. 193 00:09:16,123 --> 00:09:17,422 WHERE DOES SHE LIVE? 194 00:09:17,424 --> 00:09:19,190 I DON'T KNOW, BUT SHE WORKS AT THE STORK CLUB. 195 00:09:19,192 --> 00:09:20,191 THE STORK CLUB. 196 00:09:20,193 --> 00:09:21,560 YOU KNOW THE PLACE? 197 00:09:21,562 --> 00:09:23,061 VERY WELL. IF YOU'D LIVED ANY KIND OF LIFE AT ALL, 198 00:09:23,063 --> 00:09:24,329 YOU'D KNOW ABOUT IT, TOO. 199 00:09:24,331 --> 00:09:26,097 I KNOW, I KNOW. 200 00:09:26,099 --> 00:09:29,668 BUT THIS GIRL JUDY, SHE STILL HAS HER LIFE BEFORE HER. 201 00:09:29,670 --> 00:09:30,902 AT LEAST I'LL HAVE THE JOY 202 00:09:30,904 --> 00:09:34,205 OF MAKING HER FUTURE A BRIGHT ONE. 203 00:09:34,207 --> 00:09:35,840 I THINK YOU'RE ON THE LEVEL THIS TIME. 204 00:09:35,842 --> 00:09:37,742 OF COURSE I AM. 205 00:09:37,744 --> 00:09:38,877 THERE'S JUST ONE THING. 206 00:09:38,879 --> 00:09:40,745 SHE'S NOT, UNDER ANY CIRCUMSTANCES, 207 00:09:40,747 --> 00:09:43,615 TO KNOW IT COMES FROM ME. 208 00:09:43,617 --> 00:09:48,019 SHE THINKS SHE SAVED A POOR MAN. 209 00:09:48,021 --> 00:09:50,088 TO JUDY. 210 00:09:50,090 --> 00:09:52,357 TO JUDY, WHO WORKS AT THE STORK CLUB 211 00:09:52,359 --> 00:09:54,526 AND WHOSE WANTS ARE SMALL. 212 00:09:54,528 --> 00:09:55,927 I WONDER. 213 00:10:02,903 --> 00:10:03,935 HIYA, BILL. 214 00:10:03,937 --> 00:10:05,270 HEY, KID, YOU'RE LATE AGAIN. 215 00:10:05,272 --> 00:10:06,838 GO THROUGH THE KITCHEN SO BILLINGSLEY WON'T GET WISE. 216 00:10:06,840 --> 00:10:08,440 I GOT A BETTER WAY. 217 00:10:11,878 --> 00:10:13,144 SO YOU FINALLY GOT HERE. 218 00:10:13,146 --> 00:10:14,245 WHAT'S YOUR EXCUSE TONIGHT? 219 00:10:14,247 --> 00:10:18,049 SINCE WHEN DO I HAVE TO EXPLAIN TO THE HELP? 220 00:10:18,051 --> 00:10:19,718 OH, HELLO, MR. BILLINGSLEY. 221 00:10:19,720 --> 00:10:21,119 I DIDN'T KNOW YOU WERE HERE. 222 00:10:21,121 --> 00:10:22,621 YES, I HAPPEN TO BE ONE OF THE PEOPLE 223 00:10:22,623 --> 00:10:23,788 I HAVEN'T BARRED FROM THE PLACE. 224 00:10:23,790 --> 00:10:24,990 HA HA HA! 225 00:10:24,992 --> 00:10:26,424 COULD I HAVE A WORD WITH YOU? 226 00:10:26,426 --> 00:10:28,927 OH, CERTAINLY. I'M ALL EARS. 227 00:10:28,929 --> 00:10:31,196 COME WITH ME, PLEASE. 228 00:10:31,198 --> 00:10:34,265 WHERE DO YOU GO TO COLLECT UNEMPLOYMENT INSURANCE? 229 00:10:35,469 --> 00:10:38,770 [MUSIC PLAYING] 230 00:10:42,609 --> 00:10:43,908 HELLO, SHERMAN. 231 00:10:43,910 --> 00:10:45,710 GOOD EVENING, DAVE. 232 00:10:49,316 --> 00:10:51,916 BOSS, WOULD YOU STEP INTO THE PANTRY? 233 00:10:51,918 --> 00:10:53,184 ONE OF THE WAITERS, ROCCO, WAS CAUGHT 234 00:10:53,186 --> 00:10:54,953 WALKING OUT WITH A HAM. 235 00:11:04,197 --> 00:11:05,730 GIVE HIM BACK THE HAM. 236 00:11:07,768 --> 00:11:09,668 HERE. YOU MIGHT WANT TO MAKE SOME SANDWICHES. 237 00:11:09,670 --> 00:11:11,703 NOW YOU CAN LEAVE AND KEEP GOING. 238 00:11:18,845 --> 00:11:21,579 MISS DOROTHY LAMOUR AND PARTY ARE AT TABLE 3. 239 00:11:21,581 --> 00:11:24,482 SEND HER AND THE OTHER LADY A BOTTLE OF PERFUME EACH, WITH MY COMPLIMENTS. 240 00:11:24,484 --> 00:11:25,483 AND NO CHECK. 241 00:11:25,485 --> 00:11:26,618 YES, SIR. 242 00:11:26,620 --> 00:11:28,119 SHE USED TO SING WITH THE BAND HERE. 243 00:11:28,121 --> 00:11:29,888 CAN'T FIGURE OUT WHY SHE LEFT ME. 244 00:11:29,890 --> 00:11:32,424 SHE'S A STAR IN THE MOVIES NOW! 245 00:11:32,426 --> 00:11:33,925 YES, I HEARD THAT. 246 00:11:41,501 --> 00:11:42,567 WE JUST RECEIVED A RESERVATION 247 00:11:42,569 --> 00:11:44,569 FOR LIEUTENANT AND MRS. ROBERT TAYLOR. 248 00:11:44,571 --> 00:11:46,938 OH, THAT WOULD BE RUBY STEVENS. 249 00:11:46,940 --> 00:11:48,773 I FORGET WHAT SHE CHANGED HER NAME TO. 250 00:11:48,775 --> 00:11:50,208 YOU MUST MEAN BARBARA STANWYCK. 251 00:11:50,210 --> 00:11:51,810 OH, YES, THAT'S IT. 252 00:11:51,812 --> 00:11:53,845 A BOTTLE OF CHAMPAGNE FOR RUBY AND BOB, AND NO CHECK. 253 00:11:53,847 --> 00:11:55,413 YES, SIR. 254 00:12:11,064 --> 00:12:13,064 TELL ME, MISS PEABODY, 255 00:12:13,066 --> 00:12:14,432 WHAT DO YOU THINK OF THE STORK CLUB? 256 00:12:14,434 --> 00:12:15,400 OH, IT'S SWELL. 257 00:12:15,402 --> 00:12:17,335 THAT WAS A NICE TOUR WE HAD JUST NOW. 258 00:12:17,337 --> 00:12:20,371 I OPERATE THIS CLUB ALONG MY OWN ORIGINAL IDEA. 259 00:12:20,373 --> 00:12:22,707 YES, SIR, PARTICULARLY WHEN YOU SAY 260 00:12:22,709 --> 00:12:23,708 "NO CHECK." 261 00:12:23,710 --> 00:12:25,176 YOU SEE, THE STORK CLUB IS THE MECCA 262 00:12:25,178 --> 00:12:27,245 FOR CELEBRITIES FROM ALL OVER THE WORLD. 263 00:12:27,247 --> 00:12:30,115 THEY COME HERE TO EAT, SEE, AND BE SEEN. 264 00:12:30,117 --> 00:12:31,583 AS PART OF OUR AUDIENCE, THEY ATTRACT AN AUDIENCE. 265 00:12:31,585 --> 00:12:32,851 GET IT? 266 00:12:32,853 --> 00:12:35,120 OH. NOW I DO. 267 00:12:35,122 --> 00:12:36,788 I WANT THE RIGHT PEOPLE HERE-- 268 00:12:36,790 --> 00:12:38,623 IN THE CLUB AND ON MY STAFF. 269 00:12:38,625 --> 00:12:41,960 AND ONE THING I DEMAND OF MY STAFF IS PUNCTUALITY, 270 00:12:41,962 --> 00:12:43,762 A FACT YOU CONTINUE TO IGNORE. 271 00:12:43,764 --> 00:12:45,463 MR. BILLINGSLEY, I'M SORRY. IT'S LIKE THIS-- 272 00:12:45,465 --> 00:12:46,865 I'M NOT INTERESTED IN EXCUSES. 273 00:12:46,867 --> 00:12:48,166 YOU ALWAYS HAVE EXCELLENT ONES. 274 00:12:48,168 --> 00:12:49,701 BUT THE THINGS THAT HAPPEN TO ME-- 275 00:12:49,703 --> 00:12:51,269 THEY'RE JUST FANTASTIC. THIS AFTERNOON-- 276 00:12:51,271 --> 00:12:54,572 NEVER MIND. YOU UNDERSTAND, DON'T YOU? 277 00:12:54,574 --> 00:12:56,474 I THINK I DO. 278 00:12:56,476 --> 00:12:58,376 SURE YOU DO. YOU'RE SMART. 279 00:12:58,378 --> 00:12:59,744 THAT'S WHY I HIRED YOU. 280 00:12:59,746 --> 00:13:00,979 YEAH? 281 00:13:00,981 --> 00:13:03,181 A GIRL LIKE YOU IS AN ASSET TO THE STORK CLUB. 282 00:13:03,183 --> 00:13:04,182 HONEST? 283 00:13:04,184 --> 00:13:05,216 WHY SHOULD I LIE TO YOU? 284 00:13:05,218 --> 00:13:07,352 COULD I RUN IT BY MYSELF? 285 00:13:07,354 --> 00:13:08,453 NO. 286 00:13:08,455 --> 00:13:10,421 I NEED PLENTY OF HELP, GOOD HELP, 287 00:13:10,423 --> 00:13:13,458 PEOPLE WHO THINK OF ME ONCE IN A WHILE, LIKE YOU. 288 00:13:13,460 --> 00:13:15,860 I'VE HAD MY EYE ON YOU FOR A LONG TIME, JUDY. 289 00:13:15,862 --> 00:13:18,096 YOU DON'T WANT TO BE A HATCHECK GIRL ALL YOUR LIFE, DO YOU? 290 00:13:18,098 --> 00:13:19,564 OH, CERTAINLY NOT. 291 00:13:19,566 --> 00:13:21,766 THEN USE YOUR HEAD. BE ON TIME. 292 00:13:21,768 --> 00:13:23,434 I'D LIKE TO SEE YOU AROUND. 293 00:13:23,436 --> 00:13:25,203 GO ALONG NOW. 294 00:13:25,205 --> 00:13:26,471 AND I'M NOT FIRED FOR BEING LATE? 295 00:13:26,473 --> 00:13:28,306 NO, BUT DON'T LET IT HAPPEN AGAIN. 296 00:13:28,308 --> 00:13:30,074 OH, GEE, THANKS. IT WON'T. 297 00:13:30,076 --> 00:13:32,210 I WANT YOU, ABOVE ALL, TO SET A GOOD EXAMPLE 298 00:13:32,212 --> 00:13:33,411 FOR THE REST OF THE GIRLS. 299 00:13:33,413 --> 00:13:36,080 OK, BOSS. 300 00:13:46,092 --> 00:13:47,659 DID HE TIE THE CAN TO YOU? 301 00:13:47,661 --> 00:13:49,027 YOU DON'T HEAR IT RATTLING, DO YOU? 302 00:13:49,029 --> 00:13:50,028 SWELL! 303 00:13:50,030 --> 00:13:51,062 GOOD EVENING, SIR. 304 00:13:51,064 --> 00:13:52,797 GOOD EVENING. 305 00:13:52,799 --> 00:13:54,299 HEY, IT'S CANTEEN NIGHT AGAIN TONIGHT. 306 00:13:54,301 --> 00:13:55,300 THE BOSS IS FURNISHING THE FOOD. 307 00:13:55,302 --> 00:13:56,367 WANT TO GO? 308 00:13:56,369 --> 00:13:57,969 SURE. DO YOU KNOW IF HE'S GOING? 309 00:13:57,971 --> 00:13:59,103 I DON'T KNOW, BUT I BET HE DOES. 310 00:13:59,105 --> 00:14:00,138 GEE, I WISH I COULD GET ON 311 00:14:00,140 --> 00:14:02,040 SO HE COULD HEAR ME SING. 312 00:14:02,042 --> 00:14:03,041 GOOD EVENING, SIR. 313 00:14:03,043 --> 00:14:04,042 GOOD EVENING. 314 00:14:04,044 --> 00:14:05,043 YOU KNOW, THAT BILLINGSLEY 315 00:14:05,045 --> 00:14:06,044 IS THE MOST GENEROUS GUY I EVER KNEW. 316 00:14:06,046 --> 00:14:07,545 HE WAS WONDERFUL TO ME. 317 00:14:07,547 --> 00:14:08,546 YEAH? 318 00:14:08,548 --> 00:14:11,049 YEAH, BUT...I HATE TO SAY THIS. 319 00:14:11,051 --> 00:14:13,251 I THINK HE'S A LITTLE BIT SCREWY. 320 00:14:13,253 --> 00:14:14,352 SCREWY? WHY? 321 00:14:14,354 --> 00:14:17,188 HE THINKS THAT BARBARA STANWYCK 322 00:14:17,190 --> 00:14:18,489 IS A GIRL NAMED RUBY STEVENS. 323 00:14:18,491 --> 00:14:19,557 CRACKING UP. 324 00:14:19,559 --> 00:14:20,558 DEFINITELY. 325 00:14:20,560 --> 00:14:23,094 [BAND PLAYING LIVELY SONG] 326 00:14:32,038 --> 00:14:33,171 SAY, THIS AIN'T BAD. 327 00:14:33,173 --> 00:14:35,640 NO, BUT I'LL BET IT LOOKS THAT WAY. 328 00:14:35,642 --> 00:14:38,643 AW, DON'T THE MUSIC GET YOU? 329 00:14:38,645 --> 00:14:40,578 IT'S HAD ME. MY BOYFRIEND'S THE BANDLEADER. 330 00:14:40,580 --> 00:14:42,013 YEAH? WHAT DOES HE PLAY? 331 00:14:42,015 --> 00:14:45,884 HE DOESN'T. HE'S A MARINE IN THE PACIFIC. 332 00:14:45,886 --> 00:14:47,518 I GET YOU. 333 00:14:51,091 --> 00:14:52,590 [MUSIC STOPS] 334 00:14:54,895 --> 00:14:56,327 I WAS ALL SET TO SING WITH THIS BAND, 335 00:14:56,329 --> 00:14:58,830 BUT I GUESS THAT'S OFF FOR THE DURATION. 336 00:14:58,832 --> 00:15:00,098 BY THE WAY, I HAVEN'T HEARD FROM HIM 337 00:15:00,100 --> 00:15:01,165 IN A COUPLE OF MONTHS. 338 00:15:01,167 --> 00:15:02,267 DOES THAT MEAN ANYTHING? 339 00:15:02,269 --> 00:15:03,401 ANYTHING. 340 00:15:03,403 --> 00:15:04,936 HEY, BILLINGSLEY JUST CAME IN. 341 00:15:04,938 --> 00:15:05,937 WHERE IS HE? 342 00:15:05,939 --> 00:15:07,238 OVER BY THE DOOR. 343 00:15:09,843 --> 00:15:11,509 ATTENTION, EVERYBODY. 344 00:15:11,511 --> 00:15:13,878 IN THIS CANTEEN, WE ENTERTAIN OURSELVES. 345 00:15:13,880 --> 00:15:15,146 ANY VOLUNTEERS? 346 00:15:15,148 --> 00:15:16,581 PUT ME DOWN! 347 00:15:16,583 --> 00:15:17,715 WATCH THE BOSS' FACE. 348 00:15:17,717 --> 00:15:19,751 I WANT TO KNOW HOW I DID. 349 00:15:19,753 --> 00:15:21,419 GOOD NIGHT. 350 00:15:30,630 --> 00:15:33,798 OF COURSE YOU CAN SEE I CAME TOTALLY UNPREPARED. 351 00:15:33,800 --> 00:15:35,733 HOW ABOUT A LITTLE HELP FROM MY QUARTET? 352 00:15:35,735 --> 00:15:37,302 Both: WE'LL BE RIGHT OVER. 353 00:15:37,304 --> 00:15:39,137 Judy: OK, FELLAS, HIT IT. 354 00:15:44,811 --> 00:15:47,345 ♪ THERE'S A DOCTOR LIVING IN YOUR TOWN ♪ 355 00:15:47,347 --> 00:15:49,647 ♪ THERE'S A LAWYER AND AN INDIAN, TOO ♪ 356 00:15:49,649 --> 00:15:52,583 ♪ NEITHER DOCTOR, LAWYER, NOR INDIAN CHIEF ♪ 357 00:15:52,585 --> 00:15:56,087 ♪ COULD LOVE YOU ANY MORE THAN I DO ♪ 358 00:15:56,089 --> 00:15:58,756 ♪ THERE'S A BARREL OF FISH IN THE OCEAN ♪ 359 00:15:58,758 --> 00:16:01,092 ♪ THERE'S A LOT OF LITTLE BIRDS IN THE BLUE ♪ 360 00:16:01,094 --> 00:16:04,062 ♪ AND NEITHER FISH NOR FOWL SAYS THE WISE OLD OWL ♪ 361 00:16:04,064 --> 00:16:07,999 ♪ COULD LOVE YOU ANY MORE THAN I DO ♪ 362 00:16:08,001 --> 00:16:12,804 ♪ NO, NO, NO, IT COULDN'T BE TRUE ♪ 363 00:16:12,806 --> 00:16:17,742 ♪ THAT ANYONE ELSE COULD LOVE YOU LIKE I DO ♪ 364 00:16:17,744 --> 00:16:20,378 ♪ I'M GONNA WARN ALL THE DEAD-EYED DICKS ♪ 365 00:16:20,380 --> 00:16:22,880 ♪ THAT YOU'RE THE CHICK WITH THE SLICKEST TRICKS ♪ 366 00:16:22,882 --> 00:16:25,316 ♪ AND EVERY TICK OF MY TICKER TICKS ♪ 367 00:16:25,318 --> 00:16:28,019 ♪ FOR YOU, FOLLOW THROUGH ♪ 368 00:16:28,021 --> 00:16:30,621 ♪ TELL THE DOC TO STICK TO HIS PRACTICE ♪ 369 00:16:30,623 --> 00:16:33,291 ♪ TELL THE LAWYER TO SETTLE HIS CASE ♪ 370 00:16:33,293 --> 00:16:35,893 ♪ SEND THE INDIAN CHIEF AND HIS TOMMYHAWK ♪ 371 00:16:35,895 --> 00:16:39,130 ♪ BACK TO LITTLE RAIN IN THE FACE ♪ 372 00:16:39,132 --> 00:16:44,602 ♪ 'CAUSE YOU KNOW, KNOW, KNOW IT COULDN'T BE TRUE ♪ 373 00:16:44,604 --> 00:16:50,408 ♪ THAT ANYONE ELSE COULD LOVE YOU LIKE I DO ♪ 374 00:16:55,415 --> 00:17:00,218 ♪ NO, NO, NO, IT COULDN'T BE TRUE ♪ 375 00:17:00,220 --> 00:17:05,223 ♪ THAT ANYONE ELSE COULD LOVE YOU LIKE I DO ♪ 376 00:17:05,225 --> 00:17:07,692 ♪ AND CONFIDENTIALLY, I CONFESS ♪ 377 00:17:07,694 --> 00:17:10,261 ♪ I SENT A NOTE TO THE LOCAL PRESS ♪ 378 00:17:10,263 --> 00:17:12,797 ♪ THAT I'LL BE CHANGING MY HOME ADDRESS ♪ 379 00:17:12,799 --> 00:17:14,632 ♪ FOR YOU, FOLLOW THROUGH ♪ 380 00:17:14,634 --> 00:17:17,769 ♪ TELL THE DOCTOR TO STICK TO HIS PRACTICE ♪ 381 00:17:17,771 --> 00:17:20,338 ♪ TELL THE LAWYER TO SETTLE HIS CASE ♪ 382 00:17:20,340 --> 00:17:23,508 ♪ SEND THE INDIAN CHIEF AND HIS TOMMYHAWK ♪ 383 00:17:23,510 --> 00:17:26,577 ♪ BACK TO LITTLE RAIN IN THE FACE ♪ 384 00:17:26,579 --> 00:17:31,682 ♪ 'CAUSE YOU KNOW, KNOW, KNOW IT COULDN'T BE TRUE ♪ 385 00:17:31,684 --> 00:17:37,255 ♪ THAT ANYONE ELSE COULD LOVE YOU LIKE I DO ♪ 386 00:17:37,257 --> 00:17:41,793 ♪ NO, NO, NO, IT COULDN'T BE TRUE ♪ 387 00:17:41,795 --> 00:17:47,031 ♪ THAT ANYONE ELSE COULD LOVE YOU LIKE I DO ♪ 388 00:17:47,033 --> 00:17:49,333 ♪ I'M GONNA SEND A HOT COMMUNIQUE ♪ 389 00:17:49,335 --> 00:17:51,936 ♪ TO WARN THE BOYS DOWN AT CRIPPLE CREEK ♪ 390 00:17:51,938 --> 00:17:54,505 ♪ THAT EVERY DIMPLE OF YOUR DIMPLED CHEEK ♪ 391 00:17:54,507 --> 00:17:56,674 ♪ IS MINE, SO TO SPEAK ♪ 392 00:17:56,676 --> 00:17:57,742 ♪ TELL THE ♪ ♪ DOC ♪ 393 00:17:57,744 --> 00:17:59,343 ♪ TO STICK TO HIS PRACTICE ♪ 394 00:17:59,345 --> 00:18:00,344 ♪ TELL THE ♪ ♪ LAWYER ♪ 395 00:18:00,346 --> 00:18:02,046 ♪ TO SETTLE HIS CASE ♪ 396 00:18:02,048 --> 00:18:03,314 ♪ SEND THE ♪ ♪ INDIAN CHIEF ♪ 397 00:18:03,316 --> 00:18:05,149 ♪ AND HIS TOMMYHAWK ♪ 398 00:18:05,151 --> 00:18:08,352 ♪ BACK TO LITTLE RAIN IN THE FACE ♪ 399 00:18:08,354 --> 00:18:13,658 ♪ 'CAUSE YOU KNOW, KNOW, KNOW IT COULDN'T BE TRUE ♪ 400 00:18:13,660 --> 00:18:18,629 ♪ THAT ANYONE ELSE COULD LOVE YOU LIKE I DO ♪ 401 00:18:18,631 --> 00:18:20,932 ♪ LIKE I DO ♪ 402 00:18:20,934 --> 00:18:23,434 ♪ LIKE I DO ♪ 403 00:18:23,436 --> 00:18:26,037 ♪ LIKE I DO ♪ 404 00:18:26,039 --> 00:18:29,807 ♪ LIKE I DO ♪ 405 00:18:29,809 --> 00:18:31,976 [APPLAUSE] 406 00:18:35,515 --> 00:18:36,681 GEE, KID, YOU WERE WONDERFUL. 407 00:18:36,683 --> 00:18:38,049 DID YOU WATCH HIS FACE? 408 00:18:38,051 --> 00:18:40,184 HOW COULD I? HE TOOK IT WITH HIM. 409 00:18:43,523 --> 00:18:45,022 THE LAUNDRIES AREN'T WHAT THEY USED TO BE. 410 00:18:45,024 --> 00:18:47,425 THE COMFORT ALL SHRUNK OUT OF THEM. 411 00:18:47,427 --> 00:18:51,162 [HUMMING] 412 00:18:53,466 --> 00:18:55,333 ARE YOU SURE JUDY WILL GET THE LETTER AT 2:00? 413 00:18:55,335 --> 00:18:57,001 SURE. I'M SENDING IT BY SPECIAL MESSENGER. 414 00:18:57,003 --> 00:18:59,070 GOOD, GOOD. I GOT TO BE THERE. 415 00:18:59,072 --> 00:19:01,339 I GOT TO SEE HER FACE WHEN SHE GETS IT. 416 00:19:01,341 --> 00:19:04,142 YOU SEE, I'M A NOSY KIND OF A SANTA CLAUS. 417 00:19:04,144 --> 00:19:05,109 YOU KNOW, IT'S CRAZY, J.B., 418 00:19:05,111 --> 00:19:07,145 PUTTING ON THOSE OLD RAGS. 419 00:19:07,147 --> 00:19:08,379 RAGS, ARE THEY? 420 00:19:08,381 --> 00:19:09,947 HERE. FEEL THAT MATERIAL. 421 00:19:09,949 --> 00:19:11,516 YOU WON'T GET THAT QUALITY NOWADAYS. 422 00:19:11,518 --> 00:19:12,850 NO, THANKS. 423 00:19:12,852 --> 00:19:13,985 AFRAID SOMETHING WILL JUMP OUT AND BITE YOU? 424 00:19:13,987 --> 00:19:17,622 EXACTLY. NOW LOOK, YOU WANT TO BE ANONYMOUS. 425 00:19:17,624 --> 00:19:19,957 IF YOU HANG AROUND, SHE'S GONNA SMELL A RAT. 426 00:19:19,959 --> 00:19:23,528 NONSENSE. SHE THINKS I'M A POOR MAN. 427 00:19:23,530 --> 00:19:25,329 SHE WANTS TO GET ME A JOB. 428 00:19:25,331 --> 00:19:28,366 HA! WHAT'LL YOU DO IF SHE DOES? 429 00:19:28,368 --> 00:19:30,535 I NEVER GAVE IT A THOUGHT. 430 00:19:30,537 --> 00:19:32,537 THAT'S A NASTY COMPLICATION. 431 00:19:32,539 --> 00:19:34,438 WELL, I'LL CROSS THAT BRIDGE WHEN I CROSS IT. 432 00:19:34,440 --> 00:19:36,974 [HUMMING] 433 00:19:40,046 --> 00:19:41,279 HOW DO I LOOK? 434 00:19:41,281 --> 00:19:42,980 YOU LOOK LIKE A TRAMP. 435 00:19:42,982 --> 00:19:44,315 I'D LIKE TO PASS FOR THAT. 436 00:19:44,317 --> 00:19:46,117 LOOK AT THE HEAD START YOU GOT. 437 00:19:46,119 --> 00:19:48,119 NOTHING YOU CAN SAY CAN ANNOY ME TODAY. 438 00:19:48,121 --> 00:19:49,353 COME ON, DRIVE INTO TOWN WITH ME. 439 00:19:49,355 --> 00:19:51,822 I WOULDN'T WALK TO THE CORNER WITH YOU. 440 00:19:56,863 --> 00:19:59,063 EXCUSE ME. I WONDER, WOULD YOU BE KIND ENOUGH-- 441 00:19:59,065 --> 00:20:00,398 HERE YOU ARE, AND DON'T TELL ME 442 00:20:00,400 --> 00:20:02,333 YOU'RE GOING TO SPEND IT ON FOOD. 443 00:20:02,335 --> 00:20:04,936 WHY, HOW DARE YOU! WHY, I OUGHT TO-- 444 00:20:12,779 --> 00:20:15,479 THERE IT IS, SURE ENOUGH. 445 00:20:18,651 --> 00:20:20,918 [MUSIC PLAYING] 446 00:20:27,660 --> 00:20:28,759 MAY I CHECK YOUR HAT? 447 00:20:28,761 --> 00:20:29,794 POP! 448 00:20:29,796 --> 00:20:30,828 HOW ARE YOU, JUDY? 449 00:20:30,830 --> 00:20:32,096 HOW HAVE YOU BEEN, ANYWAY? 450 00:20:32,098 --> 00:20:33,397 I'VE BEEN MANAGING. 451 00:20:33,399 --> 00:20:34,632 ANYHOW, YOU'RE STILL ALIVE. 452 00:20:34,634 --> 00:20:35,633 IS HE? 453 00:20:35,635 --> 00:20:36,634 OH, GWEN, THIS IS POP. 454 00:20:36,636 --> 00:20:38,002 I PULLED HIM OUT OF THE OCEAN. 455 00:20:38,004 --> 00:20:39,103 WHY? 456 00:20:39,105 --> 00:20:40,571 YOUNG LADY, WHAT KIND OF A QUESTION IS THAT? 457 00:20:40,573 --> 00:20:42,139 HAVE YOU NO FEELING FOR YOUR FELLOW MAN? 458 00:20:42,141 --> 00:20:43,674 NOT A SHRED. 459 00:20:43,676 --> 00:20:45,142 DON'T PAY ANY ATTENTION TO HER, POP. 460 00:20:45,144 --> 00:20:46,177 LISTEN, YOU STICK AROUND. 461 00:20:46,179 --> 00:20:47,144 I'M GOING TO SEE WHAT I CAN DO 462 00:20:47,146 --> 00:20:48,246 ABOUT GETTING YOU A JOB. 463 00:20:48,248 --> 00:20:50,281 NO HURRY. NO HURRY AT ALL. PLENTY OF TIME. 464 00:20:50,283 --> 00:20:52,850 DON'T WANT TO WORK, HUH? 465 00:20:52,852 --> 00:20:54,986 I'M BEGINNING NOT TO LIKE YOU. 466 00:20:54,988 --> 00:20:56,687 DON'T ENCOURAGE IT. 467 00:20:56,689 --> 00:20:59,223 LOOK, POP, YOU WANT TO MAKE SOMETHING OUT OF YOURSELF, DON'T YOU? 468 00:20:59,225 --> 00:21:00,825 HE ALREADY HAS. LOOK AT HIM. 469 00:21:00,827 --> 00:21:02,260 YOU DO WANT TO WORK, DON'T YOU? 470 00:21:02,262 --> 00:21:04,128 NOT IF I CAN POSSIBLY ESCAPE IT. 471 00:21:04,130 --> 00:21:06,497 I'M NOT EASILY PLACED. I HAVE LIMITATIONS. 472 00:21:06,499 --> 00:21:08,132 WHAT'LL I DO WITH HIM? 473 00:21:08,134 --> 00:21:09,567 THROW HIM BACK IN THE OCEAN. 474 00:21:09,569 --> 00:21:11,135 OH, I CAN'T DO THAT. 475 00:21:11,137 --> 00:21:12,570 OH, THANKS. 476 00:21:12,572 --> 00:21:15,139 BUT I AM GOING TO GET HIM A JOB. 477 00:21:16,676 --> 00:21:19,977 HEY, POP, FOOL HER. TAKE A POWDER. 478 00:21:19,979 --> 00:21:23,147 I WONDER WHAT YOUR MOTHER WAS LIKE. 479 00:21:25,518 --> 00:21:28,019 MR. CORETTI, HOW ARE YOU FIXED FOR HELP? 480 00:21:28,021 --> 00:21:30,354 HELP. DO YOU MEAN THERE'S SOMEBODY 481 00:21:30,356 --> 00:21:31,656 WHO WANTS TO WORK? 482 00:21:31,658 --> 00:21:33,758 I THINK HE COULD BE TALKED INTO IT. 483 00:21:33,760 --> 00:21:35,660 JUDY, FOR A GOOD WAITER, 484 00:21:35,662 --> 00:21:37,828 I WOULD GIVE BOTH OF MY RIGHT EYES. 485 00:21:37,830 --> 00:21:40,197 OH, HE'S MORE THE BUSBOY TYPE. 486 00:21:40,199 --> 00:21:41,432 THEN I'LL GIVE ONLY ONE. 487 00:21:41,434 --> 00:21:43,634 SWELL. 488 00:21:43,636 --> 00:21:44,835 PSST. 489 00:21:52,478 --> 00:21:53,577 THIS IS POP. 490 00:21:53,579 --> 00:21:54,679 MR. CORETTI, POP. 491 00:21:54,681 --> 00:21:57,481 MR. CORETTI, IS IT? 492 00:21:57,483 --> 00:21:59,216 COME WITH ME. 493 00:22:00,320 --> 00:22:02,219 GOOD LUCK, POP. 494 00:22:06,592 --> 00:22:07,725 WHAT HAPPENED? 495 00:22:07,727 --> 00:22:09,760 CORETTI SNAPPED HIM UP LIKE THAT. 496 00:22:09,762 --> 00:22:12,029 I'LL BET HE HASN'T WORKED SINCE SING-SING. 497 00:22:13,333 --> 00:22:14,965 NOW REMEMBER WHAT I SAID. 498 00:22:14,967 --> 00:22:18,235 DON'T PILE TOO MANY DISHES ON ONE PLATE. 499 00:22:18,237 --> 00:22:19,603 BE COURTEOUS TO THE WAITERS-- 500 00:22:19,605 --> 00:22:20,604 TO THE WAITERS? 501 00:22:20,606 --> 00:22:21,906 YES. 502 00:22:21,908 --> 00:22:24,241 WE CAN GET ALL THE CUSTOMERS WE WANT. 503 00:22:24,243 --> 00:22:25,843 ON YOUR WAY. 504 00:22:40,159 --> 00:22:42,193 CLEAR OFF THESE DISHES, BOY. 505 00:23:03,883 --> 00:23:05,683 I'M NOT FINISHED WITH THIS YET, BOY! 506 00:23:05,685 --> 00:23:08,252 YOU ARE AS FAR AS I'M CONCERNED. 507 00:23:08,254 --> 00:23:10,020 WHAT'S THE MATTER WITH HIM? 508 00:23:25,872 --> 00:23:28,439 HEY, BOY, RIGHT OVER HERE. 509 00:23:41,187 --> 00:23:42,653 WELL, POP, WHEN DO YOU START? 510 00:23:42,655 --> 00:23:43,621 I'M ALREADY FINISHED. 511 00:23:43,623 --> 00:23:44,889 WHAT? 512 00:23:44,891 --> 00:23:47,458 SHORT HOURS. IT'S THE UNION I BELONG TO. 513 00:23:47,460 --> 00:23:50,060 NOW, POP, COME CLEAN. 514 00:23:50,062 --> 00:23:52,463 I'M SORRY, AND I HOPE YOU'LL THINK NONE THE LESS OF ME 515 00:23:52,465 --> 00:23:54,865 FOR BEING THE KIND OF MAN I AM. 516 00:23:54,867 --> 00:23:58,302 IT'S NOT THAT I'M NOT GRATEFUL TO YOU, BECAUSE I AM. 517 00:23:58,304 --> 00:24:00,738 THAT'S OK, POP. I'LL THINK OF SOMETHING ELSE. 518 00:24:00,740 --> 00:24:01,872 OH, NO, YOU WON'T. 519 00:24:01,874 --> 00:24:03,140 YOU GO OVER THERE AND SIT DOWN. 520 00:24:03,142 --> 00:24:04,308 I'LL BE OFF IN A FEW MINUTES, 521 00:24:04,310 --> 00:24:05,242 AND WE'LL TALK ABOUT IT. 522 00:24:05,244 --> 00:24:07,745 WE CAN TALK ABOUT IT, I GUESS. 523 00:24:07,747 --> 00:24:08,746 WHY DON'T YOU GIVE HIM A COUPLE OF BUCKS 524 00:24:08,748 --> 00:24:10,214 AND LET HIM GO? 525 00:24:10,216 --> 00:24:12,750 NO, I LIKE HIM. I THINK I'LL ADOPT HIM. 526 00:24:12,752 --> 00:24:16,220 NOW, JUDY, YOU DON'T KNOW ANYTHING ABOUT HIS PARENTS. 527 00:24:16,222 --> 00:24:18,189 WHERE CAN I FIND MISS JUDY PEABODY? 528 00:24:18,191 --> 00:24:20,057 I'M JUDY PEABODY. 529 00:24:47,987 --> 00:24:49,720 OH, GWEN, THIS IS A G. 530 00:24:49,722 --> 00:24:51,121 NOT TO ME, IT ISN'T. 531 00:24:51,123 --> 00:24:52,122 WHAT HAVE YOU BEEN UP TO? 532 00:24:52,124 --> 00:24:53,691 NOTHING. WHY? 533 00:24:53,693 --> 00:24:55,626 THAT LINE-- "YOU HAVE BEEN MOST ACCOMMODATING." 534 00:24:55,628 --> 00:24:56,760 THAT'S A LIE. 535 00:24:56,762 --> 00:24:58,195 I WOULDN'T TAKE THAT TOO SERIOUSLY. 536 00:24:58,197 --> 00:25:00,130 SOMEBODY THINKS VERY HIGHLY OF YOU. 537 00:25:00,132 --> 00:25:01,198 I'LL SAY THEY DO. 538 00:25:01,200 --> 00:25:03,000 NOTHING LIKE THAT EVER HAPPENS TO ME. 539 00:25:03,002 --> 00:25:04,835 DO YOU THINK IT COULD BE ON THE LEVEL? 540 00:25:04,837 --> 00:25:06,570 IT'S A CINCH TO FIND OUT. 541 00:25:06,572 --> 00:25:07,872 THAT'S RIGHT. LOCKE'S FIFTH AVENUE 542 00:25:07,874 --> 00:25:09,340 IS THE BIGGEST STORE IN NEW YORK. 543 00:25:09,342 --> 00:25:12,576 THEY SELL EVERYTHING FROM A BASEBALL BAT TO A DIAMOND LAVALIERE. 544 00:25:12,578 --> 00:25:14,745 WHO NEEDS A DIAMOND LAVALIERE? 545 00:25:14,747 --> 00:25:16,013 THEY'RE VERY VULGAR. 546 00:25:16,015 --> 00:25:17,982 IF THAT LETTER MEANS WHAT I THINK IT DOES, 547 00:25:17,984 --> 00:25:19,783 YOU'LL NEED A BASEBALL BAT. 548 00:25:19,785 --> 00:25:21,552 I'LL TRY IT OUT ON POP. 549 00:25:21,554 --> 00:25:22,786 ON ME? 550 00:25:22,788 --> 00:25:23,721 WE'LL TAKE YOU TO THE MEN'S DEPARTMENT 551 00:25:23,723 --> 00:25:25,756 AND GET YOU OUTFITTED FROM HEAD TO FOOT. 552 00:25:25,758 --> 00:25:28,392 IF IT WORKS, WE'LL BUY OUT THE JOINT! 553 00:25:35,334 --> 00:25:38,335 THERE. A COMPLETE METAMORPHOSIS. 554 00:25:38,337 --> 00:25:39,570 I'LL THANK YOU TO KEEP 555 00:25:39,572 --> 00:25:40,704 A CIVIL TONGUE IN YOUR HEAD. 556 00:25:40,706 --> 00:25:42,940 WE'LL TAKE TWO MORE-- A BLUE AND A GRAY. 557 00:25:42,942 --> 00:25:44,708 GEE, POP, YOU LOOK WONDERFUL. 558 00:25:44,710 --> 00:25:46,010 I'M PROUD OF YOU. 559 00:25:46,012 --> 00:25:47,878 I WISH I COULD SHARE YOUR JOY. 560 00:25:47,880 --> 00:25:49,947 IS THIS CASH OR CHARGE, MISS? 561 00:25:49,949 --> 00:25:52,149 UM, CHARGE. 562 00:25:52,151 --> 00:25:55,319 THANK YOU. MR. HANSON! 563 00:25:55,321 --> 00:25:56,787 MR. HANSON! 564 00:25:56,789 --> 00:25:59,189 BET THAT'S THE HOUSE DETECTIVE. 565 00:25:59,191 --> 00:26:01,158 YOUR NAME, PLEASE? 566 00:26:01,160 --> 00:26:02,426 JUDY PEABODY. 567 00:26:02,428 --> 00:26:03,427 YOUR ADDRESS? 568 00:26:03,429 --> 00:26:05,596 THE STORK CLUB. 569 00:26:05,598 --> 00:26:08,566 YOU LIVE THERE? WHAT FUN! 570 00:26:08,568 --> 00:26:10,434 SHALL WE SEND THIS, MISS PEABODY? 571 00:26:10,436 --> 00:26:11,569 NO, WE'LL TAKE THEM WITH US. 572 00:26:11,571 --> 00:26:13,737 HANSON-- CREDIT MANAGER. 573 00:26:13,739 --> 00:26:17,408 MISS PEABODY. WHY, OF COURSE! MISS PEABODY. 574 00:26:17,410 --> 00:26:19,043 IT'S A PLEASURE TO WELCOME YOU TO LOCKE'S. 575 00:26:19,045 --> 00:26:22,813 I'M GLAD TO MEET YOU, TOO! 576 00:26:22,815 --> 00:26:24,715 WE'VE BEEN EXPECTING YOU. 577 00:26:24,717 --> 00:26:26,483 THEN EVERYTHING'S ALL RIGHT? 578 00:26:26,485 --> 00:26:28,285 PERFECTLY IN ORDER. 579 00:26:30,456 --> 00:26:32,456 WHERE ARE THE MINK COATS? 580 00:26:37,630 --> 00:26:39,797 GENUINE LABRADOR MINK, MISS PEABODY. 581 00:26:39,799 --> 00:26:42,466 J.B.: MINKS? MOST UNHEALTHY LITTLE ANIMALS. 582 00:26:42,468 --> 00:26:43,500 HOW MUCH IS IT? 583 00:26:43,502 --> 00:26:46,270 $6,000. FEEL IT, SIR. 584 00:26:46,272 --> 00:26:48,539 J.B.: I CAN FEEL IT FROM HERE. 585 00:26:48,541 --> 00:26:49,907 OH, IT'S BEAUTIFUL. 586 00:26:49,909 --> 00:26:51,442 AND THE PRICE IS RIGHT. 587 00:26:51,444 --> 00:26:52,710 BUT, JUDY, WOULDN'T IT BE BETTER 588 00:26:52,712 --> 00:26:54,411 IF YOU FIRST LOOKED AT SOME NICE CLOTH COATS? 589 00:26:54,413 --> 00:26:56,880 OH, POP, YOU HAVE NO IDEA 590 00:26:56,882 --> 00:26:58,916 WHAT MINK MEANS TO A WOMAN. 591 00:26:58,918 --> 00:27:00,317 I'LL TAKE TWO. 592 00:27:00,319 --> 00:27:02,586 TWO. 593 00:27:02,588 --> 00:27:04,088 MY COMING-OUT PRESENT FOR YOU. 594 00:27:04,090 --> 00:27:05,022 JUDY, I COULDN'T THINK OF IT. 595 00:27:05,024 --> 00:27:06,423 WHAT DO YOU MEAN? 596 00:27:06,425 --> 00:27:08,192 YOU'VE BEEN THINKING OF IT FOR YEARS. 597 00:27:08,194 --> 00:27:09,293 WE'LL WEAR THEM. 598 00:27:09,295 --> 00:27:11,996 TODAY? IN ALL THIS HEAT? 599 00:27:11,998 --> 00:27:13,697 WOULDN'T YOU? 600 00:27:13,699 --> 00:27:15,966 YES, MISS PEABODY. 601 00:27:17,370 --> 00:27:18,936 MISS PEABODY'S THE YOUNG LADY IN WHITE. 602 00:27:18,938 --> 00:27:20,304 BUT, JUDY, IT'S AUGUST, 603 00:27:20,306 --> 00:27:22,039 AND ONE OF THE HOTTEST DAYS IN THE YEAR. 604 00:27:22,041 --> 00:27:23,073 SO WHAT? 605 00:27:23,075 --> 00:27:25,075 YOU'LL MELT IN A FUR COAT. 606 00:27:25,077 --> 00:27:27,678 YEAH, BUT I'LL LOOK AWFUL GOOD DOING IT. 607 00:27:27,680 --> 00:27:28,679 MISS PEABODY? 608 00:27:28,681 --> 00:27:29,747 YES? 609 00:27:29,749 --> 00:27:32,049 I'M HIGGINS, YOUR CHAUFFEUR. 610 00:27:32,051 --> 00:27:33,250 YEAH? 611 00:27:33,252 --> 00:27:35,085 YOUR CAR IS AT THE NORTH ENTRANCE. 612 00:27:35,087 --> 00:27:36,654 MY...CAR. 613 00:27:36,656 --> 00:27:38,122 YES, MISS. 614 00:27:39,692 --> 00:27:40,924 WELL, WHY WEREN'T YOU AT THE STORK CLUB TO PICK ME UP? 615 00:27:40,926 --> 00:27:43,994 SORRY, MISS, BUT I WAS INSTRUCTED TO MOVE YOUR THINGS 616 00:27:43,996 --> 00:27:45,763 TO THE YORK TOWERS. 617 00:27:45,765 --> 00:27:49,500 OH, WELL, UM, WELL, SEE THAT IT DOESN'T HAPPEN AGAIN. 618 00:27:49,502 --> 00:27:51,602 I CAN STAND IT NO LONGER. 619 00:27:51,604 --> 00:27:54,004 YOU MAY GO, HAWKINS. 620 00:27:54,006 --> 00:27:56,306 UH, HIGGINS, MISS. 621 00:27:56,308 --> 00:28:00,277 HIGGINS, SHMIGGINS. YOU MAY GO ANYWAY. 622 00:28:05,484 --> 00:28:08,519 CURTIS, WHAT ARE YOU TRYING TO DO TO ME? 623 00:28:08,521 --> 00:28:10,454 THAT GIRL IS HERE BUYING FUR COATS 624 00:28:10,456 --> 00:28:13,357 IN BUNCHES, LIKE BANANAS. 625 00:28:13,359 --> 00:28:15,359 YOU WANTED TO MAKE HER HAPPY, DIDN'T YOU? 626 00:28:15,361 --> 00:28:16,760 SURE, I WANTED TO MAKE HER HAPPY 627 00:28:16,762 --> 00:28:18,328 BUT NOT HYSTERICAL. 628 00:28:18,330 --> 00:28:22,266 CARS. CHAUFFEURS. YORK TOWERS. 629 00:28:22,268 --> 00:28:25,569 THAT GIRL WILL BREAK ME. 630 00:28:25,571 --> 00:28:26,670 WELL, J.B., IF SHE DOES, 631 00:28:26,672 --> 00:28:29,640 YOU CAN ALWAYS COME AND STAY WITH ME. 632 00:28:30,810 --> 00:28:32,810 I DON'T WANT TO STAY-- 633 00:28:34,814 --> 00:28:37,481 I'D KEEP THEM OUT OF THE SUN AS MUCH AS POSSIBLE. 634 00:28:37,483 --> 00:28:39,483 Judy: WE'LL GET A COUPLE OF PARASOLS. 635 00:28:39,485 --> 00:28:41,285 THAT'S A GOOD IDEA. 636 00:28:41,287 --> 00:28:42,519 CALL AGAIN, MISS PEABODY. 637 00:28:42,521 --> 00:28:44,521 WE WILL IF WE'RE IN TOWN. 638 00:28:44,523 --> 00:28:46,490 WHERE HAVE YOU BEEN? 639 00:28:46,492 --> 00:28:48,559 GETTING ME SECOND WIND. 640 00:28:48,561 --> 00:28:50,661 Judy: AND NOW FOR THE DRESSES. 641 00:29:20,526 --> 00:29:22,359 HOT, ISN'T IT? 642 00:29:22,361 --> 00:29:25,028 THERE OUGHT TO BE A BETTER WORD FOR IT THAN THAT. 643 00:29:35,641 --> 00:29:37,508 SHALL WE TAKE THEM OFF? 644 00:29:37,510 --> 00:29:39,843 I'LL DIE FIRST. 645 00:29:53,425 --> 00:29:55,025 JUDY, FOR PETE'S SAKE, BUY SOMETHING 646 00:29:55,027 --> 00:29:56,226 AND LET'S GET OUT OF HERE. 647 00:29:56,228 --> 00:29:59,029 ALL RIGHT. MISS! 648 00:29:59,031 --> 00:30:00,831 YES, MISS PEABODY. 649 00:30:00,833 --> 00:30:01,965 I DON'T KNOW. 650 00:30:01,967 --> 00:30:03,333 THEY'RE ALL SO BEAUTIFUL, 651 00:30:03,335 --> 00:30:06,470 BUT, UM, I'LL TAKE THAT ONE 652 00:30:06,472 --> 00:30:09,006 AND, UM, THAT ONE 653 00:30:09,008 --> 00:30:11,341 AND THAT ONE 654 00:30:11,343 --> 00:30:13,277 AND THAT ONE. 655 00:30:13,279 --> 00:30:14,478 "I'LL TAKE THAT ONE AND THAT ONE 656 00:30:14,480 --> 00:30:15,913 AND THAT ONE AND THAT ONE." 657 00:30:15,915 --> 00:30:17,447 WHY DON'T YOU TAKE THEM ALL? 658 00:30:17,449 --> 00:30:20,651 ALL RIGHT, POP. I'LL TAKE THEM ALL. 659 00:30:33,766 --> 00:30:36,900 THERE ARE ONLY TWO APARTMENTS TO A FLOOR UP THIS HIGH. 660 00:30:36,902 --> 00:30:38,268 WHO HAS THE OTHER APARTMENT? 661 00:30:38,270 --> 00:30:39,503 IT'S VACANT AT PRESENT. 662 00:30:39,505 --> 00:30:41,638 WHY DON'T YOU RENT IT AND PROTECT YOURSELF? 663 00:30:41,640 --> 00:30:43,440 WOULD YOU BE HAVING AN ASPIRIN ON YOU? 664 00:30:43,442 --> 00:30:46,476 NO, SIR. I'M SORRY. THIS WAY, MISS PEABODY. 665 00:30:57,189 --> 00:30:58,956 THIS IS THE LIVING ROOM. 666 00:31:03,495 --> 00:31:06,830 SHALL I TAKE YOU THROUGH THE REST OF THE APARTMENT? 667 00:31:06,832 --> 00:31:08,732 NO. WE'LL DO THAT LATER. 668 00:31:08,734 --> 00:31:10,467 IF THERE'S ANYTHING I CAN DO, JUST CALL ME. 669 00:31:10,469 --> 00:31:12,636 THANK YOU. I WILL. 670 00:31:16,408 --> 00:31:18,575 HERE, HONEY. I DID A LITTLE SHOPPING ON MY OWN. 671 00:31:18,577 --> 00:31:19,843 WHAT IS IT? 672 00:31:19,845 --> 00:31:21,478 A PERSUADER. 673 00:31:22,848 --> 00:31:24,014 YOU SHOULDN'T HAVE DONE IT. 674 00:31:24,016 --> 00:31:27,251 I'M LIABLE TO MAIM SOMEBODY FOR LIFE. 675 00:31:29,321 --> 00:31:31,288 GWEN, IT'S GOT ME DOWN. I CAN'T STAND IT. 676 00:31:31,290 --> 00:31:33,724 ALL THIS--IT'S ENOUGH TO DRIVE ME OUT OF MY MIND. 677 00:31:33,726 --> 00:31:36,627 TAKE IT EASY, JUDY. RELAX. 678 00:31:36,629 --> 00:31:38,862 I HAVE, SO WHY CAN'T YOU? 679 00:31:38,864 --> 00:31:40,831 TAKE WHAT'S FREELY GIVEN TO YOU. 680 00:31:40,833 --> 00:31:44,801 PROVIDENCE WORKS ITS WONDERS IN MYSTERIOUS WAYS. 681 00:31:44,803 --> 00:31:47,137 PROVIDENCE DOESN'T GO AROUND OPENING CHARGE ACCOUNTS 682 00:31:47,139 --> 00:31:48,772 FOR HATCHECK GIRLS. 683 00:31:48,774 --> 00:31:50,574 WELL, I'LL BE RUNNING ALONG. 684 00:31:50,576 --> 00:31:52,075 OH, NO, POP. DON'T GO. 685 00:31:52,077 --> 00:31:54,211 I NEED YOUR MORAL SUPPORT. 686 00:31:54,213 --> 00:31:56,346 DO YOU, NOW? 687 00:31:56,348 --> 00:31:58,382 BESIDES, WHERE WILL YOU GO? 688 00:31:58,384 --> 00:31:59,549 OH, I'LL BE ALL RIGHT. 689 00:31:59,551 --> 00:32:01,852 SURE. CURLED UP ON A PARK BENCH SOMEWHERE. 690 00:32:01,854 --> 00:32:03,854 WELL, NOT EXACTLY. 691 00:32:03,856 --> 00:32:06,823 HAVE YOU ANYONE, POP, YOU'RE CLOSE TO? 692 00:32:06,825 --> 00:32:08,058 NOT ANYMORE. 693 00:32:08,060 --> 00:32:09,693 WHAT HAPPENED? 694 00:32:09,695 --> 00:32:12,296 ME WIFE LEFT ME 6 MONTHS AGO. 695 00:32:12,298 --> 00:32:13,297 WHY? 696 00:32:13,299 --> 00:32:15,365 I TOLD HER TO. 697 00:32:15,367 --> 00:32:19,069 THERE WAS A SLIGHT COMPLICATION-- 698 00:32:19,071 --> 00:32:22,372 ANOTHER MAN-- CLARENCE BASCOMBE. 699 00:32:22,374 --> 00:32:24,174 WAS BASCOMBE YOUNGER THAN YOU? 700 00:32:24,176 --> 00:32:25,709 NO. 65. 701 00:32:25,711 --> 00:32:27,411 OH. HE HAD MONEY. 702 00:32:27,413 --> 00:32:28,412 NOT AS MUCH AS I. 703 00:32:28,414 --> 00:32:30,347 SHE LEFT YOU FOR ANOTHER BUM? 704 00:32:30,349 --> 00:32:31,581 I DON'T GET IT. 705 00:32:31,583 --> 00:32:34,785 POP, A MAN 65 IS HARMLESS. 706 00:32:34,787 --> 00:32:37,754 I'M 65, AND I'M NOT HARMLESS. 707 00:32:37,756 --> 00:32:41,091 SO FAR AS ME WIFE IS CONCERNED, I MEAN. 708 00:32:45,230 --> 00:32:46,897 THAT'S HER PICTURE. 709 00:32:48,701 --> 00:32:49,700 ISN'T SHE LOVELY? 710 00:32:49,702 --> 00:32:51,501 YES, POP. 711 00:32:51,503 --> 00:32:54,004 I THINK THE WHOLE THING MUST HAVE BEEN YOUR FAULT. 712 00:32:54,006 --> 00:32:56,840 WHY DOES EVERYONE SIDE WITH EDITH? I-- 713 00:32:56,842 --> 00:32:59,476 NOW, NOW, POP. TILL YOU GET YOURSELF STRAIGHTENED OUT, 714 00:32:59,478 --> 00:33:01,578 YOU BETTER STAY HERE WITH ME. 715 00:33:01,580 --> 00:33:03,013 ALL RIGHT, ONLY I'LL HAVE TO LEAVE YOU 716 00:33:03,015 --> 00:33:04,314 FROM TIME TO TIME. 717 00:33:04,316 --> 00:33:06,316 POP, YOU GOT TO GIVE UP ALL THAT PANHANDLING. 718 00:33:06,318 --> 00:33:08,652 FROM NOW ON, I'M TAKING CARE OF YOU. 719 00:33:08,654 --> 00:33:10,153 NOW GO PICK YOURSELF OUT A ROOM. 720 00:33:10,155 --> 00:33:11,254 I WANT TO TALK TO GWEN. 721 00:33:11,256 --> 00:33:12,789 ALL RIGHT. 722 00:33:15,995 --> 00:33:18,095 GWEN, I'M SCARED. 723 00:33:18,097 --> 00:33:19,529 WHAT ARE YOU GONNA DO--MOVE OUT? 724 00:33:19,531 --> 00:33:20,964 I AM NOT. 725 00:33:20,966 --> 00:33:22,632 I'M GONNA FIND OUT WHO THE WOLF IS. 726 00:33:22,634 --> 00:33:24,968 WHOEVER HE IS, HE SURE HOWLS PRETTY. 727 00:33:24,970 --> 00:33:26,103 IT WON'T DO HIM ANY GOOD. 728 00:33:26,105 --> 00:33:27,838 I'M SAVING MYSELF FOR DANNY. 729 00:33:27,840 --> 00:33:29,439 SUPPOSE DANNY FINDS OUT? 730 00:33:29,441 --> 00:33:31,041 HOW'S HE GONNA FIND OUT, 731 00:33:31,043 --> 00:33:33,210 WAY OUT THERE IN THE PACIFIC? 732 00:33:33,212 --> 00:33:34,845 YOU KNOW, I GOT A HUNCH 733 00:33:34,847 --> 00:33:36,446 THERE'S ANOTHER JUDY PEABODY. 734 00:33:36,448 --> 00:33:37,914 SAY, I NEVER THOUGHT OF THAT. 735 00:33:37,916 --> 00:33:40,150 I WONDER WHO SHE IS. 736 00:33:40,152 --> 00:33:42,652 I WONDER WHAT SHE DOES. 737 00:33:42,654 --> 00:33:43,954 WAIT A MINUTE, JUDY. 738 00:33:43,956 --> 00:33:46,256 THAT LETTER WAS SENT TO THE STORK CLUB. 739 00:33:46,258 --> 00:33:47,858 THINK BACK. HAVE ANY OF THE CUSTOMERS 740 00:33:47,860 --> 00:33:50,327 BEEN PARTICULARLY NICE TO YOU LATELY? 741 00:33:50,329 --> 00:33:52,596 I CAN'T THINK OF ANYBODY. 742 00:33:54,433 --> 00:33:55,599 I'VE GOT IT. 743 00:33:55,601 --> 00:33:56,867 WHAT? 744 00:33:56,869 --> 00:33:58,635 WHO'S THE MOST GENEROUS MAN IN THE WORLD? 745 00:33:58,637 --> 00:34:00,237 WHO GIVES AWAY MORE THAN ANYBODY ELSE? 746 00:34:00,239 --> 00:34:01,905 SHERMAN BILLINGSLEY. 747 00:34:01,907 --> 00:34:04,074 BILLINGSLEY? OH, NO. 748 00:34:04,076 --> 00:34:05,475 I'VE BEEN THERE OVER 3 YEARS, 749 00:34:05,477 --> 00:34:08,111 AND I'VE NEVER EVEN SEEN HIM LOOK SIDEWISE AT ANYBODY. 750 00:34:08,113 --> 00:34:09,780 JUST THE SAME, HE'S AROUND 40, 751 00:34:09,782 --> 00:34:11,882 AND THAT'S A DANGEROUS AGE. 752 00:34:11,884 --> 00:34:13,617 YOU KNOW, HE WAS AWFUL NICE TO ME 753 00:34:13,619 --> 00:34:15,285 IN HIS OFFICE YESTERDAY. 754 00:34:15,287 --> 00:34:17,154 WELL, THERE YOU ARE. 755 00:34:17,156 --> 00:34:18,922 I'M AWFUL GLAD YOU BOUGHT THIS BASEBALL BAT. 756 00:34:18,924 --> 00:34:20,157 WHY? 757 00:34:20,159 --> 00:34:21,958 SHERMAN BILLINGSLEY'S GONNA LOOK PRETTY SILLY 758 00:34:21,960 --> 00:34:23,026 WITH NO TEETH. 759 00:34:23,028 --> 00:34:24,227 ARE YOU QUITTING THE JOB? 760 00:34:24,229 --> 00:34:25,562 NO, I'M NOT, 761 00:34:25,564 --> 00:34:27,264 BUT I'M GONNA PLAY SICK TONIGHT. 762 00:34:27,266 --> 00:34:29,633 I GOT TO HAVE TIME TO THINK THIS THING OVER. 763 00:34:29,635 --> 00:34:30,834 DO YOU WANT ME TO TELL HIM? 764 00:34:30,836 --> 00:34:32,969 NO. I'LL PHONE. 765 00:34:32,971 --> 00:34:34,438 [MUSIC PLAYING] 766 00:34:40,179 --> 00:34:41,912 CHECK YOUR HAT, MARINE? 767 00:34:41,914 --> 00:34:43,213 I'M LOOKING FOR JUDY PEABODY. 768 00:34:43,215 --> 00:34:44,815 SHE'S NOT ON TILL 9:00 TONIGHT. 769 00:34:44,817 --> 00:34:46,216 STILL WORKS HERE, HUH? 770 00:34:46,218 --> 00:34:49,052 THAT'S GREAT. I LIKE THINGS TO STAY THE SAME. 771 00:34:49,054 --> 00:34:51,054 MAKES A GUY FEEL LIKE HE'S REALLY HOME AGAIN. 772 00:34:51,056 --> 00:34:52,089 YOU'RE DANNY! YOU'RE DANNY! 773 00:34:52,091 --> 00:34:53,356 THAT'S RIGHT. HOW'D YOU KNOW? 774 00:34:53,358 --> 00:34:55,092 SHE TALKS A LOT ABOUT YOU. 775 00:34:55,094 --> 00:34:56,093 STILL? 776 00:34:56,095 --> 00:34:57,094 THERE ARE 12 OF US HERE, 777 00:34:57,096 --> 00:34:58,095 AND WE ALL KNOW YOU. 778 00:34:58,097 --> 00:35:00,997 STORK CLUB CLOAKROOM. MOLLY SPEAKING. 779 00:35:00,999 --> 00:35:03,200 WHO? JUDY? HOLD ON A MINUTE. 780 00:35:03,202 --> 00:35:04,568 IT'S JUDY. SHALL I TELL HER YOU'RE HERE? 781 00:35:04,570 --> 00:35:07,771 NO, NO. I WANT TO SURPRISE HER. 782 00:35:07,773 --> 00:35:12,209 YEAH, JUDY. YEAH. YEAH, OK. WHERE ARE YOU? 783 00:35:12,211 --> 00:35:16,346 YORK TOWERS? OH. UH-HUH. SO LONG. 784 00:35:16,348 --> 00:35:18,548 SHE'S AT THE YORK TOWERS, SUITE 32-A. 785 00:35:18,550 --> 00:35:21,685 YORK TOWERS? WHAT IS SHE DOING THERE? 786 00:35:21,687 --> 00:35:23,153 NOTHING YOU'VE GOT TO WORRY ABOUT. 787 00:35:23,155 --> 00:35:25,889 YEAH. THAT'S RIGHT. YOU'RE STILL HEAD MAN. 788 00:35:25,891 --> 00:35:28,191 SURE. I KNOW THAT. I'M JUST THINKING 789 00:35:28,193 --> 00:35:30,460 I'D LIKE TO SEE HER RIGHT AWAY. 790 00:35:30,462 --> 00:35:31,495 YOU KNOW HOW IT IS. 791 00:35:31,497 --> 00:35:34,097 WELL, GET GOING. 792 00:35:34,099 --> 00:35:35,332 YOU WANT TO SEE WHAT I BROUGHT HER? 793 00:35:35,334 --> 00:35:38,702 SURE. SURE. 794 00:35:38,704 --> 00:35:39,970 TAKE A LOOK. 795 00:35:39,972 --> 00:35:41,104 YOU PROBABLY THINK I GOT IT IN CHINA. 796 00:35:41,106 --> 00:35:42,072 WELL, DIDN'T YOU? 797 00:35:42,074 --> 00:35:43,206 NO. FRISCO. 798 00:35:43,208 --> 00:35:44,508 SHE'LL LOVE IT. 799 00:35:44,510 --> 00:35:46,610 I HOPE SO. I GOT TO BE RUNNING ALONG. 800 00:35:46,612 --> 00:35:47,811 I'LL SEE YOU LATER. 801 00:35:47,813 --> 00:35:49,479 SO LONG. 802 00:35:54,253 --> 00:35:56,753 [DOORBELL RINGS] 803 00:35:56,755 --> 00:35:58,054 [RING] 804 00:35:58,056 --> 00:35:59,456 [RING] 805 00:35:59,458 --> 00:36:00,524 [RING] 806 00:36:00,526 --> 00:36:02,626 [RING] 807 00:36:19,745 --> 00:36:21,111 HELLO, KID. 808 00:36:24,316 --> 00:36:26,683 SURPRISED? 809 00:36:26,685 --> 00:36:28,718 DANNY. 810 00:36:28,720 --> 00:36:30,387 DANNY. 811 00:36:30,389 --> 00:36:32,389 DANNY! 812 00:36:32,391 --> 00:36:33,690 ARE YOU ALL RIGHT? 813 00:36:33,692 --> 00:36:36,493 SURE. SURE, I'M ALL RIGHT. 814 00:36:36,495 --> 00:36:39,196 MOVE, DANNY, MOVE. DO SOMETHING! 815 00:36:39,198 --> 00:36:42,465 WELL, I--BABY, HOW I'VE WAITED FOR THIS. 816 00:36:53,512 --> 00:36:54,844 WOW! 817 00:36:54,846 --> 00:36:56,980 SAY IT AGAIN, DANNY. 818 00:36:56,982 --> 00:36:59,082 I CAN'T TALK YET FOR A WHILE. 819 00:37:02,254 --> 00:37:04,020 TALKING WOULDN'T MAKE SENSE NOW. 820 00:37:04,022 --> 00:37:05,622 WE CAN TALK LATER. 821 00:37:05,624 --> 00:37:07,290 OH, I JUST WANT TO LOOK AT YOU, 822 00:37:07,292 --> 00:37:09,226 MAKE SURE IT'S YOU, 823 00:37:09,228 --> 00:37:11,061 THAT YOU STILL FEEL THE SAME. 824 00:37:11,063 --> 00:37:12,162 YOU DO, DON'T YOU? 825 00:37:12,164 --> 00:37:13,630 YES, DANNY. 826 00:37:13,632 --> 00:37:17,500 OH, SURE. SURE. I CAN SEE IT IN YOUR EYES. 827 00:37:17,502 --> 00:37:19,903 YOUR EYES TALK, JUDY. 828 00:37:19,905 --> 00:37:21,504 THEY SAY WHAT YOU'RE THINKING. 829 00:37:21,506 --> 00:37:23,540 THEY ALWAYS DID. 830 00:37:23,542 --> 00:37:26,142 OH, I KNEW YOU WOULDN'T CHANGE. 831 00:37:32,684 --> 00:37:34,484 SAY, I'VE GOT SOME GOOD NEWS FOR YOU, HONEY. 832 00:37:34,486 --> 00:37:36,286 YOU'RE GOOD NEWS TO ME. 833 00:37:36,288 --> 00:37:38,822 YEAH, BUT WAIT. I GOT A BAND ALL SET TO GO. 834 00:37:38,824 --> 00:37:39,823 SO SOON? 835 00:37:39,825 --> 00:37:41,358 OH, WAIT TILL YOU HEAR THEM-- 836 00:37:41,360 --> 00:37:43,226 THE PICK OF THE COUNTRY, TOP MEN. 837 00:37:43,228 --> 00:37:44,561 I ORGANIZED THEM IN MIRALDEN HOSPITAL 838 00:37:44,563 --> 00:37:46,296 WHILE WE WERE WAITING TO BE DISCHARGED. 839 00:37:46,298 --> 00:37:48,098 GEE, DANNY, IT SOUNDS GREAT. 840 00:37:48,100 --> 00:37:50,033 YEAH, BUT I GOT TO WORK FAST. 841 00:37:50,035 --> 00:37:51,768 IF I DON'T GET US A JOB, I'LL LOSE THEM. 842 00:37:51,770 --> 00:37:54,437 YOU CAN'T HOLD GUYS LIKE THESE TOGETHER WITHOUT DOUGH. 843 00:37:54,439 --> 00:37:56,406 HOW WOULD YOU LIKE TO WORK AT THE STORK CLUB? 844 00:37:56,408 --> 00:37:57,807 IS THERE A CHANCE? 845 00:37:57,809 --> 00:37:58,875 I THINK IT CAN BE FIXED. 846 00:37:58,877 --> 00:38:00,710 I'LL TALK TO THE BOSS. 847 00:38:00,712 --> 00:38:02,946 OH, THE SAME OLD JUDY, HUH? 848 00:38:05,550 --> 00:38:06,549 YOU'RE GONNA SING WITH THE BAND. 849 00:38:06,551 --> 00:38:07,550 YOU KNOW THAT, DON'T YOU? 850 00:38:07,552 --> 00:38:08,685 AND MY DANNY. 851 00:38:08,687 --> 00:38:10,520 NOTHING BUT THE BEST FOR ME. 852 00:38:10,522 --> 00:38:13,023 SAY, I BROUGHT YOU A LITTLE SOMETHING. 853 00:38:13,025 --> 00:38:14,791 DID YOU, DARLING? 854 00:38:23,669 --> 00:38:24,901 IT ISN'T VERY MUCH. 855 00:38:24,903 --> 00:38:27,871 OH, DANNY, IT'S BEAUTIFUL. 856 00:38:27,873 --> 00:38:30,473 TRY IT ON. I HAD TO GUESS AT THE SIZE. 857 00:38:30,475 --> 00:38:32,709 AS IF YOU DIDN'T KNOW. 858 00:38:34,913 --> 00:38:39,816 SAY, THAT'S A PRETTY NIFTY-LOOKING DRESS YOU GOT ON. 859 00:38:39,818 --> 00:38:41,518 TURN AROUND, JUDY. 860 00:38:48,493 --> 00:38:52,562 YEAH. VERY NIFTY. 861 00:38:52,564 --> 00:38:54,097 DO YOU LIKE IT? 862 00:38:54,099 --> 00:38:57,767 YEAH. BUSINESS MUST BE GOOD IN THE CHECKROOM. 863 00:39:00,072 --> 00:39:01,738 WHERE ARE WE, JUDY? 864 00:39:01,740 --> 00:39:02,706 LET'S TRY THE JACKET ON. 865 00:39:02,708 --> 00:39:05,575 NO. WHOSE APARTMENT IS THIS? 866 00:39:05,577 --> 00:39:07,510 WELL, IN A WAY, IT'S MINE, DANNY. 867 00:39:07,512 --> 00:39:08,511 IN A WAY? 868 00:39:08,513 --> 00:39:09,512 YES. 869 00:39:09,514 --> 00:39:10,513 WHAT KIND OF A WAY? 870 00:39:10,515 --> 00:39:11,681 IN A PERFECTLY INNOCENT WAY. 871 00:39:11,683 --> 00:39:12,716 YOU LIVE HERE ALONE? 872 00:39:12,718 --> 00:39:14,818 WELL, PRACTICALLY. 873 00:39:14,820 --> 00:39:19,022 WELL, I PICKED MESELF OUT A FINE ROOM. 874 00:39:19,024 --> 00:39:21,057 OH. 875 00:39:21,059 --> 00:39:22,025 WHO'S THAT? 876 00:39:22,027 --> 00:39:23,026 THE BUTLER. 877 00:39:23,028 --> 00:39:24,027 BUTLER? 878 00:39:24,029 --> 00:39:25,462 M-MR. BUTLER. 879 00:39:25,464 --> 00:39:27,664 THIS IS MR. WILTON-- DANNY WILTON. 880 00:39:27,666 --> 00:39:29,933 CAN IT BE? 881 00:39:29,935 --> 00:39:32,202 DANNY. THE YOUNG MAN YOU'RE IN LOVE WITH. 882 00:39:32,204 --> 00:39:34,304 OH, NOW LOOK. WHO ARE YOU TWO TRYING TO KID? 883 00:39:34,306 --> 00:39:35,338 HONEST, DANNY. 884 00:39:35,340 --> 00:39:37,207 MR. BUTLER KNOWS ALL ABOUT YOU. 885 00:39:37,209 --> 00:39:40,443 YEAH? WELL, I'D LIKE TO KNOW ALL ABOUT MR. BUTLER. 886 00:39:40,445 --> 00:39:41,878 THAT'S EASY. AND THIS APARTMENT. 887 00:39:41,880 --> 00:39:45,315 THAT'S NOT SO... HARD EITHER. 888 00:39:45,317 --> 00:39:46,883 NOT FOR YOU, I GUESS. 889 00:39:46,885 --> 00:39:48,785 ALL RIGHT, I'LL TELL YOU. 890 00:39:48,787 --> 00:39:50,954 I INHERITED SOME MONEY. 891 00:39:53,158 --> 00:39:54,657 I SEE. 892 00:39:54,659 --> 00:39:57,394 FROM AN UNCLE WHO WAS IN OIL. 893 00:39:57,396 --> 00:40:00,397 OF COURSE, THE INCOME'S ONLY TEMPORARY. 894 00:40:00,399 --> 00:40:03,066 THE WILL'S BEING CONTESTED IN TULSA, OKLAHOMA. 895 00:40:03,068 --> 00:40:04,067 BY WHOM? 896 00:40:04,069 --> 00:40:05,068 SOME INDIANS. 897 00:40:05,070 --> 00:40:06,102 Danny: RELATIVES? 898 00:40:06,104 --> 00:40:07,737 ONLY ON MY FATHER'S SIDE. 899 00:40:07,739 --> 00:40:09,539 STOP IT, JUDY. YOU'RE BEING RIDICULOUS. 900 00:40:09,541 --> 00:40:13,410 ALL RIGHT. DO YOU WANT TO HEAR THE HONEST TRUTH? 901 00:40:13,412 --> 00:40:14,811 YES. YES, GO ON. 902 00:40:14,813 --> 00:40:18,581 WELL, IT'S LIKE THIS. 903 00:40:18,583 --> 00:40:20,150 IT'S HIM! 904 00:40:22,154 --> 00:40:23,420 YOU SEE, I SAVED HIS LIFE, 905 00:40:23,422 --> 00:40:24,687 AND HE WAS SO GRATEFUL-- 906 00:40:24,689 --> 00:40:26,089 SO GRATEFUL THAT HE BOUGHT YOU EXTRAVAGANT CLOTHES, 907 00:40:26,091 --> 00:40:27,590 EXPENSIVE APARTMENTS? 908 00:40:27,592 --> 00:40:29,659 THAT'S RIGHT. ISN'T IT? 909 00:40:29,661 --> 00:40:31,094 OF COURSE IT IS. 910 00:40:31,096 --> 00:40:32,162 THERE. 911 00:40:32,164 --> 00:40:33,963 WHY DON'T YOU STOP LYING? 912 00:40:33,965 --> 00:40:35,765 I'VE HEARD OF THINGS LIKE THIS HAPPENING TO OTHER GUYS 913 00:40:35,767 --> 00:40:39,769 WHILE THEY WERE AWAY, BUT I DIDN'T THINK IT COULD HAPPEN TO ME. 914 00:40:39,771 --> 00:40:42,439 I KEPT THINKING YOU WERE DIFFERENT. 915 00:40:42,441 --> 00:40:44,240 DAY AFTER DAY AND NIGHT AFTER NIGHT, 916 00:40:44,242 --> 00:40:46,409 IT WAS THE ONE THOUGHT THAT KEPT ME GOING. 917 00:40:46,411 --> 00:40:47,844 DANNY, PLEASE LISTEN TO ME. I CAN-- 918 00:40:47,846 --> 00:40:49,979 NO, THANKS! 919 00:40:49,981 --> 00:40:51,648 I'VE HEARD ENOUGH. 920 00:40:53,118 --> 00:40:54,117 [WHISPERS] Danny. 921 00:40:54,119 --> 00:40:55,685 [DOOR SLAMS] 922 00:41:02,360 --> 00:41:05,628 HOW DID YOU MAKE UP THAT STORY ABOUT IT BEING ME? 923 00:41:05,630 --> 00:41:06,663 HOW COULD I TELL HIM THE TRUTH 924 00:41:06,665 --> 00:41:08,531 WHEN I DON'T EVEN KNOW IT MYSELF? 925 00:41:08,533 --> 00:41:10,033 WHY DIDN'T YOU SHOW HIM THE LETTER? 926 00:41:10,035 --> 00:41:11,734 FINE. THEN HE'D THINK THE WORST. 927 00:41:11,736 --> 00:41:14,704 THE LETTER SAYS I'VE BEEN "VERY ACCOMMODATING." 928 00:41:14,706 --> 00:41:17,407 OH, IF ONLY HE'D COME HOME YESTERDAY. 929 00:41:17,409 --> 00:41:20,210 I'M SORRY THIS HAPPENED. 930 00:41:20,212 --> 00:41:22,178 MAYBE I COULD HELP YOU TO FIND OUT WHO HE IS. 931 00:41:22,180 --> 00:41:24,347 BUT YOU DON'T UNDERSTAND, POP. 932 00:41:24,349 --> 00:41:27,083 YOU SEE, I THINK I KNOW WHO IT IS. 933 00:41:27,085 --> 00:41:28,151 OH, YOU DO? 934 00:41:28,153 --> 00:41:29,586 YES, MY BOSS. 935 00:41:29,588 --> 00:41:30,587 BILLINGSLEY? 936 00:41:30,589 --> 00:41:31,955 AND THE WORST OF IT IS, 937 00:41:31,957 --> 00:41:34,424 I HAVE TO GO TO HIM SO DANNY GETS THE JOB AT THE STORK. 938 00:41:34,426 --> 00:41:36,826 JUDY, PROMISE ME YOU WON'T DO ANYTHING 939 00:41:36,828 --> 00:41:39,128 WE'LL BOTH BE SORRY FOR. 940 00:41:39,130 --> 00:41:41,998 WHAT DO YOU THINK I AM? 941 00:41:42,000 --> 00:41:43,833 DON'T ANSWER THAT. 942 00:41:46,071 --> 00:41:47,437 ANY CALLS? 943 00:41:47,439 --> 00:41:49,339 JUDY OF THE CLOAKROOM IS HERE TO SEE YOU. 944 00:41:49,341 --> 00:41:52,642 OH. WELL, OK. TELL HER TO COME IN. 945 00:42:05,590 --> 00:42:07,857 SIT DOWN, JUDY. I'LL BE RIGHT WITH YOU. 946 00:42:29,447 --> 00:42:31,481 [WHISTLING] 947 00:42:31,483 --> 00:42:32,949 IS ANYTHING WRONG? 948 00:42:32,951 --> 00:42:35,084 NOT YET. 949 00:42:35,086 --> 00:42:36,719 WHAT'S THE MATTER WITH YOU? 950 00:42:36,721 --> 00:42:38,988 NOTHING. EVERYTHING'S FINE. 951 00:42:38,990 --> 00:42:41,724 YOU'VE BEEN VERY NICE TO ME, AND I APPRECIATE IT. 952 00:42:41,726 --> 00:42:43,493 IT'S NOTHING. 953 00:42:43,495 --> 00:42:45,261 OH, NO? 954 00:42:45,263 --> 00:42:46,896 CERTAINLY NOT. 955 00:42:46,898 --> 00:42:50,266 LOOK, SHERM-- MR. BILLINGSLEY-- 956 00:42:50,268 --> 00:42:53,236 THAT'S RIGHT ABOUT MY BEING UNDER NO OBLIGATION, ISN'T IT? 957 00:42:53,238 --> 00:42:55,004 YOUR ONLY OBLIGATION TO ME IS TO BE ON TIME 958 00:42:55,006 --> 00:42:57,640 AND DO YOUR WORK PROPERLY. 959 00:42:57,642 --> 00:43:00,276 I DON'T GET IT. 960 00:43:00,278 --> 00:43:03,279 THERE IS ONE THING, HOWEVER. 961 00:43:03,281 --> 00:43:04,714 WHAT? 962 00:43:08,253 --> 00:43:11,721 WE'LL GET ALONG MUCH BETTER WITHOUT THESE SURPRISE VISITS. 963 00:43:13,024 --> 00:43:14,691 I GET IT. 964 00:43:14,693 --> 00:43:17,126 OH, I ALMOST FORGOT WHAT I CAME HERE TO TELL YOU. 965 00:43:17,128 --> 00:43:18,194 WHAT'S THAT? 966 00:43:18,196 --> 00:43:19,796 I HAVE A LITTLE SUGGESTION. 967 00:43:19,798 --> 00:43:20,997 IS IT ABOUT THE CHECKROOM? 968 00:43:20,999 --> 00:43:23,433 NO. IT'S ABOUT-- DON'T BOTHER, THEN. 969 00:43:23,435 --> 00:43:25,168 I WANT TO MAKE A DEAL WITH YOU. 970 00:43:25,170 --> 00:43:26,569 YOU TAKE CARE OF THE CHECKROOM 971 00:43:26,571 --> 00:43:28,338 AND LET ME RUN THE STORK CLUB. 972 00:43:28,340 --> 00:43:29,772 DO YOU MIND? 973 00:43:39,751 --> 00:43:41,684 COME IN, MISS PATTEN. 974 00:43:43,455 --> 00:43:44,921 PARDON ME. 975 00:43:46,491 --> 00:43:49,158 WELL, MIS PEABODY, WHEN DOES MY BAND OPEN AT THE STORK? 976 00:43:49,160 --> 00:43:50,159 IT DOESN'T. I MEAN IT ISN'T-- 977 00:43:50,161 --> 00:43:51,995 NO? THE WAY YOU TWO CAME OUT JUST NOW, 978 00:43:51,997 --> 00:43:53,262 I THOUGHT WE WERE ALL SET. 979 00:43:53,264 --> 00:43:55,231 DANNY, DON'T JUMP TO CONCLUSIONS. 980 00:43:55,233 --> 00:43:56,265 ARE YOU SERIOUS? 981 00:43:56,267 --> 00:43:57,500 THERE ARE SOME CIRCUMSTANCES-- 982 00:43:57,502 --> 00:43:58,801 I'LL SAY THERE ARE, 983 00:43:58,803 --> 00:44:00,737 BUT YOU'RE NOT GONNA INVOLVE ME IN THEM. 984 00:44:00,739 --> 00:44:02,639 I COME BACK AND FIND YOU AT THE YORK TOWERS, 985 00:44:02,641 --> 00:44:04,307 DRESSED LIKE SOMETHING OUT OF "VOGUE," 986 00:44:04,309 --> 00:44:06,175 IN THE COMPANY OF AN OLD MAN YOU CAN'T EXPLAIN, 987 00:44:06,177 --> 00:44:08,244 AND NOW I SEE YOU WITH THE BOSS' ARM AROUND YOU. 988 00:44:08,246 --> 00:44:10,213 SOME CIRCUMSTANCES. 989 00:44:10,215 --> 00:44:11,547 HA HA. IT DOES LOOK KIND OF FUNNY, DOESN'T IT? 990 00:44:11,549 --> 00:44:12,782 NOT TO ME, IT DOESN'T. 991 00:44:12,784 --> 00:44:14,784 DANNY, YOU'RE WALKING OUT ON A GIRL 992 00:44:14,786 --> 00:44:16,252 WHO'S NO DIFFERENT THAN SHE EVER WAS. 993 00:44:16,254 --> 00:44:17,720 THERE'LL COME A TIME WHEN YOU'LL FIND THAT OUT. 994 00:44:17,722 --> 00:44:18,888 THEN HOW WILL YOU FEEL? 995 00:44:18,890 --> 00:44:21,391 WHEN I FIND THAT OUT, I'LL LET YOU KNOW. 996 00:44:22,394 --> 00:44:23,526 THANK YOU. 997 00:44:27,766 --> 00:44:29,365 NO MATTER HOW I FIGURE IT OUT, 998 00:44:29,367 --> 00:44:31,501 I ALWAYS COME BACK TO THE SAME THING. 999 00:44:31,503 --> 00:44:32,435 WHAT'S THAT? 1000 00:44:32,437 --> 00:44:33,770 I LOVE HIM. 1001 00:44:33,772 --> 00:44:35,271 I GATHERED THAT. 1002 00:44:35,273 --> 00:44:37,373 I JUST CAN'T LET HIM LOSE HIS BAND 1003 00:44:37,375 --> 00:44:38,675 AND ME IN THE BARGAIN. 1004 00:44:38,677 --> 00:44:39,742 HOW'S HE GONNA KEEP THE GUYS 1005 00:44:39,744 --> 00:44:41,010 IF HE CAN'T GET A JOB? 1006 00:44:41,012 --> 00:44:43,312 MAYBE HE CAN'T KEEP THEM, BUT I CAN. 1007 00:44:43,314 --> 00:44:44,447 HOW'S THAT AGAIN? 1008 00:44:44,449 --> 00:44:46,416 YOU WAIT AND SEE. WHEN WE KNOCK OFF HERE, 1009 00:44:46,418 --> 00:44:47,917 WE'RE GOING OVER WHERE HE'S REHEARSING. 1010 00:44:47,919 --> 00:44:49,452 I WAS HOPING WE COULD GO SHOPPING AGAIN. 1011 00:44:49,454 --> 00:44:50,920 I COULD USE A NEW GIRDLE. 1012 00:44:50,922 --> 00:44:52,388 WHO COULDN'T? 1013 00:45:25,990 --> 00:45:27,990 GEE, WHAT A BAND! 1014 00:45:27,992 --> 00:45:29,892 THAT'S JIMMY JONES ON THE DRUMS. 1015 00:46:17,876 --> 00:46:19,609 OK, TAKE 5. 1016 00:46:21,546 --> 00:46:22,612 JIMMY! 1017 00:46:22,614 --> 00:46:23,946 GWEN! 1018 00:46:23,948 --> 00:46:25,848 YOU STOOD ME UP THE LAST TIME WE HAD A DATE. 1019 00:46:25,850 --> 00:46:27,183 THAT WAS 3 YEARS AGO. 1020 00:46:27,185 --> 00:46:28,518 WHAT HAPPENED? 1021 00:46:28,520 --> 00:46:29,552 WELL, I'LL TELL YOU. 1022 00:46:29,554 --> 00:46:30,553 I WAS STANDING ON THE CORNER. 1023 00:46:30,555 --> 00:46:31,554 A MILITARY BAND WENT BY, 1024 00:46:31,556 --> 00:46:32,555 AND THE NEXT THING I KNEW, 1025 00:46:32,557 --> 00:46:34,290 I WAS IN CAMP ROBERTS. 1026 00:46:34,292 --> 00:46:35,792 I'LL GIVE YOU ONE MORE CHANCE. 1027 00:46:35,794 --> 00:46:37,493 MEET ME TONIGHT ON THE SAME CORNER. 1028 00:46:37,495 --> 00:46:39,629 YOU GOT A DEAL. 1029 00:46:39,631 --> 00:46:40,997 Judy: DANNY. 1030 00:46:40,999 --> 00:46:42,598 CAN I SEE YOU A MINUTE? 1031 00:46:42,600 --> 00:46:43,800 OK. 1032 00:46:45,703 --> 00:46:47,370 THE BAND IS SWELL, DANNY. 1033 00:46:47,372 --> 00:46:48,371 THANKS. 1034 00:46:48,373 --> 00:46:49,639 AND IF YOU OPEN IN A GOOD SPOT, 1035 00:46:49,641 --> 00:46:51,340 YOUR FORTUNE IS MADE. 1036 00:46:51,342 --> 00:46:53,276 THAT'S RIGHT. YOU LIKE RICH GUYS, DON'T YOU? 1037 00:46:53,278 --> 00:46:54,677 WHAT KIND OF A CRACK IS THAT? 1038 00:46:54,679 --> 00:46:56,112 THIS IS A WASTE OF TIME, JUDY. 1039 00:46:56,114 --> 00:46:58,614 BUT I'M IN A SPOT TO HELP YOU KEEP THE BAND TOGETHER. 1040 00:46:58,616 --> 00:47:00,883 THANKS. I'LL FIND A WAY TO DO THAT. 1041 00:47:00,885 --> 00:47:02,018 NOW YOU RUN ALONG, WILL YOU? 1042 00:47:02,020 --> 00:47:03,920 NO, I WON'T. 1043 00:47:03,922 --> 00:47:05,154 I'M GONNA GET SORE IN A MINUTE. 1044 00:47:05,156 --> 00:47:06,589 I'M SORE NOW. 1045 00:47:06,591 --> 00:47:07,924 THIS IS VERY EMBARRASSING. 1046 00:47:07,926 --> 00:47:09,025 DON'T BLUSH SO EASY. 1047 00:47:09,027 --> 00:47:10,393 YOU OUGHT TO. 1048 00:47:10,395 --> 00:47:12,428 GET SMART. I'M LOADED LIKE A TRANSPORT. 1049 00:47:12,430 --> 00:47:13,830 WILL YOU BLOW? 1050 00:47:13,832 --> 00:47:15,031 IT'S LEND LEASE. DON'T BE A CHUMP. 1051 00:47:15,033 --> 00:47:16,599 NO. 1052 00:47:16,601 --> 00:47:17,667 WELL, THANKS, JUDY. 1053 00:47:17,669 --> 00:47:19,235 NICE OF YOU TO DROP IN ON US. 1054 00:47:19,237 --> 00:47:20,336 DON'T MENTION IT, DANNY. 1055 00:47:20,338 --> 00:47:22,405 WELL, FELLAS, YOU'RE ALL SET. 1056 00:47:22,407 --> 00:47:24,574 FROM NOW ON, YOU HAVE NOTHING TO WORRY ABOUT. 1057 00:47:24,576 --> 00:47:26,676 YOU'RE ALL MOVING IN THE YORK TOWERS AS MY GUESTS 1058 00:47:26,678 --> 00:47:27,877 TILL YOU GET IN THE RIGHT SPOT. 1059 00:47:27,879 --> 00:47:28,878 SAY, THAT SOUNDS FINE. 1060 00:47:28,880 --> 00:47:30,246 HEY, NOW WAIT A MINUTE. 1061 00:47:30,248 --> 00:47:32,481 DANNY THOUGHT MAYBE YOU FELLAS WOULDN'T LIKE IT. 1062 00:47:32,483 --> 00:47:33,850 WHY NOT? TELL US MORE. 1063 00:47:33,852 --> 00:47:35,518 NOTHING DOING. I WON'T STAND FOR IT. 1064 00:47:35,520 --> 00:47:36,953 CAN YOU MAKE US A BETTER OFFER? 1065 00:47:36,955 --> 00:47:39,722 NO, BUT WE'LL GET STARTED EVENTUALLY, AND-- 1066 00:47:39,724 --> 00:47:40,790 NEVER MIND THAT. 1067 00:47:40,792 --> 00:47:42,158 I'M ALL FOR IT. WHAT DO YOU GUYS SAY? 1068 00:47:42,160 --> 00:47:43,659 [ALL TALKING AT ONCE] 1069 00:47:43,661 --> 00:47:44,994 SWELL. 1070 00:47:53,972 --> 00:47:55,071 [KNOCK ON DOOR] 1071 00:47:58,376 --> 00:48:00,209 POP, WE'RE GONNA HAVE COMPANY. 1072 00:48:00,211 --> 00:48:01,944 I'LL PUT ME SHOES ON. 1073 00:48:03,848 --> 00:48:05,648 "THE WALL STREET JOURNAL"? 1074 00:48:05,650 --> 00:48:07,483 POP, YOU SLAY ME. 1075 00:48:07,485 --> 00:48:09,185 YOU SEEM IN MIGHTY GOOD SPIRITS. 1076 00:48:09,187 --> 00:48:11,120 IN A WAY I AM. 1077 00:48:11,122 --> 00:48:13,522 I'D LIKE TO SPEAK TO THE MANAGER-- MR. GRAY. 1078 00:48:13,524 --> 00:48:15,591 YOU MADE IT UP WITH THE YOUNG MAN? 1079 00:48:15,593 --> 00:48:17,326 NO, POP. THAT'S ALL OFF. 1080 00:48:17,328 --> 00:48:18,828 AH, THAT'S A PITY. 1081 00:48:18,830 --> 00:48:20,897 MR. GRAY, THIS IS MISS PEABODY. 1082 00:48:20,899 --> 00:48:23,466 IS THE APARTMENT NEXT TO MINE STILL VACANT? 1083 00:48:23,468 --> 00:48:26,402 IT IS? HOW MANY ROOMS IS IT? 1084 00:48:26,404 --> 00:48:29,872 12. THAT'S FINE. I'LL TAKE IT. 1085 00:48:29,874 --> 00:48:32,008 YOU CAN CHARGE IT TO MY ACCOUNT. 1086 00:48:32,010 --> 00:48:33,743 OH, IN ABOUT AN HOUR. 1087 00:48:38,283 --> 00:48:41,417 OPERATOR, WILL YOU CONNECT ME WITH LOCKE'S FIFTH AVENUE? 1088 00:48:41,419 --> 00:48:42,818 NOW WHAT ARE YOU UP TO? 1089 00:48:42,820 --> 00:48:45,588 I'M GOING TO RUIN BILLINGSLEY OR SOMEBODY. 1090 00:48:45,590 --> 00:48:47,723 LOCKE'S? MEN'S DEPARTMENT, PLEASE. 1091 00:48:47,725 --> 00:48:50,226 I'LL SHOW HIM! I'LL SMOKE HIM OUT. 1092 00:48:50,228 --> 00:48:51,894 I'LL SPEND EVERY CENT HE'S GOT. 1093 00:48:51,896 --> 00:48:52,995 BUT WHY? 1094 00:48:52,997 --> 00:48:55,598 HE RUINED MY LOVE AFFAIR, THAT'S WHY. 1095 00:48:55,600 --> 00:48:59,335 MEN'S DEPARTMENT? THIS IS MISS JUDY PEABODY AT THE YORK TOWERS. 1096 00:48:59,337 --> 00:49:01,504 COULD YOU SEND A REPRESENTATIVE UP TO MY APARTMENT 1097 00:49:01,506 --> 00:49:05,474 TO MEASURE 12 MEN FOR DINNER JACKETS, TROPICALS, 1098 00:49:05,476 --> 00:49:08,611 AND A HALF-DOZEN BUSINESS SUITS APIECE. 1099 00:49:08,613 --> 00:49:10,646 THEN THERE WILL BE SHOES, SHIRTS, 1100 00:49:10,648 --> 00:49:12,882 AND COLLARS AND TIES BESIDES. 1101 00:49:12,884 --> 00:49:15,151 THAT'S FINE. THANK YOU VERY MUCH. 1102 00:49:15,153 --> 00:49:16,686 WHAT HAVE I DONE? 1103 00:49:16,688 --> 00:49:18,821 POP, DID YOU HURT YOURSELF? WHAT? 1104 00:49:18,823 --> 00:49:21,023 WHEN YOU BUMPED INTO THE WALL JUST NOW. 1105 00:49:21,025 --> 00:49:23,025 DID I BUMP INTO THE WALL? 1106 00:49:23,027 --> 00:49:24,794 WELL, WHAT DO YOU THINK? 1107 00:49:24,796 --> 00:49:27,930 JUDY, I MUST TELL YOU SOMETHING. I AM A BA-- 1108 00:49:27,932 --> 00:49:30,499 NOW, DON'T TELL ME YOU'RE LEAVING AGAIN. 1109 00:49:30,501 --> 00:49:32,001 I THINK BOTH OF US SHOULD LEAVE. 1110 00:49:32,003 --> 00:49:33,970 NOT ME. I'M AFTER SOMEBODY'S SCALP, 1111 00:49:33,972 --> 00:49:35,438 AND I WON'T REST TILL I GET IT. 1112 00:49:35,440 --> 00:49:37,473 BUT, JUDY, IT'S MY SCALP. 1113 00:49:37,475 --> 00:49:38,574 YOU MUST HAVE HIT YOUR HEAD. 1114 00:49:38,576 --> 00:49:39,775 WHY DON'T YOU GO LIE DOWN? 1115 00:49:39,777 --> 00:49:41,344 JUDY, YOU MUST BELIEVE ME. 1116 00:49:41,346 --> 00:49:42,812 I'M A RICH MAN. 1117 00:49:42,814 --> 00:49:44,880 I HOPED TO BRING A LITTLE HAPPINESS INTO YOUR LIFE 1118 00:49:44,882 --> 00:49:46,515 BECAUSE YOU SAVED MINE, 1119 00:49:46,517 --> 00:49:48,184 BUT, ME GOOD GIRL, YOUR KIND OF HAPPINESS 1120 00:49:48,186 --> 00:49:49,652 IS MORE THAN I CAN AFFORD. 1121 00:49:49,654 --> 00:49:51,087 WHY DON'T YOU STOP IT, POP? 1122 00:49:51,089 --> 00:49:52,455 I THOUGHT OF THAT ONE AHEAD OF YOU. 1123 00:49:52,457 --> 00:49:55,191 CALL CURTIS. FIND OUT FOR YOURSELF. 1124 00:49:55,193 --> 00:49:56,559 YEAH. HE WOULD KNOW. 1125 00:49:56,561 --> 00:49:58,160 I WANT TO TALK TO HIM ANYWAY. 1126 00:49:58,162 --> 00:50:00,496 HIS NUMBER'S RECTOR-21098. 1127 00:50:00,498 --> 00:50:02,631 YOU READ THAT ON HIS LETTER TO ME. 1128 00:50:02,633 --> 00:50:04,767 CALL HIM. CALL HIM. 1129 00:50:09,440 --> 00:50:13,509 GET ME RECTOR-21098, PLEASE. 1130 00:50:13,511 --> 00:50:15,444 [INTERCOM BUZZES] 1131 00:50:15,446 --> 00:50:16,746 WELL? 1132 00:50:16,748 --> 00:50:18,147 OH, YEAH. PUT HER ON. 1133 00:50:20,952 --> 00:50:24,153 HELLO, MISS PEABODY. HOW ARE YOU? 1134 00:50:24,155 --> 00:50:26,789 YES. UH-HUH. 1135 00:50:26,791 --> 00:50:28,024 OF COURSE, OF COURSE. 1136 00:50:28,026 --> 00:50:30,459 ALL RIGHT. I'LL BE RIGHT UP. 1137 00:50:30,461 --> 00:50:33,396 NOW EITHER YOU'RE CRAZY, OR I'M GOING TO BE. 1138 00:50:33,398 --> 00:50:34,363 WE'LL SOON FIND OUT. 1139 00:50:34,365 --> 00:50:35,364 [KNOCK ON DOOR] 1140 00:50:35,366 --> 00:50:36,632 COME IN. 1141 00:50:38,536 --> 00:50:40,169 SORRY TO INTRUDE. 1142 00:50:40,171 --> 00:50:42,638 YOU'RE NOT INTRUDING! 1143 00:50:42,640 --> 00:50:44,306 I HAVE THE KEY, AND WE'RE ALL SET. 1144 00:50:44,308 --> 00:50:46,675 THERE'S ONLY ONE THING I'D LIKE TO MAKE CLEAR TO YOU. 1145 00:50:46,677 --> 00:50:49,612 I'M ACCEPTING YOUR HOSPITALITY BECAUSE I HAVE TO, 1146 00:50:49,614 --> 00:50:52,915 BUT I WANT YOU TO KNOW THAT YOU'RE GONNA GET EVERY CENT BACK. 1147 00:50:52,917 --> 00:50:54,984 EVERY CENT, DO YOU UNDERSTAND? 1148 00:50:54,986 --> 00:50:56,118 YES, DANNY. 1149 00:50:56,120 --> 00:50:58,587 YOUNG MAN, I LIKE YOU. I LIKE YOUR IDEAS. 1150 00:50:58,589 --> 00:50:59,622 I LIKE THE WAY YOU TALK. 1151 00:50:59,624 --> 00:51:02,358 I LIKE EVERYTHING ABOUT YOU. 1152 00:51:02,360 --> 00:51:04,593 I WISH I COULD RETURN THE COMPLIMENT. 1153 00:51:04,595 --> 00:51:05,895 GOOD-BYE. 1154 00:51:08,066 --> 00:51:09,598 A FINE LAD. 1155 00:51:09,600 --> 00:51:11,700 YES. THAT'S ONE OF THE THINGS 1156 00:51:11,702 --> 00:51:13,736 THAT'S THE MATTER WITH HIM. 1157 00:51:13,738 --> 00:51:16,272 [DOORBELL RINGS] 1158 00:51:16,274 --> 00:51:17,907 I'LL GET IT, POP. 1159 00:51:22,747 --> 00:51:24,013 ARE YOU MR. CURTIS? 1160 00:51:24,015 --> 00:51:25,081 YES, MISS PEABODY. 1161 00:51:25,083 --> 00:51:27,683 COME ON. THANK YOU. 1162 00:51:27,685 --> 00:51:29,552 J.B.: WELL, IT TOOK YOU LONG ENOUGH TO GET HERE. 1163 00:51:29,554 --> 00:51:31,887 NOW, SIR, TELL THIS YOUNG LADY WHO I AM. 1164 00:51:31,889 --> 00:51:33,556 WHY, I NEVER SAW YOU BEFORE IN MY LIFE. 1165 00:51:33,558 --> 00:51:34,557 HUP! 1166 00:51:34,559 --> 00:51:35,758 IS HE ANNOYING YOU? 1167 00:51:35,760 --> 00:51:37,693 YES, HE IS. HE TOLD ME A TERRIBLE LIE. 1168 00:51:37,695 --> 00:51:40,329 I TOLD HER WHO I WAS. I EXPECT YOU TO CONFIRM IT. 1169 00:51:40,331 --> 00:51:41,864 I THINK THE POOR OLD CHAP'S DEMENTED. 1170 00:51:41,866 --> 00:51:43,132 COME ON. YOU BETTER GET OUT OF HERE, OLD MAN. 1171 00:51:43,134 --> 00:51:45,634 OH, NO. I DON'T MIND IF HE STAYS HERE. 1172 00:51:45,636 --> 00:51:47,169 I JUST WISH HE'D BEHAVE HIMSELF. 1173 00:51:47,171 --> 00:51:48,437 WHAT DID HE DO? 1174 00:51:48,439 --> 00:51:51,307 WILL YOU OR WILL YOU NOT TELL HER WHO I AM? 1175 00:51:51,309 --> 00:51:54,743 PLEASE. IF YOU'RE NOT SURE WHO YOU ARE, DON'T ADVERTISE THE FACT. 1176 00:51:54,745 --> 00:51:56,212 OHH! 1177 00:51:56,214 --> 00:51:58,247 MR. CURTIS, I'M TRYING TO FIND OUT WHO'S KEEPING ME. 1178 00:51:58,249 --> 00:51:59,415 WELL, YOU MUSTN'T DO THAT. 1179 00:51:59,417 --> 00:52:00,683 YOUR BENEFACTOR'S A VERY GENEROUS MAN, 1180 00:52:00,685 --> 00:52:02,151 BUT HE WANTS TO STAY UNKNOWN. 1181 00:52:02,153 --> 00:52:04,153 I'LL FIND OUT WHO HE IS SOME WAY. 1182 00:52:04,155 --> 00:52:05,988 I DON'T THINK YOU WILL, MISS PEABODY. 1183 00:52:05,990 --> 00:52:07,089 IS IT YOU? 1184 00:52:07,091 --> 00:52:08,891 NO. I PAY THE BILLS, THOUGH, 1185 00:52:08,893 --> 00:52:10,092 AND YOU CAN GO RIGHT AHEAD AND DO ANYTHING 1186 00:52:10,094 --> 00:52:11,393 THAT'S GOING TO MAKE YOU HAPPY. 1187 00:52:11,395 --> 00:52:13,028 OHH! 1188 00:52:13,030 --> 00:52:15,097 J.B.: UMM. 1189 00:52:15,099 --> 00:52:17,032 WELL, WHOEVER HE IS, I'LL BREAK HIM 1190 00:52:17,034 --> 00:52:18,968 IF IT'S THE LAST THING I DO! 1191 00:52:18,970 --> 00:52:21,203 THAT WILL TAKE QUITE A BIT OF DOING, MISS PEABODY. 1192 00:52:21,205 --> 00:52:22,471 GOOD-BYE. 1193 00:52:22,473 --> 00:52:23,706 GOOD-BYE. 1194 00:52:26,978 --> 00:52:28,911 CURTIS! 1195 00:52:28,913 --> 00:52:30,212 HIYA, J.B. 1196 00:52:30,214 --> 00:52:31,847 OH, YOU KNOW ME NOW. 1197 00:52:31,849 --> 00:52:33,315 HOW DARE YOU SAY YOU DIDN'T KNOW ME? 1198 00:52:33,317 --> 00:52:35,117 WELL, YOU TOLD ME NOT TO LET HER KNOW WHO YOU ARE. 1199 00:52:35,119 --> 00:52:36,485 NEVER MIND WHAT I TELL YOU TO DO. 1200 00:52:36,487 --> 00:52:38,154 YOU DO WHAT I TELL YOU. 1201 00:52:38,156 --> 00:52:39,788 ALL RIGHT. I'LL TRY TO REMEMBER THAT. 1202 00:52:39,790 --> 00:52:41,190 THAT GIRL'S OUT TO BREAK ME. 1203 00:52:41,192 --> 00:52:42,424 HOW CAN SHE, J.B.? 1204 00:52:42,426 --> 00:52:43,592 SHE'S ORGANIZED. 1205 00:52:43,594 --> 00:52:44,660 LOOK. YOU'RE SOLVENT. 1206 00:52:44,662 --> 00:52:45,794 WHAT CAN IT COST YOU? 1207 00:52:45,796 --> 00:52:47,663 $200,000 OR $300,000 1208 00:52:47,665 --> 00:52:49,064 AND, OF COURSE, THE GIFT TAX. 1209 00:52:49,066 --> 00:52:51,300 GIFT TAX? WHAT'S THAT? 1210 00:52:51,302 --> 00:52:52,902 WELL, IF YOU'D EVER GIVEN ANYTHING AWAY BEFORE, 1211 00:52:52,904 --> 00:52:54,103 YOU'D KNOW. 1212 00:52:54,105 --> 00:52:56,272 EVERY TIME YOU GIVE ANYONE OVER $3,000, 1213 00:52:56,274 --> 00:52:59,074 YOU HAVE TO HAND THE GOVERNMENT ANOTHER 30%. 1214 00:52:59,076 --> 00:53:04,713 COOLIDGE. OH, FOR ANOTHER COOLIDGE. 1215 00:53:04,715 --> 00:53:05,915 AFTER YOU, J.B. 1216 00:53:05,917 --> 00:53:07,650 I WOULDN'T RIDE IN THE SAME CAR WITH YOU. 1217 00:53:07,652 --> 00:53:08,951 I'LL WALK DOWN! 1218 00:53:27,939 --> 00:53:30,506 WELL, DID YOU ENJOY YOUR STROLL, J.B.? 1219 00:53:30,508 --> 00:53:33,709 WELL, AT ANY RATE, IT GAVE ME TIME TO THINK THINGS OVER. 1220 00:53:33,711 --> 00:53:35,110 YOU KNOW, YOU COULD HAVE WALKED DOWN ONE FLIGHT 1221 00:53:35,112 --> 00:53:37,479 AND TAKEN THE ELEVATOR AT THE NEXT FLOOR. 1222 00:53:37,481 --> 00:53:39,381 I WAS SO MAD, I NEVER THOUGHT OF IT. 1223 00:53:39,383 --> 00:53:41,517 WELL, I'M GLAD YOU'RE FEELING BETTER ANYWAY. 1224 00:53:41,519 --> 00:53:44,286 TOM, I LOVE THAT GIRL JUDY DEARLY. 1225 00:53:44,288 --> 00:53:47,623 SHE REMINDS ME OF EDITH WHEN I WAS COURTING HER, 1226 00:53:47,625 --> 00:53:51,427 BUT I CAN'T BEAR TO SEE MONEY SPENT FOOLISHLY, 1227 00:53:51,429 --> 00:53:52,928 PARTICULARLY MINE. 1228 00:53:52,930 --> 00:53:54,930 WELL, I THOUGHT YOU WANTED TO MAKE HER HAPPY. 1229 00:53:54,932 --> 00:53:56,599 I DID. IT'S MAKING HER MISERABLE. 1230 00:53:56,601 --> 00:53:57,967 HOW? 1231 00:53:57,969 --> 00:54:00,869 SHE HAS HER HEART SET ON A HORN TOOTER. 1232 00:54:00,871 --> 00:54:02,471 WHAT KIND OF FELLA IS HE? 1233 00:54:02,473 --> 00:54:04,873 AN INDEPENDENT KIND OF CHAP. I LIKE HIM. 1234 00:54:04,875 --> 00:54:06,242 WELL, GET THEM MARRIED. 1235 00:54:06,244 --> 00:54:07,943 THEN YOU'RE OFF THE HOOK. 1236 00:54:07,945 --> 00:54:10,679 CURTIS, MUCH AS I HATE TO ADMIT IT, I THINK YOU'RE RIGHT, 1237 00:54:10,681 --> 00:54:11,714 BUT IT'S NOT GOING TO BE EASY. 1238 00:54:11,716 --> 00:54:13,182 WHY NOT? 1239 00:54:13,184 --> 00:54:15,584 HE'S JEALOUS OF ME. 1240 00:54:15,586 --> 00:54:17,419 JEALOUS OF YOU? HA HA! 1241 00:54:21,626 --> 00:54:23,525 YEAH. I'D USE THE ELEVATOR 1242 00:54:23,527 --> 00:54:25,594 IF YOU WANT TO GET THERE TONIGHT. 1243 00:54:25,596 --> 00:54:26,829 AHEM. 1244 00:54:42,313 --> 00:54:45,514 JUDY. 1245 00:54:45,516 --> 00:54:46,782 YES? 1246 00:54:46,784 --> 00:54:49,251 I WANT TO ASK YOUR FORGIVENESS. 1247 00:54:49,253 --> 00:54:53,088 I DON'T KNOW WHATEVER POSSESSED ME TO ACT LIKE I DID. 1248 00:54:53,090 --> 00:54:55,257 NEITHER DO I. HOW COULD YOU MAKE UP SUCH A LIE? 1249 00:54:55,259 --> 00:54:56,692 WHAT WAS THE POINT? 1250 00:54:56,694 --> 00:55:01,063 I GUESS ME POOR OLD BRAIN ISN'T WHAT IT USED TO BE. 1251 00:55:01,065 --> 00:55:02,865 POP, I'M SORRY. 1252 00:55:02,867 --> 00:55:04,900 BUT I STILL HAVE ME LUCID MOMENTS, 1253 00:55:04,902 --> 00:55:06,702 AND IF YOU LET ME STAY AROUND WITH YOU, 1254 00:55:06,704 --> 00:55:09,138 I'LL HELP YOU BRING DANNY BACK TO HIS SENSES. 1255 00:55:09,140 --> 00:55:11,573 OH, POP, IF WE ONLY COULD. 1256 00:55:11,575 --> 00:55:13,542 I BEG YOUR PARDON. 1257 00:55:13,544 --> 00:55:15,344 DON'T LET ME INTERRUPT YOU. 1258 00:55:18,349 --> 00:55:20,449 OH, POP! 1259 00:55:22,486 --> 00:55:24,820 WELL, THAT'S THE WAY THINGS STAND, DANNY. 1260 00:55:24,822 --> 00:55:27,289 I CAN'T PLACE YOU FOR AT LEAST TWO WEEKS, 1261 00:55:27,291 --> 00:55:29,058 BUT I'M WILLING TO STAKE YOU AND THE BOYS 1262 00:55:29,060 --> 00:55:30,426 IN THE MEANTIME. 1263 00:55:30,428 --> 00:55:32,194 WE'RE BEING STAKED NOW. 1264 00:55:32,196 --> 00:55:33,329 THE GUYS ARE GETTING OTHER OFFERS 1265 00:55:33,331 --> 00:55:35,164 FROM BANDS THAT ARE WORKING. 1266 00:55:35,166 --> 00:55:37,299 I CAN'T HOLD THEM TOGETHER TWO WEEKS LONGER. 1267 00:55:37,301 --> 00:55:38,534 THAT'S A TOUGH BREAK, 1268 00:55:38,536 --> 00:55:40,235 BUT KEEP IN TOUCH WITH ME, THOUGH. 1269 00:55:40,237 --> 00:55:41,370 YOU NEVER CAN TELL. 1270 00:55:41,372 --> 00:55:42,771 YEAH, I WILL. 1271 00:55:42,773 --> 00:55:43,772 SO LONG. 1272 00:55:43,774 --> 00:55:45,407 THANKS, BARNEY. 1273 00:55:45,409 --> 00:55:47,443 [BAND WARMING UP] 1274 00:55:53,317 --> 00:55:55,417 HEY, FELLAS, LET'S GIVE THIS NUMBER A QUICK GOING OVER 1275 00:55:55,419 --> 00:55:56,952 BEFORE DANNY GETS BACK. 1276 00:55:56,954 --> 00:55:57,953 HE'LL NEVER KNOW THE DIFFERENCE. 1277 00:55:57,955 --> 00:55:59,054 SUPPOSING HE DOES. 1278 00:55:59,056 --> 00:56:00,189 HE'D GET SORE. 1279 00:56:00,191 --> 00:56:01,290 WELL, AREN'T YOU GONNA SING WITH THE BAND? 1280 00:56:01,292 --> 00:56:02,291 NO. THAT'S ALL OFF. 1281 00:56:02,293 --> 00:56:03,359 HE TOLD YOU? 1282 00:56:03,361 --> 00:56:04,493 WELL, NOT IN SO MANY WORDS. 1283 00:56:04,495 --> 00:56:05,828 HE JUST ACTS THAT WAY. 1284 00:56:05,830 --> 00:56:07,096 WELL, GO AHEAD AND SING, JUDY. 1285 00:56:07,098 --> 00:56:09,031 I'D LIKE TO HEAR YOU MESELF. 1286 00:56:09,033 --> 00:56:10,733 MAYBE HE HAS A REASON YOU DON'T SUSPECT. 1287 00:56:10,735 --> 00:56:11,934 WHAT DO YOU MEAN? 1288 00:56:11,936 --> 00:56:15,204 I'LL TELL YOU AFTER I HEAR YOU SING. 1289 00:56:15,206 --> 00:56:16,839 OK, FELLAS, HIT IT! 1290 00:56:16,841 --> 00:56:18,874 [BAND PLAYING] 1291 00:56:23,614 --> 00:56:26,949 ♪ WHEN I WAS YOUNG, I FOUND IT GRIM ♪ 1292 00:56:26,951 --> 00:56:29,952 ♪ TO GURGLE IN THE SOCIAL SWIM ♪ 1293 00:56:29,954 --> 00:56:31,987 ♪ THE DOS AND DON'TS AND LA DEE DA ♪ 1294 00:56:31,989 --> 00:56:36,158 ♪ TO ME WERE JUST A LOT OF BLAH ♪ 1295 00:56:36,160 --> 00:56:39,361 ♪ I USED MY SILVER SPOON AT BIRTH ♪ 1296 00:56:39,363 --> 00:56:42,398 ♪ FOR THROWING MEATBALLS AT MY NURSE ♪ 1297 00:56:42,400 --> 00:56:45,234 ♪ I ALWAYS CHOSE TO THUMB MY NOSE ♪ 1298 00:56:45,236 --> 00:56:48,270 ♪ AT SMARTY CLOTHES AND PARTY POSE ♪ 1299 00:56:48,272 --> 00:56:52,674 ♪ I DITCHED THE RICH IN SABLE SET ♪ 1300 00:56:52,676 --> 00:56:57,679 ♪ TO JOIN THE KITCHEN TABLE SET ♪ 1301 00:56:59,450 --> 00:57:02,618 ♪ I USED THE WRONG FORK AT THE STORK IN NEW YORK ♪ 1302 00:57:02,620 --> 00:57:05,387 ♪ MY MANNERS AIN'T FIT FOR A GOOP ♪ 1303 00:57:05,389 --> 00:57:08,190 ♪ I'M JUST A SQUARE IN THE SOCIAL CIRCLES ♪ 1304 00:57:08,192 --> 00:57:11,260 ♪ WHO PUT THAT FLY IN MY SOUP? ♪ 1305 00:57:11,262 --> 00:57:14,163 ♪ IT'D RATHER GO OUT WITH A LOUT TO A BOUT ♪ 1306 00:57:14,165 --> 00:57:17,232 ♪ THEN SLEEP IN A SYMPHONY HALL ♪ 1307 00:57:17,234 --> 00:57:20,169 ♪ I'M JUST A SQUARE IN THE SOCIAL CIRCLE ♪ 1308 00:57:20,171 --> 00:57:22,671 ♪ WHO KNOCKED MY GUM OFF THAT WALL? ♪ 1309 00:57:22,673 --> 00:57:25,941 ♪ WHEN THE UTTERLY UTTER FLOWS LIKE BUTTER ♪ 1310 00:57:25,943 --> 00:57:28,877 ♪ I WANT TO START PITCHING A CURVE ♪ 1311 00:57:28,879 --> 00:57:32,014 ♪ WITH A SILLY OLD BLIGHTER ON A FIRST-NIGHTER ♪ 1312 00:57:32,016 --> 00:57:33,982 ♪ I FEEL LIKE A PICKLED HORS D'OEUVRE ♪ 1313 00:57:33,984 --> 00:57:35,250 ♪ NO VERVE ♪ 1314 00:57:35,252 --> 00:57:38,120 ♪ I NEVER FELT GAY IN A FANCY BERET ♪ 1315 00:57:38,122 --> 00:57:41,156 ♪ I'LL WEAR A BABUSHKA OR BURST ♪ 1316 00:57:41,158 --> 00:57:44,059 ♪ I'M JUST A SQUARE IN THE SOCIAL CIRCLE ♪ 1317 00:57:44,061 --> 00:57:46,762 ♪ FINGERBOWLS IRK ME THE WORST ♪ 1318 00:57:46,764 --> 00:57:49,698 ♪ THEY JUST DON'T QUENCH MY THIRST ♪ 1319 00:57:53,904 --> 00:57:58,740 ♪ MRS. VANDERHORSE WILL GREET ME WITH A 14-KARAT SHOUT ♪ 1320 00:57:58,742 --> 00:58:00,742 ♪ "MY DEAR, YOU'VE SIMPLY GOT TO COME" ♪ 1321 00:58:00,744 --> 00:58:02,678 ♪ "TO MY DAUGHTER'S COMING OUT" ♪ 1322 00:58:02,680 --> 00:58:04,713 ♪ HER DAUGHTER IS A FRANKENSTEIN ♪ 1323 00:58:04,715 --> 00:58:06,582 ♪ A DRACULA IN MINK ♪ 1324 00:58:06,584 --> 00:58:08,450 ♪ WHEN SHE COMES OUT, EACH STAG WILL SHOUT ♪ 1325 00:58:08,452 --> 00:58:11,820 ♪ "GADZOOKS! I NEED A DRINK!" ♪ 1326 00:58:11,822 --> 00:58:13,922 ♪ I'VE DINED AND CLUBBED, I'VE ELBOW-RUBBED ♪ 1327 00:58:13,924 --> 00:58:16,725 ♪ FROM YONKERS TO CHEYENNE ♪ 1328 00:58:16,727 --> 00:58:19,728 ♪ FOO TO YOU, BUD, TAKE YOUR BLUE BLOOD ♪ 1329 00:58:19,730 --> 00:58:22,331 ♪ AND STICK IT IN YOUR FOUNTAIN PEN ♪ 1330 00:58:25,769 --> 00:58:28,670 ♪ I WANT TO BRUSH ALL THE PLUSH AND THE GUSH ♪ 1331 00:58:28,672 --> 00:58:31,607 ♪ I'D RATHER GET LEFT THAN BE RIGHT ♪ 1332 00:58:31,609 --> 00:58:34,810 ♪ I'M JUST A SQUARE IN THE SOCIAL CIRCLE ♪ 1333 00:58:34,812 --> 00:58:37,312 ♪ ANYONE HERE WANT TO FIGHT? ♪ 1334 00:58:37,314 --> 00:58:40,215 ♪ AND NONE OF ME FITS WITH THE WITS AT THE RITZ ♪ 1335 00:58:40,217 --> 00:58:43,185 ♪ I'D RATHER RELAX ON A STOOL ♪ 1336 00:58:43,187 --> 00:58:46,388 ♪ I'M JUST A SQUARE IN THE SOCIAL CIRCLE ♪ 1337 00:58:46,390 --> 00:58:48,690 ♪ ANYONE WANT TO SHOOT POOL? ♪ 1338 00:58:48,692 --> 00:58:51,894 ♪ WHEN A COOKIE WITH CABBAGE GETS TOO SAVAGE ♪ 1339 00:58:51,896 --> 00:58:54,429 ♪ I RASSLE HIM 3 OUT OF 4 ♪ 1340 00:58:54,431 --> 00:58:57,566 ♪ I WOULD RATHER A SAILOR HOP IN MY TRAILER ♪ 1341 00:58:57,568 --> 00:59:00,669 ♪ AND SHOW ME HIS NAUTICAL LORE--WHY, SURE ♪ 1342 00:59:00,671 --> 00:59:03,472 ♪ LADIES IN FRILLS ONLY FILL ME WITH CHILLS ♪ 1343 00:59:03,474 --> 00:59:06,475 ♪ THEY'RE SOFT AS A BALL OF CHENILLE ♪ 1344 00:59:06,477 --> 00:59:09,311 ♪ I'M JUST A SQUARE IN THE SOCIAL CIRCLE ♪ 1345 00:59:09,313 --> 00:59:12,214 ♪ I'VE GOT A MUSCLE OF STEEL ♪ 1346 00:59:12,216 --> 00:59:14,816 ♪ ANYONE HERE WANT TO FEEL? ♪ 1347 00:59:14,818 --> 00:59:17,686 ♪ I'M AS SQUARE AS A PEAR IN A BOUTONNIERE ♪ 1348 00:59:17,688 --> 00:59:20,622 ♪ FANCY SILKS WON'T STAY ON ♪ 1349 00:59:20,624 --> 00:59:23,458 ♪ I'M DESIGNED FOR RAYON ♪ 1350 00:59:23,460 --> 00:59:29,131 ♪ BUT I JUST DON'T SEEM TO CARE ♪ 1351 00:59:29,133 --> 00:59:32,601 ♪ I'M A SQUARE ♪ 1352 00:59:34,772 --> 00:59:37,239 WELL, I'VE NEVER IN ALL ME LIFE SEEN THE LIKE OF IT. 1353 00:59:37,241 --> 00:59:39,007 [BAND LAUGHING] 1354 00:59:39,009 --> 00:59:40,576 WHAT'S THE VERDICT, POP? 1355 00:59:40,578 --> 00:59:43,879 WELL, YOU ALL FINISHED UP TOGETHER ANYHOW. 1356 00:59:43,881 --> 00:59:45,113 [LAUGHTER] 1357 00:59:45,115 --> 00:59:47,149 A COUPLE OF TIMES THERE, I THOUGHT THE MUSICIANS 1358 00:59:47,151 --> 00:59:48,417 WE'RE GONNA GET AWAY FROM YOU, 1359 00:59:48,419 --> 00:59:50,218 BUT BY GOLLY, THEY DIDN'T. 1360 00:59:50,220 --> 00:59:51,453 IT'S REMARKABLE. 1361 00:59:51,455 --> 00:59:53,822 THANKS, POP. GEE, FELLAS, YOU WERE GREAT. 1362 00:59:53,824 --> 00:59:54,890 I'LL SAY YOU WERE. 1363 00:59:54,892 --> 00:59:56,458 YOU'LL SING WITH THE BAND OR ELSE. 1364 00:59:56,460 --> 00:59:57,559 NO, NO, NO. 1365 00:59:57,561 --> 00:59:58,894 WE GOT TO KEEP PEACE IN THE FAMILY. 1366 00:59:58,896 --> 01:00:00,963 DANNY'S THE BOSS, AND WHAT HE SAYS GOES. 1367 01:00:00,965 --> 01:00:02,197 I'M DOING ALL RIGHT, BUT YOU GUYS 1368 01:00:02,199 --> 01:00:03,732 ARE JUST GETTING STARTED. 1369 01:00:03,734 --> 01:00:05,567 I WONDER, WOULD THE YOUNG MEN KNOW A SONG 1370 01:00:05,569 --> 01:00:07,302 I'M A LITTLE MORE FAMILIAR WITH? 1371 01:00:07,304 --> 01:00:08,437 WHAT'S THAT, POP? 1372 01:00:08,439 --> 01:00:10,606 "IN THE SHADE OF THE OLD APPLE TREE." 1373 01:00:10,608 --> 01:00:11,740 WE CAN FAKE IT. 1374 01:00:11,742 --> 01:00:13,075 FAKE IT? 1375 01:00:13,077 --> 01:00:15,110 WELL, HE MEANS THEY CAN MAKE IT UP AS THEY GO ALONG. 1376 01:00:15,112 --> 01:00:17,412 THAT'S NOT NECESSARY. THE SONG'S ALREADY WRITTEN. 1377 01:00:17,414 --> 01:00:18,413 [BAND LAUGHING] 1378 01:00:18,415 --> 01:00:20,082 WOULD YOU LIKE TO HEAR IT, POP? 1379 01:00:20,084 --> 01:00:21,249 I WOULD VERY MUCH INDEED. 1380 01:00:21,251 --> 01:00:22,484 DO YOU KNOW THE WORDS, DARLING? 1381 01:00:22,486 --> 01:00:23,585 I THINK SO. 1382 01:00:23,587 --> 01:00:24,753 WOULD YOU MIND SINGING IT FOR ME? 1383 01:00:24,755 --> 01:00:25,921 SURE. 1384 01:00:25,923 --> 01:00:27,022 IT TAKES ME BACK TO THE TIME 1385 01:00:27,024 --> 01:00:28,724 WHEN I WAS COURTING EDITH. 1386 01:00:28,726 --> 01:00:30,225 THAT WAS THE SONG OF THE DAY THEN, 1387 01:00:30,227 --> 01:00:33,061 AND WE DANCED TO IT TOGETHER MANY TIMES. 1388 01:00:33,063 --> 01:00:34,963 OK, FELLAS, HIT IT! 1389 01:00:34,965 --> 01:00:38,300 OK. LET'S GO. 1390 01:00:38,302 --> 01:00:42,270 ♪ IN THE SHADE OF THE OLD APPLE TREE ♪ 1391 01:00:42,272 --> 01:00:44,706 WHOA, WHOA, WHOA, WHOA, WHOA! 1392 01:00:44,708 --> 01:00:46,875 WHAT IN THE NAME OF GOODNESS IS THAT? 1393 01:00:46,877 --> 01:00:49,044 WELL, THAT'S "IN THE SHADE OF THE OLD APPLE TREE." 1394 01:00:49,046 --> 01:00:50,846 GLORY BE! WHAT HAPPENED TO IT? 1395 01:00:50,848 --> 01:00:52,381 WELL, THAT'S JIVE, POP. 1396 01:00:52,383 --> 01:00:54,249 OH, IS IT? 1397 01:00:54,251 --> 01:00:55,817 WOULD YOU MIND PLAYING IT MY WAY? 1398 01:00:55,819 --> 01:00:56,852 HOW'S THAT? 1399 01:00:56,854 --> 01:00:58,320 I'LL SHOW YOU. ONLY THIS TIME, 1400 01:00:58,322 --> 01:00:59,655 DON'T HIT IT. 1401 01:00:59,657 --> 01:01:02,524 KIND OF CARESS IT. 1402 01:01:02,526 --> 01:01:04,393 NOW. 1403 01:01:04,395 --> 01:01:06,428 [BAND PLAYING QUIETLY] 1404 01:01:14,004 --> 01:01:22,411 ♪ IN THE SHADE OF THE OLD APPLE TREE ♪ 1405 01:01:22,413 --> 01:01:30,886 ♪ WHERE THE LOVE IN YOUR EYES I COULD SEE ♪ 1406 01:01:30,888 --> 01:01:35,323 ♪ WHEN THE VOICE THAT I HEARD ♪ 1407 01:01:35,325 --> 01:01:39,861 ♪ LIKE THE SONG OF THE BIRD ♪ 1408 01:01:39,863 --> 01:01:48,670 ♪ SEEMED TO WHISPER SWEET MUSIC TO ME ♪ 1409 01:01:48,672 --> 01:01:57,312 ♪ I COULD HEAR THE DULL BUZZ OF THE BEE ♪ 1410 01:01:57,314 --> 01:02:06,154 ♪ IN THE SHADOWS AS YOU SAID TO ME ♪ 1411 01:02:06,156 --> 01:02:10,559 ♪ WITH A HEART THAT IS TRUE ♪ 1412 01:02:10,561 --> 01:02:16,932 ♪ "I'LL BE WAITING FOR YOU" ♪ 1413 01:02:16,934 --> 01:02:29,611 ♪ "IN THE SHADE OF THE OLD APPLE TREE" ♪ 1414 01:02:32,649 --> 01:02:34,182 WHAT A TORCH HE'S CARRYING. 1415 01:02:34,184 --> 01:02:35,817 WHAT? 1416 01:02:35,819 --> 01:02:38,286 HIS WIFE LEFT HIM FOR ANOTHER GUY. 1417 01:02:38,288 --> 01:02:39,788 WELL, LET'S GET HIS MIND OFF HER. 1418 01:02:39,790 --> 01:02:42,424 TAKE THE CHORUS OF YOUR SONG AGAIN, JUDY. 1419 01:02:42,426 --> 01:02:44,559 1, 2! 1420 01:02:46,764 --> 01:02:49,664 ♪ I WANT TO BRUSH ALL THE PLUSH AND THE GUSH ♪ 1421 01:02:49,666 --> 01:02:52,601 ♪ I'D RATHER GET LEFT THAN BE RIGHT ♪ 1422 01:02:52,603 --> 01:02:55,804 ♪ I'M JUST A SQUARE IN THE SOCIAL CIRCLE ♪ 1423 01:02:55,806 --> 01:02:58,340 ♪ ANYONE HERE WANT TO FIGHT? ♪ 1424 01:02:58,342 --> 01:03:00,542 [BAND STOPS] 1425 01:03:00,544 --> 01:03:02,110 I'M SORRY, DANNY. 1426 01:03:02,112 --> 01:03:04,913 WE WERE JUST KILLING TIME TILL YOU GOT HERE. 1427 01:03:04,915 --> 01:03:07,215 NO, THAT'S ALL RIGHT. YOU SHOULD REHEARSE. 1428 01:03:07,217 --> 01:03:09,050 IF THE BAND WENT TO WORK, YOU'D HAVE TO. 1429 01:03:09,052 --> 01:03:10,418 AM I YOUR SINGER? 1430 01:03:10,420 --> 01:03:11,453 YOU WERE GONNA BE. 1431 01:03:11,455 --> 01:03:13,288 IT LOOKS LIKE ALL BETS ARE OFF, FELLAS. 1432 01:03:13,290 --> 01:03:15,457 THERE ISN'T A CHANCE OF US GETTING A JOB FOR TWO WEEKS. 1433 01:03:15,459 --> 01:03:17,359 Man: TWO WEEKS? 1434 01:03:17,361 --> 01:03:19,828 I--I WANT YOU GUYS TO REALIZE 1435 01:03:19,830 --> 01:03:21,229 THAT I APPRECIATE YOUR WILLINGNESS 1436 01:03:21,231 --> 01:03:23,732 TO STRING ALONG WITH ME. 1437 01:03:23,734 --> 01:03:27,235 HERE'S WISHING YOU A LOT OF LUCK WHEREVER YOU GO. 1438 01:03:27,237 --> 01:03:28,570 I'LL SEE YOU LATER. 1439 01:03:28,572 --> 01:03:29,905 [BAND MURMURING] 1440 01:03:29,907 --> 01:03:32,174 WAIT A MINUTE. DO YOU FELLAS BELIEVE IN THIS BAND? 1441 01:03:32,176 --> 01:03:34,342 SURE WE DO, JUDY, BUT WE GOT TO WORK. 1442 01:03:34,344 --> 01:03:36,912 WILL YOU GIVE ME 24 HOURS TO MAKE A DEAL FOR YOU? 1443 01:03:36,914 --> 01:03:38,146 WHAT ARE YOU GONNA DO? 1444 01:03:38,148 --> 01:03:39,848 QUIET. I'VE GOT A THOUGHT. 1445 01:03:39,850 --> 01:03:40,849 WHAT DO YOU SAY? 1446 01:03:40,851 --> 01:03:42,350 OK, JUDY. 1447 01:03:42,352 --> 01:03:44,186 WONDERFUL, BUT DON'T SAY ANYTHING TO DANNY. 1448 01:03:44,188 --> 01:03:46,555 JUST GO NEXT DOOR AND KEEP HIM THERE TILL YOU HEAR FROM ME. 1449 01:03:46,557 --> 01:03:47,856 COME ON, GWEN. 1450 01:03:50,160 --> 01:03:51,493 WHAT'S THE DOPE? 1451 01:03:51,495 --> 01:03:53,295 BILLINGSLEY-- HE'S COMING HERE TO AN AUDITION. 1452 01:03:53,297 --> 01:03:54,362 WHEN DID YOU FIX THAT? 1453 01:03:54,364 --> 01:03:55,530 I HAVEN'T. I'M GOING TO. 1454 01:03:55,532 --> 01:03:56,698 CAN YOU? 1455 01:03:56,700 --> 01:03:57,866 GET ME THE STORK CLUB, PLEASE! 1456 01:03:57,868 --> 01:03:59,067 I CAN TRY. 1457 01:03:59,069 --> 01:04:00,202 HE'LL NEVER COME UP HERE FOR YOU. 1458 01:04:00,204 --> 01:04:01,369 NO, BUT HE WILL FOR WALTER WINCHELL. 1459 01:04:01,371 --> 01:04:02,904 WALTER WINCHELL? 1460 01:04:02,906 --> 01:04:05,340 SURE. THEY'RE PALS. BILLINGSLEY WILL DO ANYTHING HE SAYS. 1461 01:04:05,342 --> 01:04:07,309 GIVE ME MR. BILLINGSLEY'S OFFICE, PLEASE. 1462 01:04:07,311 --> 01:04:08,276 WHAT MAKES YOU THINK WINCHELL'S 1463 01:04:08,278 --> 01:04:09,377 GONNA ASK THE BOSS UP HERE? 1464 01:04:09,379 --> 01:04:10,478 WAIT AND SEE. 1465 01:04:10,480 --> 01:04:11,713 [IMITATING WINCHELL] HELLO, SALLY! 1466 01:04:11,715 --> 01:04:12,881 GET ME YOUR BOSS! 1467 01:04:12,883 --> 01:04:14,182 HOW AM I DOING? 1468 01:04:14,184 --> 01:04:16,117 YOU'LL GET 20 YEARS. 1469 01:04:16,119 --> 01:04:17,719 HI, SHERMAN! 1470 01:04:19,890 --> 01:04:22,023 GET THIS! IT'S HOT OFF THE PRESS! 1471 01:04:22,025 --> 01:04:23,325 NO, NO, SHERMAN. 1472 01:04:23,327 --> 01:04:25,560 GET THE STORK CLUB OFF YOUR MIND FOR A SECOND! 1473 01:04:25,562 --> 01:04:27,229 I WANT YOU TO MEET ME AT THE YORK TOWERS, 1474 01:04:27,231 --> 01:04:29,731 APARTMENT 32-A, IN A HALF-HOUR! 1475 01:04:29,733 --> 01:04:32,434 YOU'RE GONNA HEAR ONE OF THE GREATEST BANDS IN THE COUNTRY! 1476 01:04:32,436 --> 01:04:34,736 OK. DON'T FAIL TO BE HERE! 1477 01:04:34,738 --> 01:04:36,438 WELL? HE'S COMING OVER. 1478 01:04:36,440 --> 01:04:38,607 NOW, GO NEXT DOOR AND TELL DANNY TO GET THE BOYS READY 1479 01:04:38,609 --> 01:04:40,775 IN THEIR TUXEDOS TO AUDITION IN 20 MINUTES. 1480 01:04:40,777 --> 01:04:42,244 I GOT TO CHANGE AND INSTRUCT POP WHAT TO DO 1481 01:04:42,246 --> 01:04:44,312 WHEN BILLINGSLEY GETS HERE. NOW, HURRY! 1482 01:04:49,086 --> 01:04:50,752 ARE YOU NERVOUS, YOUNG MAN? 1483 01:04:50,754 --> 01:04:52,621 NO, BUT I'M PUZZLED. 1484 01:04:52,623 --> 01:04:55,257 I CAN'T UNDERSTAND HOW JUDY ARRANGED THIS. 1485 01:04:55,259 --> 01:04:57,259 SHE HAS A WAY WITH HER. 1486 01:04:57,261 --> 01:04:59,060 APPARENTLY. 1487 01:05:02,399 --> 01:05:03,398 MR. BILLINGSLEY? YES. 1488 01:05:03,400 --> 01:05:04,866 COME IN. 1489 01:05:08,739 --> 01:05:10,105 WHERE'S MR. WINCHELL? 1490 01:05:10,107 --> 01:05:11,373 HE HAD TO LEAVE, BUT HE'LL BE IN TOUCH WITH YOU. 1491 01:05:11,375 --> 01:05:12,440 IS THAT SO? 1492 01:05:12,442 --> 01:05:14,276 MR. WILTON, MR. BILLINGSLEY. 1493 01:05:14,278 --> 01:05:15,277 HOW ARE YOU, SON? 1494 01:05:15,279 --> 01:05:16,578 VERY GLAD TO MEET YOU, SIR. 1495 01:05:16,580 --> 01:05:18,513 WALTER WINCHELL TELLS ME YOU'VE GOT A GREAT BAND. 1496 01:05:18,515 --> 01:05:20,248 HE DID? 1497 01:05:20,250 --> 01:05:21,683 I DIDN'T KNOW HE KNEW. 1498 01:05:21,685 --> 01:05:24,085 ANYTIME HE DOESN'T KNOW ABOUT ANYTHING, I WANT TO HEAR. 1499 01:05:24,087 --> 01:05:25,387 YEAH, BUT HE'S NEVER-- 1500 01:05:25,389 --> 01:05:27,856 I'LL TAKE WINCHELL'S OPINION ANYTIME. 1501 01:05:35,299 --> 01:05:37,299 WELL, GO AHEAD. GIVE OUT WITH THE TUNES. 1502 01:05:37,301 --> 01:05:38,300 YES, SIR. 1503 01:05:38,302 --> 01:05:39,567 SIT DOWN. 1504 01:05:39,569 --> 01:05:40,735 THANK YOU. 1505 01:05:45,108 --> 01:05:46,875 OK, BOYS. 1506 01:05:54,318 --> 01:05:55,817 WHAT DO YOU THINK OF IT? 1507 01:05:55,819 --> 01:05:57,218 EXCELLENT. 1508 01:05:58,555 --> 01:06:00,622 DO YOU REALLY? 1509 01:06:00,624 --> 01:06:02,157 OF COURSE I DO. 1510 01:06:07,464 --> 01:06:10,365 I CAN'T UNDERSTAND IT. 1511 01:06:10,367 --> 01:06:12,133 YOU'RE ANNOYING ME. 1512 01:06:27,117 --> 01:06:29,751 I'M BEGINNING TO LIKE IT MESELF. 1513 01:06:40,263 --> 01:06:45,767 ♪ IF I HAD A DOZEN HEARTS ♪ 1514 01:06:45,769 --> 01:06:50,905 ♪ AND IF YOU HAD ONLY ONE ♪ 1515 01:06:50,907 --> 01:06:51,940 ♪ IF I HAD A DOZEN HEARTS ♪ 1516 01:06:51,942 --> 01:06:56,344 ♪ YES, I WOULD ♪ 1517 01:06:56,346 --> 01:07:01,783 ♪ I WOULD LOVE YOU 12 TIMES ONE ♪ 1518 01:07:01,785 --> 01:07:04,819 ♪ IF I HAD A DOZEN LIPS ♪ 1519 01:07:04,821 --> 01:07:05,720 ♪ DON'T KNOW WHAT I'D DO WITHOUT YOU ♪ 1520 01:07:05,722 --> 01:07:09,724 ♪ I WOULD SAY ♪ 1521 01:07:09,726 --> 01:07:12,560 ♪ 12 TIMES A DAY ♪ 1522 01:07:12,562 --> 01:07:15,096 ♪ YOU MUST KNOW ♪ 1523 01:07:15,098 --> 01:07:21,970 ♪ DARLING, I LOVE YOU ♪ 1524 01:07:21,972 --> 01:07:24,506 ♪ IF I HAD A DOZEN ARMS ♪ 1525 01:07:24,508 --> 01:07:27,108 ♪ MORE EVERY DAY ♪ 1526 01:07:27,110 --> 01:07:32,313 ♪ THEY WOULD ALL BE HOLDING YOU ♪ 1527 01:07:32,315 --> 01:07:34,349 ♪ IF I HAD A DOZEN DREAMS ♪ 1528 01:07:34,351 --> 01:07:37,252 ♪ IN EVERY WAY ♪ 1529 01:07:37,254 --> 01:07:42,257 ♪ IN YOUR ARMS, THEY WOULD ALL COME TRUE ♪ 1530 01:07:42,259 --> 01:07:48,163 ♪ ALTHOUGH I KNOW A DOZEN HEARTS ARE FUN ♪ 1531 01:07:48,165 --> 01:07:52,200 ♪ BE WITH ME, DARLING ♪ 1532 01:07:52,202 --> 01:07:55,270 ♪ I COULDN'T LOVE YOU ♪ 1533 01:07:55,272 --> 01:08:03,211 ♪ MUCH MORE THAN I DO WITH ONE ♪ 1534 01:08:04,648 --> 01:08:11,086 ♪ 12 TIMES ONE ♪ 1535 01:08:11,088 --> 01:08:14,956 ♪ BELIEVE ME ♪ 1536 01:08:14,958 --> 01:08:26,668 ♪ I LOVE YOU ♪ 1537 01:08:29,372 --> 01:08:31,739 SWELL BAND, MR. WILTON. 1538 01:08:31,741 --> 01:08:33,007 THANK YOU VERY MUCH. 1539 01:08:33,009 --> 01:08:35,210 BUT YOU, JUDY, YOU WERE GREAT, 1540 01:08:35,212 --> 01:08:37,145 AND I'M NOT TOO SURPRISED EITHER. 1541 01:08:37,147 --> 01:08:38,580 I ALWAYS KNEW YOU WERE TOPS, 1542 01:08:38,582 --> 01:08:39,848 BUT I DIDN'T THINK YOU HAD ALL THAT TALENT. 1543 01:08:39,850 --> 01:08:41,983 BESIDES, IT'S A TERRIFIC KICK FOR ME TO HAVE 1544 01:08:41,985 --> 01:08:43,952 JUDY COME THROUGH LIKE THIS. 1545 01:08:43,954 --> 01:08:45,220 IT JUST GOES TO PROVE YOU CAN GET SO USED 1546 01:08:45,222 --> 01:08:46,621 TO A PERSON DOING ONE THING 1547 01:08:46,623 --> 01:08:50,125 THAT YOU FAIL TO REALIZE THEY CAN DO ANYTHING ELSE. 1548 01:08:50,127 --> 01:08:51,926 CAN YOU UNDERSTAND THAT, MR. WILTON? 1549 01:08:51,928 --> 01:08:55,430 OH, SURE, SURE. I UNDERSTAND IT VERY WELL. 1550 01:08:55,432 --> 01:08:56,865 I'M PROUD OF YOU, JUDY. 1551 01:08:56,867 --> 01:08:58,800 THANK YOU, MR. BILLINGSLEY. 1552 01:08:58,802 --> 01:09:01,169 YOU HAVEN'T HEARD THE BEST YET. 1553 01:09:01,171 --> 01:09:02,971 SING THE WALTZ FOR HIM, JUDY. 1554 01:09:02,973 --> 01:09:04,339 NOTHING DOING. NO WALTZES. 1555 01:09:04,341 --> 01:09:06,508 THERE'S NEVER BEEN A WALTZ PLAYED IN THE STORK CLUB. 1556 01:09:06,510 --> 01:09:09,110 HUH. CAN'T BE MUCH OF A PLACE. 1557 01:09:09,112 --> 01:09:10,545 THE STORK CLUB WAS BUILT 1558 01:09:10,547 --> 01:09:12,013 ON SOFT, PEPPY MUSIC, 1559 01:09:12,015 --> 01:09:13,414 AND IT NEVER STOPS. 1560 01:09:13,416 --> 01:09:16,417 THAT'S WHY I HAVE 3 ORCHESTRAS, UNDERSTAND? 1561 01:09:16,419 --> 01:09:17,752 OH, HE UNDERSTANDS! 1562 01:09:17,754 --> 01:09:19,888 GOOD. YOU OPEN TOMORROW NIGHT, 1563 01:09:19,890 --> 01:09:21,523 SO COME AND SEE ME IN THE MORNING, MR. WILTON. 1564 01:09:21,525 --> 01:09:24,192 WE'LL MAKE A DEAL AND SIGN THE CONTRACTS. 1565 01:09:24,194 --> 01:09:26,261 HE'LL BE THERE, MR. BILLINGSLEY! 1566 01:09:28,131 --> 01:09:30,064 OH, UH, AND BY THE WAY, JUDY, 1567 01:09:30,066 --> 01:09:32,400 I'D KNOW THAT VOICE OF YOURS ANYWHERE. 1568 01:09:32,402 --> 01:09:36,471 BESIDES, I WAS SITTING WITH MR. WINCHELL WHEN YOU PHONED. 1569 01:09:36,473 --> 01:09:37,539 GOOD NIGHT, ALL. 1570 01:09:40,911 --> 01:09:42,977 DANNY, WE'RE IN! 1571 01:09:42,979 --> 01:09:44,746 OH, DANNY, ISN'T IT WONDERFUL? 1572 01:09:44,748 --> 01:09:46,681 I DON'T THINK SO. 1573 01:09:46,683 --> 01:09:47,982 THAT'S WHAT YOU WANTED, ISN'T IT? 1574 01:09:47,984 --> 01:09:49,684 YEAH, BUT I DON'T LIKE THE WAY I GOT IT. 1575 01:09:49,686 --> 01:09:50,752 WHY NOT? 1576 01:09:50,754 --> 01:09:51,853 WHAT'S WRONG WITH IT, SON? 1577 01:09:51,855 --> 01:09:53,221 WELL, I DON'T THINK A BAND WAS EVER ENGAGED 1578 01:09:53,223 --> 01:09:55,023 UNDER SUCH CIRCUMSTANCES BEFORE-- 1579 01:09:55,025 --> 01:09:56,758 AN EXPENSIVE APARTMENT TO REHEARSE IN, 1580 01:09:56,760 --> 01:09:58,293 ALL THE FOOD YOU WANT TO EAT, 1581 01:09:58,295 --> 01:10:01,029 THE BOSS ARRIVES FOR A NICE, COZY AUDITION, AND WE'RE HIRED. 1582 01:10:01,031 --> 01:10:02,363 WELL, WHAT COULD BE SWEETER? 1583 01:10:02,365 --> 01:10:03,698 I DON'T WANT ANY PART OF IT. 1584 01:10:03,700 --> 01:10:05,166 NOW, LOOK, DANNY. 1585 01:10:05,168 --> 01:10:06,401 YOU CAN'T LET PERSONAL FEELINGS 1586 01:10:06,403 --> 01:10:08,203 DO US OUT OF THE BEST JOB IN TOWN. 1587 01:10:08,205 --> 01:10:09,504 THAT'S RIGHT, DANNY. 1588 01:10:09,506 --> 01:10:10,872 NO, AND I WON'T LET HIM. 1589 01:10:10,874 --> 01:10:12,106 I KNOW HOW DANNY FEELS, 1590 01:10:12,108 --> 01:10:16,444 AND MAYBE HE HAS A RIGHT TO, MAYBE HE HASN'T. 1591 01:10:16,446 --> 01:10:17,712 THAT'S BETWEEN US. 1592 01:10:17,714 --> 01:10:19,881 THESE GUYS HAVE NOTHING TO DO WITH IT. 1593 01:10:19,883 --> 01:10:22,517 YOU AND THE BAND HAVE TO STICK TOGETHER. 1594 01:10:22,519 --> 01:10:24,786 WE DON'T. 1595 01:10:24,788 --> 01:10:26,554 YOU SEE, DANNY, I CAN LEAVE WITH A CLEAR CONSCIENCE. 1596 01:10:26,556 --> 01:10:29,157 YOU COULDN'T. 1597 01:10:29,159 --> 01:10:31,693 WELL, I'VE GOT EVERYTHING I COULD ASK FOR. 1598 01:10:31,695 --> 01:10:32,760 SINGING WITH YOUR BAND 1599 01:10:32,762 --> 01:10:34,462 WOULD JUST BE AN ANTICLIMAX. 1600 01:10:34,464 --> 01:10:38,333 I'M THE ONE THAT'S BOWING OUT. 1601 01:10:38,335 --> 01:10:40,935 MAYBE THIS IS BESIDE THE POINT, 1602 01:10:40,937 --> 01:10:44,239 BUT IF YOU EVER REALLY FALL IN LOVE, 1603 01:10:44,241 --> 01:10:45,807 YOU'LL TRUST THE GIRL. 1604 01:10:57,787 --> 01:10:59,387 AW, GEE, HONEY, DON'T CRY. 1605 01:10:59,389 --> 01:11:02,023 EVERYTHING WILL BE ALL RIGHT. 1606 01:11:02,025 --> 01:11:05,526 WHY DO GIRLS ALWAYS HAVE TO GO FOR DUMB GUYS? 1607 01:11:05,528 --> 01:11:09,297 MAYBE IT'S BECAUSE IT MAKES US LOOK SMART. 1608 01:11:09,299 --> 01:11:11,399 WELL, I AM SMART! 1609 01:11:11,401 --> 01:11:13,001 MAYBE I'VE BEEN ACTING LIKE I'M DUMB, 1610 01:11:13,003 --> 01:11:15,903 BUT I'VE GOT A BRAIN SOMEWHERE IN MY HEAD, AND I'M GONNA USE IT! 1611 01:11:15,905 --> 01:11:17,405 JUDY, WHAT ARE YOU DOING? 1612 01:11:17,407 --> 01:11:19,474 I'M GONNA SEND THESE THINGS BACK WHERE THEY CAME FROM. 1613 01:11:19,476 --> 01:11:20,475 OH, WHY? 1614 01:11:20,477 --> 01:11:21,976 NOBODY CAN BUY ME. 1615 01:11:21,978 --> 01:11:24,178 THERE'S ISN'T ENOUGH MONEY TO MAKE ME FORGET WHO I AM! 1616 01:11:24,180 --> 01:11:25,880 I'VE GOT CHARACTER, I HAVE! 1617 01:11:25,882 --> 01:11:27,315 I'M NOT SO EASILY TEMPTED. 1618 01:11:27,317 --> 01:11:30,285 I CAN'T BE BOUGHT BY A FEW MEASLY-- 1619 01:11:30,287 --> 01:11:34,188 NO, SIR! I'VE GOT BRAINS! 1620 01:11:34,190 --> 01:11:35,690 OHH! 1621 01:11:39,396 --> 01:11:42,363 [INTERCOM BUZZES] 1622 01:11:42,365 --> 01:11:43,364 YES? 1623 01:11:43,366 --> 01:11:45,166 Woman: JUDY PEABODY TO SEE YOU. 1624 01:11:45,168 --> 01:11:47,302 OH, FINE. SEND HER IN. 1625 01:11:50,974 --> 01:11:53,741 WELL, GOOD MORNING, JUDY. 1626 01:11:53,743 --> 01:11:55,410 I'VE GOT A LITTLE SURPRISE FOR YOU. 1627 01:11:55,412 --> 01:11:58,279 I DON'T WANT ANY MORE SURPRISES! 1628 01:11:58,281 --> 01:11:59,480 WHAT'S THE MATTER WITH YOU? 1629 01:11:59,482 --> 01:12:01,649 WE CAN'T GO ON LIKE THIS, MR. BILLINGSLEY. 1630 01:12:01,651 --> 01:12:02,750 LIKE WHAT? 1631 01:12:02,752 --> 01:12:03,951 I'M IN LOVE WITH DANNY. 1632 01:12:03,953 --> 01:12:05,520 WELL, THAT'S ALL RIGHT WITH ME. 1633 01:12:05,522 --> 01:12:07,088 WELL, IT'S NOT WITH HIM. 1634 01:12:07,090 --> 01:12:08,456 YOU'RE ALL MIXED UP. 1635 01:12:08,458 --> 01:12:09,691 I KNOW I AM, AND I DON'T WANT TO BE. 1636 01:12:09,693 --> 01:12:10,625 HE'S AS JEALOUS AS-- 1637 01:12:10,627 --> 01:12:11,659 JEALOUS? 1638 01:12:11,661 --> 01:12:13,161 WELL, CERTAINLY. WHO WOULDN'T BE 1639 01:12:13,163 --> 01:12:14,796 AFTER ALL THE THINGS YOU'VE GIVEN ME? 1640 01:12:14,798 --> 01:12:17,098 I'VE GIVEN YOU? 1641 01:12:17,100 --> 01:12:19,667 OH, SHERMAN, DON'T BE SO ANONYMOUS. 1642 01:12:19,669 --> 01:12:22,303 SAY, LISTEN. I'M A MARRIED MAN. 1643 01:12:22,305 --> 01:12:25,373 THAT'S WHY YOU OUGHT TO BE ASHAMED OF YOURSELF. 1644 01:12:25,375 --> 01:12:27,375 OH, I'VE GOT TO GET YOU STRAIGHTENED OUT. 1645 01:12:27,377 --> 01:12:28,576 NOW, GET THIS. 1646 01:12:28,578 --> 01:12:32,580 I NEVER GAVE YOU ANYTHING EVER. 1647 01:12:32,582 --> 01:12:33,748 HUH? 1648 01:12:33,750 --> 01:12:35,850 WHY SHOULD I? WHAT ARE YOU IN MY LIFE? 1649 01:12:35,852 --> 01:12:41,689 WELL, I DON'T KNOW, BUT SOMEBODY'S BEHIND THIS. 1650 01:12:41,691 --> 01:12:44,025 I KNOW THIS FELLA CURTIS. HE COMES TO THE STORK A LOT. 1651 01:12:44,027 --> 01:12:45,426 HE WON'T TALK, THOUGH. 1652 01:12:45,428 --> 01:12:46,627 I'VE ASKED HIM TO TELL ME. 1653 01:12:46,629 --> 01:12:48,996 WELL, DON'T WORRY ABOUT IT TOO MUCH, JUDY. 1654 01:12:48,998 --> 01:12:50,264 I'VE BEEN IN THIS TOWN FOR YEARS, 1655 01:12:50,266 --> 01:12:52,066 AND NOBODY EVER GIVES ANYTHING AWAY FOR LONG 1656 01:12:52,068 --> 01:12:53,935 WITHOUT LETTING YOU KNOW WHY. 1657 01:12:53,937 --> 01:12:56,137 YOU JUST SIT TIGHT. YOU'RE A CLEVER GIRL. 1658 01:12:56,139 --> 01:12:58,172 STICK TO YOUR SINGING. IT'S YOUR REAL FUTURE. 1659 01:12:58,174 --> 01:12:59,340 BUT I CAN'T SING WITH THE BAND 1660 01:12:59,342 --> 01:13:01,042 THE WAY THINGS ARE BETWEEN DANNY AND ME. 1661 01:13:01,044 --> 01:13:03,311 WELL, EITHER YOU DO, OR I DON'T WANT THE BAND. 1662 01:13:03,313 --> 01:13:04,512 OH, I'LL OPEN TONIGHT. 1663 01:13:04,514 --> 01:13:05,747 DON'T WORRY ABOUT THAT. 1664 01:13:05,749 --> 01:13:06,981 ATTAGIRL. 1665 01:13:09,386 --> 01:13:13,020 WE'LL BE VERY HAPPY TOGETHER. 1666 01:13:13,022 --> 01:13:14,589 I UNDERSTAND, MR. BILLINGSLEY. 1667 01:13:14,591 --> 01:13:16,257 NO, YOU DON'T, BUT YOU WILL. 1668 01:13:16,259 --> 01:13:19,560 COME IN. I WANT TO STRAIGHTEN YOU OUT, TOO. 1669 01:13:19,562 --> 01:13:20,928 DON'T LOSE YOUR TEMPER! 1670 01:13:20,930 --> 01:13:22,230 WHY NOT? 1671 01:13:29,539 --> 01:13:32,607 WILTON, WHAT DO YOU THINK I AM, A CHUMP? 1672 01:13:32,609 --> 01:13:33,741 NOT EXACTLY. 1673 01:13:33,743 --> 01:13:35,209 THANKS. ARE YOU A CHUMP? 1674 01:13:35,211 --> 01:13:36,277 NO, SIR. 1675 01:13:36,279 --> 01:13:37,378 OH, YOU'RE SURE ABOUT YOURSELF. 1676 01:13:37,380 --> 01:13:39,380 THAT'S RIGHT. BUT NOT OF ME, HUH? 1677 01:13:39,382 --> 01:13:40,415 WELL, MR. BILLINGSLEY, 1678 01:13:40,417 --> 01:13:41,682 MY EYES HAVE BEEN OPENED. 1679 01:13:41,684 --> 01:13:43,818 HOW WOULD YOU LIKE SOMEBODY TO CLOSE THEM AGAIN? 1680 01:13:43,820 --> 01:13:46,320 CAN'T WE SETTLE THIS LIKE GENTLEMEN? 1681 01:13:46,322 --> 01:13:48,222 NOW YOU'RE TALKING MY LANGUAGE. 1682 01:13:48,224 --> 01:13:52,393 I LIKE YOU, WILTON. I LIKE YOUR BAND, AND I LIKE JUDY. 1683 01:13:52,395 --> 01:13:53,461 YES, SIR. 1684 01:13:53,463 --> 01:13:54,962 DON'T SAY "YES, SIR" LIKE THAT. 1685 01:13:54,964 --> 01:13:57,799 SORRY. 1686 01:13:57,801 --> 01:13:59,233 COME HERE. 1687 01:14:02,405 --> 01:14:04,372 LOOK AT THOSE PHOTOGRAPHS. 1688 01:14:04,374 --> 01:14:07,074 TAKE A GOOD LOOK AT THEM. 1689 01:14:07,076 --> 01:14:10,344 THOSE ARE THE ONLY WOMEN IN MY LIFE. 1690 01:14:10,346 --> 01:14:12,013 THAT ONE'S PRETTY YOUNG, ISN'T SHE? 1691 01:14:12,015 --> 01:14:14,248 THAT'S MY DAUGHTER. OH. 1692 01:14:14,250 --> 01:14:15,683 THEY ALL ARE EXCEPT MY WIFE, 1693 01:14:15,685 --> 01:14:17,652 AND I'M MARRIED TO HER. 1694 01:14:17,654 --> 01:14:18,920 OH. I SEE. 1695 01:14:18,922 --> 01:14:20,221 IT'S ABOUT TIME. 1696 01:14:20,223 --> 01:14:21,789 WELL, I'M SORRY, MR. BILLINGSLEY. 1697 01:14:21,791 --> 01:14:23,057 THAT LETTER SHOULD HAVE TIPPED YOU OFF. 1698 01:14:23,059 --> 01:14:24,859 TOM CURTIS ISN'T MY LAWYER. 1699 01:14:24,861 --> 01:14:27,028 TOM CURTIS? WHAT LETTER? 1700 01:14:27,030 --> 01:14:28,496 OH, SHE DIDN'T SHOW YOU THE LETTER. 1701 01:14:28,498 --> 01:14:30,465 NO. AND I WONDER WHY. 1702 01:14:30,467 --> 01:14:32,266 WELL, FORGET I MENTIONED IT TO YOU. 1703 01:14:32,268 --> 01:14:33,501 NOW I'VE HAD ENOUGH OF YOU TWO. 1704 01:14:33,503 --> 01:14:36,437 KEEP YOUR PERSONAL AFFAIRS OUT OF THE STORK CLUB. 1705 01:14:36,439 --> 01:14:38,139 THAT'S ALL. 1706 01:14:38,141 --> 01:14:39,707 YES, SIR. 1707 01:14:48,518 --> 01:14:50,084 WELL? 1708 01:14:50,086 --> 01:14:52,153 MR. BILLINGSLEY, WHAT WOULD YOU DO 1709 01:14:52,155 --> 01:14:55,389 IF YOU WERE IN MY SPOT? 1710 01:14:55,391 --> 01:14:57,792 I'D STOP BOTHERING ME. 1711 01:15:08,638 --> 01:15:10,204 DANNY! 1712 01:15:13,409 --> 01:15:14,876 WELL? 1713 01:15:14,878 --> 01:15:16,277 WHAT HAPPENED? 1714 01:15:16,279 --> 01:15:18,779 NOTHING MUCH. BILLINGSLEY'S OK. 1715 01:15:18,781 --> 01:15:20,481 I WAS WRONG ABOUT YOU AND HIM. 1716 01:15:20,483 --> 01:15:21,883 THERE. YOU SEE? 1717 01:15:21,885 --> 01:15:23,651 NO, I DON'T. 1718 01:15:23,653 --> 01:15:24,685 YOU DON'T? 1719 01:15:24,687 --> 01:15:26,220 IT'S GOT TO BE SOMEBODY. 1720 01:15:26,222 --> 01:15:27,321 OH, WELL, YOU KNOW WHO IT IS. 1721 01:15:27,323 --> 01:15:28,322 I TOLD YOU. 1722 01:15:28,324 --> 01:15:30,091 POP? CERTAINLY. 1723 01:15:30,093 --> 01:15:31,425 OH, HOW COULD IT BE? 1724 01:15:31,427 --> 01:15:34,228 WELL, HE'S A VERY RICH MAN AND A GOOD MAN. 1725 01:15:34,230 --> 01:15:35,530 WAIT TILL YOU MEET HIS WIFE. 1726 01:15:35,532 --> 01:15:38,566 HAVE YOU? NATURALLY. 1727 01:15:38,568 --> 01:15:40,668 WHY DO YOU LOOK AT ME LIKE THAT, DANNY? 1728 01:15:40,670 --> 01:15:41,802 WE'RE NEVER GONNA GET TOGETHER 1729 01:15:41,804 --> 01:15:43,738 IF YOU DON'T BELIEVE IN ME. 1730 01:15:43,740 --> 01:15:46,007 OH, JUDY, I WISH I COULD. 1731 01:15:46,009 --> 01:15:47,375 OH, YOU'VE GOT TO, DANNY. 1732 01:15:47,377 --> 01:15:48,910 IT'S THE ONLY WAY IT'LL WORK OUT. 1733 01:15:48,912 --> 01:15:49,911 HI, JUDY. 1734 01:15:49,913 --> 01:15:51,812 OH, HELLO, MR. CORETTI. 1735 01:15:51,814 --> 01:15:53,915 HOW'S YOUR FRIEND POP, THE BUSBOY? 1736 01:15:53,917 --> 01:15:55,416 OH. HA HA HA! 1737 01:15:55,418 --> 01:15:57,685 OH, THAT WAS A VERY FUNNY GAG, WASN'T IT? 1738 01:15:57,687 --> 01:16:00,922 YEAH. HE BREAKS $32 WORTH OF DISHES, 1739 01:16:00,924 --> 01:16:02,623 AND SHE CALLS IT A GAG. 1740 01:16:02,625 --> 01:16:03,724 WHO WAS HE? 1741 01:16:03,726 --> 01:16:05,593 AN OLD MICK SHE BROUGHT AROUND. 1742 01:16:05,595 --> 01:16:08,396 HE HAD A BROGUE THAT THICK. 1743 01:16:08,398 --> 01:16:11,299 SOMEBODY OWES ME $32 FOR DISHES. 1744 01:16:13,770 --> 01:16:15,469 OH, DANNY, I CAN EXPLAIN IT. 1745 01:16:15,471 --> 01:16:16,837 SURE YOU CAN, 1746 01:16:16,839 --> 01:16:18,773 BUT BREAK IT IN ON SOMEBODY ELSE. 1747 01:16:22,378 --> 01:16:24,679 I WANT TO SPEAK WITH MR. CURTIS. 1748 01:16:24,681 --> 01:16:27,148 HE'S NOT IN YET? WHY NOT? 1749 01:16:27,150 --> 01:16:28,716 HE'S NOT AT HOME EITHER. 1750 01:16:30,386 --> 01:16:34,055 NEVER MIND WHO IT IS. I'LL CALL AGAIN. 1751 01:16:34,057 --> 01:16:36,023 HI, POP. WHAT GOES? 1752 01:16:36,025 --> 01:16:37,525 I WAS CALLING YOUR LAWYER. 1753 01:16:37,527 --> 01:16:38,859 MY LAWYER? 1754 01:16:38,861 --> 01:16:40,895 THAT MAN CURTIS. I WAS TRYING ALL MORNING. 1755 01:16:40,897 --> 01:16:42,263 BUT WHY? 1756 01:16:42,265 --> 01:16:45,066 I THOUGHT HE MIGHT SPEAK TO DANNY ON YOUR BEHALF. 1757 01:16:45,068 --> 01:16:47,034 WELL, THAT WOULDN'T DO ANY GOOD. 1758 01:16:47,036 --> 01:16:49,670 IT MIGHT. 1759 01:16:49,672 --> 01:16:53,074 I'LL GO TO ME ROOM AND BRUSH UP A BIT BEFORE I GO OUT. 1760 01:16:55,979 --> 01:16:59,013 JEALOUSY IS A TERRIBLE THING. 1761 01:16:59,015 --> 01:17:00,715 LOVE SHOULD BE TOLERANT 1762 01:17:00,717 --> 01:17:04,218 TILL TRUTH BREAKS THROUGH THE CLOUDS OF DOUBT. 1763 01:17:04,220 --> 01:17:06,220 GEE, THAT'S BEAUTIFUL, POP. 1764 01:17:06,222 --> 01:17:08,789 WHO SAID THAT? 1765 01:17:08,791 --> 01:17:10,524 I DID. 1766 01:17:14,964 --> 01:17:16,764 [DOORBELL RINGS] 1767 01:17:22,205 --> 01:17:26,774 I'M MRS. BATES, MRS. J.B. BATES. 1768 01:17:26,776 --> 01:17:28,442 YES? 1769 01:17:28,444 --> 01:17:30,478 ARE YOU JUDY PEABODY? 1770 01:17:30,480 --> 01:17:31,679 THAT'S ME. 1771 01:17:31,681 --> 01:17:33,447 [SOBBING] 1772 01:17:34,817 --> 01:17:37,885 UH, COME IN, MRS. BATES. 1773 01:17:46,829 --> 01:17:48,562 I KNOW NOW I'VE LOST HIM. 1774 01:17:48,564 --> 01:17:51,132 WELL, I'LL BE GLAD TO HELP YOU LOOK FOR HIM. 1775 01:17:51,134 --> 01:17:53,701 A FRIEND OF MINE IN THE BUILDING SAYS HE LIVES HERE. 1776 01:17:53,703 --> 01:17:55,236 WELL, A LOT OF GUYS LIVE HERE. 1777 01:17:55,238 --> 01:17:56,904 A LOT? HOW MANY? 1778 01:17:56,906 --> 01:17:58,639 OH, 12 OR 14. 1779 01:17:58,641 --> 01:18:00,441 YOU POOR CHILD. 1780 01:18:00,443 --> 01:18:03,177 WELL, WHAT INSTRUMENT DOES HE PLAY? 1781 01:18:03,179 --> 01:18:04,912 HE USED TO PLAY THE ZITHER. 1782 01:18:04,914 --> 01:18:06,781 OH, HE'S NOT WITH THESE CATS. 1783 01:18:06,783 --> 01:18:08,049 CATS? 1784 01:18:08,051 --> 01:18:10,317 WHY DON'T YOU TRY THE SALVATION ARMY? 1785 01:18:10,319 --> 01:18:13,421 I'M SURE MY HUSBAND WOULDN'T BE THERE. 1786 01:18:13,423 --> 01:18:15,656 OH, OH, I'LL BET YOU MEAN POP! 1787 01:18:15,658 --> 01:18:17,124 OH, HE LIVES HERE WITH ME. 1788 01:18:17,126 --> 01:18:19,927 YOU ADMIT IT. 1789 01:18:19,929 --> 01:18:21,295 OH, OH, NOW, MRS. BATES, 1790 01:18:21,297 --> 01:18:22,797 THERE'S NOTHING WRONG WITH IT. 1791 01:18:22,799 --> 01:18:24,832 YOUR HUSBAND WAS DROWNING, AND I SAVED HIS LIFE, 1792 01:18:24,834 --> 01:18:26,967 AND I'VE BEEN TRYING TO GET HIM A JOB. 1793 01:18:26,969 --> 01:18:28,402 HE'S DOWN AND OUT. 1794 01:18:28,404 --> 01:18:31,706 MR. BATES IS A RICH MAN. 1795 01:18:31,708 --> 01:18:33,007 HOW'S THAT AGAIN? 1796 01:18:33,009 --> 01:18:37,211 MR. BATES IS A VERY RICH MAN. 1797 01:18:37,213 --> 01:18:39,847 OH! OH, THEN HE'S THE ONE. 1798 01:18:39,849 --> 01:18:41,816 OH, IT'S TOO GOOD TO BE TRUE! 1799 01:18:41,818 --> 01:18:44,218 MRS. BATES, YOU'VE GOT TO TAKE YOUR HUSBAND BACK. 1800 01:18:44,220 --> 01:18:45,286 DON'T YOU WANT HIM? 1801 01:18:45,288 --> 01:18:48,122 NO, AND HE DOESN'T WANT ME. 1802 01:18:48,124 --> 01:18:51,025 WHY DIDN'T HE TELL ME WHO HE WAS? 1803 01:18:51,027 --> 01:18:53,794 HE DID. THEN HE DENIED IT. 1804 01:18:53,796 --> 01:18:55,629 I'M SORRY. I CAN'T FOLLOW THIS. 1805 01:18:55,631 --> 01:18:56,831 NEITHER CAN I. 1806 01:18:56,833 --> 01:18:58,532 HE'S PRACTICALLY RUINED MY LIFE. 1807 01:18:58,534 --> 01:18:59,600 HOW? 1808 01:18:59,602 --> 01:19:01,402 WELL, I GOT A BOYFRIEND. 1809 01:19:01,404 --> 01:19:03,003 I MEAN, I HAD A BOYFRIEND. 1810 01:19:03,005 --> 01:19:05,239 AND JERRY CUT HIM OUT? 1811 01:19:05,241 --> 01:19:07,174 OH, NO. POP LOVES YOU. 1812 01:19:07,176 --> 01:19:08,375 YOU'RE ALL HE EVER TALKS ABOUT. 1813 01:19:08,377 --> 01:19:10,244 MISS PEABODY, I CAN'T BELIEVE IT. 1814 01:19:10,246 --> 01:19:11,278 I WANT TO GO TO HIM. 1815 01:19:11,280 --> 01:19:12,913 OH, NO, YOU DON'T. NOT ON YOUR LIFE. 1816 01:19:12,915 --> 01:19:14,915 OUR MEN DON'T TRUST US. WE GOT TO TEACH THEM A LESSON. 1817 01:19:14,917 --> 01:19:16,917 I TRIED THAT AND LOST HIM. 1818 01:19:16,919 --> 01:19:18,185 WELL, THIS TIME, YOU DO IT MY WAY, 1819 01:19:18,187 --> 01:19:19,787 AND YOU'LL GET HIM BACK. 1820 01:19:19,789 --> 01:19:22,656 UM, BY THE WAY, DO YOU ALWAYS DRESS LIKE THAT? 1821 01:19:22,658 --> 01:19:24,592 YES, I DO. WHY? 1822 01:19:24,594 --> 01:19:25,993 YOU MEET ME IN THE PARIS SHOP 1823 01:19:25,995 --> 01:19:28,095 AT LOCKE'S FIFTH AVENUE AT 2:00 THIS AFTERNOON. 1824 01:19:28,097 --> 01:19:30,498 WE'RE GOING TO THE STORK CLUB TONIGHT. 1825 01:19:30,500 --> 01:19:32,433 THE STORK CLUB? WHATEVER FOR? 1826 01:19:32,435 --> 01:19:33,701 YOU LEAVE THAT TO ME. 1827 01:19:33,703 --> 01:19:36,036 I CAN HARDLY CONTAIN MYSELF. 1828 01:19:36,038 --> 01:19:37,438 OH, YOU'VE GOT TO! 1829 01:19:37,440 --> 01:19:39,173 NOW WHEN POP COMES IN, MAKE BELIEVE YOU THINK THE WORST 1830 01:19:39,175 --> 01:19:40,474 AND WALK OUT ON HIM! 1831 01:19:40,476 --> 01:19:41,876 IS HE HERE NOW? 1832 01:19:41,878 --> 01:19:43,477 CERTAINLY. 1833 01:19:43,479 --> 01:19:46,680 TELL ME, MRS. BATES, IS YOUR SLATE CLEAN? 1834 01:19:46,682 --> 01:19:48,282 MY SLATE CLEAN? 1835 01:19:48,284 --> 01:19:51,085 YES. HE SEEMS TERRIBLY JEALOUS OF A MR. BASCOMBE. 1836 01:19:51,087 --> 01:19:52,186 WELL, THAT'S RIDICULOUS. 1837 01:19:52,188 --> 01:19:54,588 CLARENCE BASCOMBE IS A HARMLESS OLD BACHELOR. 1838 01:19:54,590 --> 01:19:55,956 HE COURTED ME YEARS AGO, 1839 01:19:55,958 --> 01:19:58,692 AND JERRY CAN'T STAND THE SIGHT OF HIM. 1840 01:19:58,694 --> 01:19:59,927 HE'S COMING. 1841 01:19:59,929 --> 01:20:01,595 NOW, WHATEVER YOU DO, DON'T LET ON 1842 01:20:01,597 --> 01:20:04,431 AND BE FIRM. 1843 01:20:06,102 --> 01:20:10,371 JUDY, WHERE'D YOU PUT ME--OHH! 1844 01:20:10,373 --> 01:20:14,942 WELL, MR. BATES, EXPLAIN YOURSELF. 1845 01:20:14,944 --> 01:20:16,811 NOW, EDITH, TAKE IT EASY. 1846 01:20:16,813 --> 01:20:18,312 ARE YOU GOING TO BELIEVE ME OR WHAT YOU SEE? 1847 01:20:18,314 --> 01:20:20,948 WHO COULD BELIEVE YOU, YOU SCOUNDREL, 1848 01:20:20,950 --> 01:20:23,684 YOU PHILANDERER, VIPER, 1849 01:20:23,686 --> 01:20:25,319 YOU SNAKE IN THE GRASS? 1850 01:20:25,321 --> 01:20:27,788 DON'T EVER SPEAK TO ME AGAIN! 1851 01:20:27,790 --> 01:20:30,257 THIS IS THE END! 1852 01:20:30,259 --> 01:20:31,759 [DOOR SHUTS] 1853 01:20:31,761 --> 01:20:33,627 THE GODS HAVE DONE ME IN. 1854 01:20:33,629 --> 01:20:35,196 THEY WERE LAYING FOR ME. I'VE LOST HER. 1855 01:20:35,198 --> 01:20:36,797 WHO WAS THAT? ME WIFE. 1856 01:20:36,799 --> 01:20:38,299 YOUR WIFE? COULDN'T YOU TELL? 1857 01:20:38,301 --> 01:20:39,934 OH, WELL, RELAX, POP. 1858 01:20:39,936 --> 01:20:42,603 REMEMBER, LOVE SHOULD BE TOLERANT 1859 01:20:42,605 --> 01:20:45,706 TILL TRUTH BREAKS THROUGH THE CLOUDS OF DOUBT, 1860 01:20:45,708 --> 01:20:48,309 AND IF YOU WANT TO KNOW WHO SAID THAT, YOU DID. 1861 01:20:48,311 --> 01:20:49,343 THE FACT IS, I READ THAT 1862 01:20:49,345 --> 01:20:50,644 IN A VERY CHEAP BOOK. 1863 01:20:50,646 --> 01:20:52,112 TSK, TSK, TSK. 1864 01:20:57,086 --> 01:20:59,119 [BAND PLAYING] 1865 01:21:15,504 --> 01:21:18,239 ♪ LOVE ME ♪ 1866 01:21:18,241 --> 01:21:23,477 ♪ AS ONLY YOU CAN LOVE ME ♪ 1867 01:21:23,479 --> 01:21:29,116 ♪ THERE'S NO ONE WHO CAN LOVE ME ♪ 1868 01:21:29,118 --> 01:21:33,954 ♪ THE WAY THAT YOU DO ♪ 1869 01:21:33,956 --> 01:21:44,231 ♪ YOUR KISS IS AS GENTLE AS THE FALLING SUMMER RAIN ♪ 1870 01:21:44,233 --> 01:21:50,037 ♪ YOUR SIGH IS THE SENTIMENTAL THEME ♪ 1871 01:21:50,039 --> 01:21:54,208 ♪ OF OUR REFRAIN ♪ 1872 01:21:54,210 --> 01:21:59,613 ♪ I WANT YOU TO THRILL ME ♪ 1873 01:21:59,615 --> 01:22:04,618 ♪ AS ONLY YOU CAN THRILL ME ♪ 1874 01:22:04,620 --> 01:22:10,224 ♪ THERE'S NO ONE WHO CAN THRILL ME ♪ 1875 01:22:10,226 --> 01:22:15,162 ♪ WHAT AM I TO DO? ♪ 1876 01:22:15,164 --> 01:22:17,131 ♪ I'M HELPLESS ♪ 1877 01:22:17,133 --> 01:22:21,502 ♪ SO I'M CONTENT TO BE THE FOOL ♪ 1878 01:22:21,504 --> 01:22:26,573 ♪ THAT YOU MAKE OF ME ♪ 1879 01:22:26,575 --> 01:22:30,077 ♪ SO LOVE ME ♪ 1880 01:22:30,079 --> 01:22:35,616 ♪ THE WAY THAT I LOVE YOU ♪ 1881 01:22:37,520 --> 01:22:40,454 ♪ THRILL ME ♪ 1882 01:22:40,456 --> 01:22:45,926 ♪ AS ONLY YOU CAN THRILL ME ♪ 1883 01:22:45,928 --> 01:22:51,265 ♪ THERE'S NO ONE WHO CAN THRILL ME ♪ 1884 01:22:51,267 --> 01:22:56,036 ♪ WHAT AM I TO DO? ♪ 1885 01:22:56,038 --> 01:23:00,207 ♪ I'M HELPLESS ♪ 1886 01:23:00,209 --> 01:23:05,212 ♪ SO I'M CONTENT TO BE THE FOOL ♪ 1887 01:23:05,214 --> 01:23:10,551 ♪ THAT YOU MAKE OF ME ♪ 1888 01:23:10,553 --> 01:23:15,556 ♪ SO LOVE ME ♪ 1889 01:23:15,558 --> 01:23:25,199 ♪ THE WAY THAT I LOVE YOU ♪ 1890 01:23:34,477 --> 01:23:37,144 JUDY, ME HEART ISN'T IN COMING HERE TONIGHT. 1891 01:23:37,146 --> 01:23:39,913 OH, CHEER UP, POP. YOU'LL HAVE THE TIME OF YOUR LIFE. 1892 01:23:41,617 --> 01:23:43,617 MR. CORETTI, DO YOU HAVE MY RESERVATIONS? 1893 01:23:43,619 --> 01:23:46,420 WHAT? WHY, JUDY! 1894 01:23:46,422 --> 01:23:49,556 YES, MISS PEABODY. THIS WAY, PLEASE. 1895 01:23:59,335 --> 01:24:00,934 WHAT ARE YOU STARING AT? 1896 01:24:00,936 --> 01:24:02,669 I NEVER FORGET A FACE. 1897 01:24:02,671 --> 01:24:05,139 YOU'VE LOOKED AT MINE LONG ENOUGH TO REMEMBER IT THE NEXT TIME YOU SEE IT. 1898 01:24:05,141 --> 01:24:07,007 YES, SIR. 1899 01:24:07,009 --> 01:24:10,010 [PLAYING "I'M A SQUARE IN THE SOCIAL CIRCLE"] 1900 01:24:35,137 --> 01:24:37,905 I JUST REMEMBERED! 1901 01:24:37,907 --> 01:24:40,607 SHALL I PUT THE $32 FOR THE BROKEN DISHES 1902 01:24:40,609 --> 01:24:42,009 ON YOUR BILL, SIR? 1903 01:24:42,011 --> 01:24:45,179 YES, AND ADD $5.00 FOR YOURSELF AND FORGET YOU EVER SAW ME. 1904 01:24:45,181 --> 01:24:46,780 IT WILL BE A PLEASURE, SIR. 1905 01:24:46,782 --> 01:24:48,148 'TIS MUTUAL. 1906 01:24:48,150 --> 01:24:49,917 WOULD YOU LIKE TO ORDER NOW, MISS PEABODY? 1907 01:24:49,919 --> 01:24:51,919 YES. I'LL HAVE SOME GINGER ALE, PLEASE. 1908 01:24:51,921 --> 01:24:53,654 AND YOU, SIR? 1909 01:24:53,656 --> 01:24:57,091 THE SAME WITH ABOUT 3 FINGERS OF BOURBON. 1910 01:24:57,093 --> 01:24:59,960 YES, SIR. 1911 01:24:59,962 --> 01:25:02,396 DO YOU DRINK A LOT, POP? 1912 01:25:02,398 --> 01:25:05,766 WELL, I'LL TELL YOU. I CAN'T GET A LOT. 1913 01:25:15,277 --> 01:25:18,212 GLORY BE, SHE'S BEAUTIFUL. 1914 01:25:19,815 --> 01:25:21,915 TAKE IT EASY, POP. 1915 01:25:30,893 --> 01:25:32,526 WELL, HIYA, J.B. 1916 01:25:32,528 --> 01:25:34,128 WHAT'S GOING ON HERE? 1917 01:25:34,130 --> 01:25:35,596 ARE YOU REPRESENTING HER? 1918 01:25:35,598 --> 01:25:36,830 WHO'S REPRESENTING ME? 1919 01:25:36,832 --> 01:25:38,332 THAT'S RIGHT. 1920 01:25:38,334 --> 01:25:40,601 I HEARD YOU WERE CAUGHT WITH YOUR SUSPENDERS DOWN. 1921 01:25:40,603 --> 01:25:42,202 I'M A GONER. 1922 01:25:42,204 --> 01:25:44,905 EDITH, I'M AN INNOCENT MAN, 1923 01:25:44,907 --> 01:25:46,440 A VERY INNOCENT MAN. 1924 01:25:46,442 --> 01:25:48,442 YES, JERRY, SO IT APPEARS. 1925 01:25:48,444 --> 01:25:49,810 GOOD EVENING, YOUNG LADY. 1926 01:25:49,812 --> 01:25:52,146 OH, MRS. BATES, I HOPE YOU DON'T BLAME ME. 1927 01:25:52,148 --> 01:25:53,614 NOT AT ALL, MY DEAR. 1928 01:25:53,616 --> 01:25:55,149 IF IT WASN'T YOU, IT WOULD BE SOMEBODY ELSE. 1929 01:25:55,151 --> 01:25:56,350 NO, IT WOULDN'T. 1930 01:25:56,352 --> 01:25:57,885 AH. A LOVE MATCH. 1931 01:25:57,887 --> 01:25:59,987 I THINK I'LL SKIP THE NEXT ROUND OF THIS BATTLE. 1932 01:25:59,989 --> 01:26:01,655 WILL YOU EXCUSE ME, PLEASE? 1933 01:26:01,657 --> 01:26:03,657 GOOD RIDDANCE. 1934 01:26:06,428 --> 01:26:07,895 AT LEAST SHE'LL TALK TO YOU. 1935 01:26:07,897 --> 01:26:09,296 SHE WON'T LISTEN TO ME. 1936 01:26:09,298 --> 01:26:11,064 YOU'VE GOT TO GET ME OUT OF THIS. 1937 01:26:11,066 --> 01:26:12,065 HOW? 1938 01:26:12,067 --> 01:26:13,100 TELL HER THE FACTS. 1939 01:26:13,102 --> 01:26:14,101 SHE WON'T BELIEVE THE FACTS 1940 01:26:14,103 --> 01:26:15,235 ANY MORE THAN DANNY DOES. 1941 01:26:15,237 --> 01:26:16,870 YOU CAN TRY. 1942 01:26:16,872 --> 01:26:19,039 OK. 1943 01:26:19,041 --> 01:26:20,474 YOU WERE GREAT. YOU'VE GOT HIM ON THE HOOK. 1944 01:26:20,476 --> 01:26:22,009 HE'S REALLY SQUIRMING. 1945 01:26:22,011 --> 01:26:24,411 I DON'T THINK I'LL BE ABLE TO GO THROUGH WITH THIS, JUDY. 1946 01:26:24,413 --> 01:26:26,513 YOU'VE GOT TO. IF YOU NAIL HIM DOWN RIGHT THIS TIME, 1947 01:26:26,515 --> 01:26:28,916 HE'S YOURS FOR LIFE. 1948 01:26:28,918 --> 01:26:30,250 SHE SAYS SHE'S GOING TO DIVORCE YOU 1949 01:26:30,252 --> 01:26:32,419 AND MARRY SOMEBODY WHO APPRECIATES HER. 1950 01:26:32,421 --> 01:26:33,687 SHE CAN'T. I'LL FIGHT IT. 1951 01:26:33,689 --> 01:26:35,455 I'LL TAKE IT TO THE SUPREME COURT. 1952 01:26:35,457 --> 01:26:36,924 TELL HER THAT. 1953 01:26:36,926 --> 01:26:38,492 YOU'RE OUT IN FRONT BY 20 LENGTHS. 1954 01:26:38,494 --> 01:26:39,927 DON'T CARRY IT TOO FAR. 1955 01:26:39,929 --> 01:26:41,662 LEAVE IT TO ME. 1956 01:26:41,664 --> 01:26:43,430 WELL? I THINK YOU GOT A CHANCE. 1957 01:26:43,432 --> 01:26:45,299 WE HAVE? IT'S GONNA BE TOUGH, THOUGH. 1958 01:26:45,301 --> 01:26:46,800 I DON'T DESERVE HER. 1959 01:26:46,802 --> 01:26:48,669 FIRST YOU GOT TO PROMISE TO COUNT TO 10 1960 01:26:48,671 --> 01:26:49,803 BEFORE LOSING YOUR TEMPER. 1961 01:26:49,805 --> 01:26:50,837 I'VE ALWAYS DONE THAT! 1962 01:26:50,839 --> 01:26:51,872 YEAH? WELL, MAKE IT 20. 1963 01:26:51,874 --> 01:26:52,873 ALL RIGHT, ALL RIGHT. 1964 01:26:52,875 --> 01:26:54,208 NEXT, YOU CAN NEVER TAKE YOUR SHOES OFF 1965 01:26:54,210 --> 01:26:55,442 IN THE LIVING ROOM. 1966 01:26:55,444 --> 01:26:57,444 A MAN CAN'T LIVE UNDER THOSE CONDITIONS. 1967 01:26:57,446 --> 01:26:58,512 WILL YOU OR WON'T YOU? 1968 01:26:58,514 --> 01:27:00,013 ALL RIGHT, ALL RIGHT. 1969 01:27:00,015 --> 01:27:01,848 AND-- AW, THERE'S MORE! 1970 01:27:01,850 --> 01:27:04,218 YOU MUST PROMISE NEVER UNDER ANY CIRCUMSTANCES 1971 01:27:04,220 --> 01:27:06,386 TO BE JEALOUS OF CLARENCE BASCOMBE. 1972 01:27:06,388 --> 01:27:09,223 BASCOMBE? AH, I SEE IT ALL NOW. 1973 01:27:09,225 --> 01:27:10,657 SHE'D TIE ME HANDS BEHIND ME BACK 1974 01:27:10,659 --> 01:27:12,426 FOR THE REST OF ME LIFE, WOULD SHE? 1975 01:27:12,428 --> 01:27:14,928 OH, NO! NOT IF I KNOW HER, SHE WON'T. 1976 01:27:14,930 --> 01:27:15,996 OH, IT'S VERY SLICK OF YOU, 1977 01:27:15,998 --> 01:27:18,098 VERY SLICK OF YOU INDEED, MRS. BATES. 1978 01:27:18,100 --> 01:27:20,167 YOU AND YOUR STIPULATIONS, 1979 01:27:20,169 --> 01:27:21,535 AND ME AGREEING TO THEM. 1980 01:27:21,537 --> 01:27:22,769 NOW, CALM YOURSELF, POP. 1981 01:27:22,771 --> 01:27:24,304 NO, NO, JUDY. THIS GOES DEEPER 1982 01:27:24,306 --> 01:27:26,106 THAN YOUR INNOCENT EYES CAN SEE. 1983 01:27:26,108 --> 01:27:27,140 BUT, JERRY-- 1984 01:27:27,142 --> 01:27:28,375 DON'T JERRY ME! 1985 01:27:28,377 --> 01:27:29,710 YOU'RE NOT GOING TO PULL THE WOOL OVER ME EYES 1986 01:27:29,712 --> 01:27:31,111 AS YOU DID IN THE PAST. 1987 01:27:31,113 --> 01:27:32,079 THAT ISN'T TRUE! 1988 01:27:32,081 --> 01:27:33,280 AND I'M GOING OUT OF HERE. 1989 01:27:33,282 --> 01:27:34,881 NO, YOU'RE NOT, NOT TILL YOU PAY THE CHECK. 1990 01:27:34,883 --> 01:27:36,216 THEY'RE VERY FUNNY ABOUT THAT IN HERE. 1991 01:27:36,218 --> 01:27:37,517 SOMEBODY BRING ME THE CHECK. 1992 01:27:37,519 --> 01:27:39,086 IF YOU LEAVE HERE, JERRY BATES, 1993 01:27:39,088 --> 01:27:40,554 YOU'LL NEVER SEE ME AGAIN. 1994 01:27:40,556 --> 01:27:41,989 THAT'S WHAT I HAD IN MIND. 1995 01:27:41,991 --> 01:27:43,290 I'M ASHAMED OF YOU, POP. 1996 01:27:43,292 --> 01:27:44,358 WELL, I-- 1997 01:27:44,360 --> 01:27:46,159 SLIP THIS TO DANNY, WILL YOU? 1998 01:27:46,161 --> 01:27:47,561 THAT OUGHT TO GET HIM. 1999 01:27:47,563 --> 01:27:49,296 BRING ME THE CHECK. I'M NOT GONNA WAIT HERE ANY LONGER. 2000 01:27:49,298 --> 01:27:50,864 POP, ARE YOU REALLY LEAVING? 2001 01:27:50,866 --> 01:27:51,898 OF COURSE I AM. 2002 01:27:51,900 --> 01:27:53,133 YOU'LL BE SORRY SOMEDAY. 2003 01:27:53,135 --> 01:27:54,868 WELL, IF I AM, I'LL BE GLAD OF IT. 2004 01:27:57,539 --> 01:27:59,206 THIS IS FROM ONE OF YOUR FANS. 2005 01:27:59,208 --> 01:28:00,374 THANKS. 2006 01:28:08,284 --> 01:28:10,984 HEY, FELLAS, THE BOSS WANTS TO HEAR "OLD APPLE TREE." 2007 01:28:10,986 --> 01:28:13,387 WE'LL FAKE IT IN "G" RIGHT AFTER THIS CHORUS. 2008 01:28:13,389 --> 01:28:17,324 AND IT WAS A LOT DIFFERENT, TOO, WASN'T IT, POP? 2009 01:28:17,326 --> 01:28:19,259 OH, I KNOW YOU HAVEN'T FORGOTTEN, 2010 01:28:19,261 --> 01:28:21,695 EVEN THOUGH IT WAS A LONG TIME AGO-- 2011 01:28:21,697 --> 01:28:23,497 40 YEARS. 2012 01:28:23,499 --> 01:28:25,832 YOU TOLD ME ABOUT IT YOURSELF. 2013 01:28:25,834 --> 01:28:29,102 IT BROUGHT TEARS TO YOUR EYES WHEN YOU DID. 2014 01:28:29,104 --> 01:28:31,538 LOOK AT HER, POP. 2015 01:28:31,540 --> 01:28:33,006 ISN'T SHE BEAUTIFUL? 2016 01:28:33,008 --> 01:28:34,808 JUST THINK WHAT SHE WAS THEN. 2017 01:28:34,810 --> 01:28:38,278 WHY, EVERY BOY ON THE BLOCK HOPED SHE'D LOOK HIS WAY, 2018 01:28:38,280 --> 01:28:40,213 BUT SHE ONLY HAD EYES FOR ONE, 2019 01:28:40,215 --> 01:28:42,015 A YOUNG, WILD IRISHMAN. 2020 01:28:42,017 --> 01:28:44,551 HE HAD A RIGHT TO BE JEALOUS. 2021 01:28:44,553 --> 01:28:48,588 IT WAS SWEET TILL IT GOT STUPID. 2022 01:28:48,590 --> 01:28:51,158 IN 1905, HE WAS ROMANTIC, 2023 01:28:51,160 --> 01:28:55,329 WHERE THEY DANCED TO THE SAME SONG THEY'RE PLAYING NOW, 2024 01:28:55,331 --> 01:28:57,130 BUT I GUESS THAT'S THE TROUBLE. 2025 01:28:57,132 --> 01:29:01,068 HE JUST ISN'T ROMANTIC ANYMORE. 2026 01:29:01,070 --> 01:29:02,903 OH, BUT HE IS. 2027 01:29:08,010 --> 01:29:10,544 EDITH, WILL YOU DANCE WITH ME ONCE AGAIN 2028 01:29:10,546 --> 01:29:12,746 TO THE TUNE OF OUR SONG? 2029 01:29:12,748 --> 01:29:15,649 I'D BE PLEASED TO, JERRY, IF-- 2030 01:29:15,651 --> 01:29:17,484 I KNOW IT. I'LL SAY I'M SORRY. 2031 01:29:17,486 --> 01:29:19,119 WELL, I AM, AND IT COMES 2032 01:29:19,121 --> 01:29:21,021 FROM THE BOTTOM OF ME HEART. 2033 01:29:47,116 --> 01:29:49,116 WELL, I'M GLAD THAT'S PATCHED UP. 2034 01:29:49,118 --> 01:29:51,318 YES. ISN'T IT WONDERFUL? 2035 01:30:22,918 --> 01:30:25,419 CORETTI, IS THAT A WALTZ? 2036 01:30:25,421 --> 01:30:28,789 YOU'VE BEEN IN VIENNA. IS IT? 2037 01:30:28,791 --> 01:30:30,957 I'M HERE AT STORK CLUB SO LONG, 2038 01:30:30,959 --> 01:30:33,293 I CAN'T REMEMBER. 2039 01:30:33,295 --> 01:30:35,028 NO. IT COULDN'T BE A WALTZ. 2040 01:30:35,030 --> 01:30:36,496 THEY WOULDN'T DARE. 2041 01:30:36,498 --> 01:30:37,798 NO, SIR. 2042 01:30:51,213 --> 01:30:52,813 THAT'S A WALTZ, ISN'T IT? 2043 01:30:52,815 --> 01:30:54,448 YES, SIR. WHAT'S THE I-- 2044 01:31:06,462 --> 01:31:08,094 WELL, THERE'S NOTHING LIKE 2045 01:31:08,096 --> 01:31:09,930 A GOOD OLD-FASHIONED WALTZ. 2046 01:31:09,932 --> 01:31:11,264 BY THE WAY, TOM CURTIS, 2047 01:31:11,266 --> 01:31:12,399 THAT FELLA WE WERE DISCUSSING, 2048 01:31:12,401 --> 01:31:14,067 IS AT THE TABLE NEXT TO JUDY'S. 2049 01:31:14,069 --> 01:31:16,403 WOULD YOU LIKE TO MEET HIM? 2050 01:31:16,405 --> 01:31:18,004 NO, THANKS. 2051 01:31:23,378 --> 01:31:27,581 HERE, TOM. TAKE OVER. 2052 01:31:27,583 --> 01:31:28,715 DO ME A FAVOR, WILL YOU, GWEN? 2053 01:31:28,717 --> 01:31:29,816 SURE. WHAT? 2054 01:31:29,818 --> 01:31:31,084 GO AND TELL THAT GUY CURTIS 2055 01:31:31,086 --> 01:31:32,519 HE'S WANTED ON THE PHONE IN THE FIRST BOOTH. 2056 01:31:32,521 --> 01:31:34,020 OK, DANNY. 2057 01:31:37,259 --> 01:31:39,893 MR. CURTIS, YOU'RE WANTED ON THE TELEPHONE IN THE FIRST BOOTH. 2058 01:31:39,895 --> 01:31:41,595 THANK YOU. WILL YOU EXCUSE ME? 2059 01:31:41,597 --> 01:31:42,662 YES. 2060 01:31:46,668 --> 01:31:47,667 OH, I'M SORRY. 2061 01:31:47,669 --> 01:31:48,802 THAT'S ALL RIGHT. COME IN. 2062 01:31:50,205 --> 01:31:51,771 MR. CURTIS, I'M DANNY WILTON. 2063 01:31:51,773 --> 01:31:53,073 HOW DO YOU DO? 2064 01:31:53,075 --> 01:31:54,074 IT'S RATHER CLOSE IN HERE, ISN'T IT? 2065 01:31:54,076 --> 01:31:55,609 I LIKE IT THAT WAY. 2066 01:31:55,611 --> 01:31:57,377 WELL, IT'S MUCH MORE COMFORTABLE OUT AT THE BAR. 2067 01:31:57,379 --> 01:31:59,412 UH-HUH, BUT BILLINGSLEY'S GOT A RULE-- 2068 01:31:59,414 --> 01:32:02,282 ANYONE WHO FIGHTS IN THE STORK CLUB IS BARRED FOR LIFE. 2069 01:32:02,284 --> 01:32:03,950 I KIND OF WISH I'D BEEN BARRED YESTERDAY. 2070 01:32:03,952 --> 01:32:05,652 LOOK, MR. CURTIS. SOME TIME AGO, 2071 01:32:05,654 --> 01:32:08,021 I WAS IN A CAVE ABOUT THIS SIZE WITH A JAP. 2072 01:32:08,023 --> 01:32:10,290 AS YOU CAN GATHER, I'M HERE TO TELL THE TALE. 2073 01:32:10,292 --> 01:32:12,425 UH, AHEM. WHAT HAPPENED TO THE JAP? 2074 01:32:12,427 --> 01:32:15,495 UNH! 2075 01:32:15,497 --> 01:32:17,330 I KNOW I'M SUPPOSED TO DOUBLE OVER AT THIS POINT, 2076 01:32:17,332 --> 01:32:19,032 BUT THERE REALLY ISN'T ROOM. 2077 01:32:19,034 --> 01:32:21,668 LISTEN, CURTIS. THERE'S ONLY ONE THING I WANT FROM YOU. 2078 01:32:21,670 --> 01:32:23,203 WELL, I HOPE I'VE GOT IT. 2079 01:32:23,205 --> 01:32:24,237 I WANT THE TRUTH ABOUT THAT LETTER 2080 01:32:24,239 --> 01:32:25,472 YOU WROTE TO JUDY PEABODY 2081 01:32:25,474 --> 01:32:27,140 AND EVERYTHING THAT'S BEHIND IT. 2082 01:32:27,142 --> 01:32:29,309 OH, IS THAT ALL? 2083 01:32:29,311 --> 01:32:30,710 THAT'S VERY SIMPLE. 2084 01:32:30,712 --> 01:32:33,046 MISS PEABODY SAVED MR. BATES FROM DROWNING. 2085 01:32:33,048 --> 01:32:35,982 HE WANTED TO REWARD HER AND STILL REMAIN ANONYMOUS. 2086 01:32:35,984 --> 01:32:38,718 IT'S ALL VERY INNOCENT, I ASSURE YOU. 2087 01:32:38,720 --> 01:32:41,955 OH. WELL, THANKS, MR. CURTIS. THAT'S GREAT. 2088 01:32:41,957 --> 01:32:43,390 SAY, CAN I BUY YOU A DRINK? 2089 01:32:43,392 --> 01:32:45,358 YES, YOU CAN UNLESS YOU WANT TO BE SUED 2090 01:32:45,360 --> 01:32:47,260 WITHIN AN INCH OF YOUR LIFE. 2091 01:32:48,964 --> 01:32:51,565 BUT, JUDY DEAR, YOU'VE GIVEN ALL YOUR TIME TO US. 2092 01:32:51,567 --> 01:32:53,500 WHAT ARE YOU GOING TO DO ABOUT YOUR YOUNG MAN? 2093 01:32:53,502 --> 01:32:55,569 I'M JUST GOING TO TELL HIM THE TRUTH. 2094 01:32:55,571 --> 01:32:57,304 JUDY, YOU CAN'T DO THAT. 2095 01:32:57,306 --> 01:32:59,606 YOU'VE ALREADY TOLD HIM THE TRUTH, AND HE DOESN'T BELIEVE IT. 2096 01:32:59,608 --> 01:33:01,207 POP, WHAT CAN I DO? 2097 01:33:01,209 --> 01:33:02,509 TELL HIM ANOTHER LIE. 2098 01:33:02,511 --> 01:33:04,878 WHAT LIE? I HAVEN'T WORKED ANYTHING OUT. 2099 01:33:04,880 --> 01:33:08,949 I'VE SEE YOU AT WORK, AND I HAVE EVERY CONFIDENCE IN YOUR ABILITY. 2100 01:33:08,951 --> 01:33:10,850 ALL RIGHT, BUT YOU'VE GOT TO BACK ME UP. 2101 01:33:10,852 --> 01:33:14,020 WE'LL DO THAT IN MORE WAYS THAN ONE. 2102 01:33:14,022 --> 01:33:15,322 WHILE EDITH AND I WERE DANCING, 2103 01:33:15,324 --> 01:33:17,190 WE TALKED ABOUT A LITTLE SURPRISE FOR YOU. 2104 01:33:17,192 --> 01:33:19,826 OH, DANNY. 2105 01:33:19,828 --> 01:33:21,461 YOU KNOW MR. AND MRS. BATES. 2106 01:33:21,463 --> 01:33:22,762 HOW DO YOU DO? 2107 01:33:22,764 --> 01:33:24,497 DANNY, I HAVE TO SING WITH THE BAND, 2108 01:33:24,499 --> 01:33:26,866 OR MR. BILLINGSLEY'S GOING TO LET US ALL GO. 2109 01:33:26,868 --> 01:33:28,134 THAT'S HIS PRIVILEGE. 2110 01:33:28,136 --> 01:33:30,303 I WON'T TILL YOU BELIEVE IN ME, 2111 01:33:30,305 --> 01:33:32,639 AND I KNOW YOU WON'T LET ME TILL YOU KNOW THE TRUTH. 2112 01:33:32,641 --> 01:33:34,074 THAT'S RIGHT. 2113 01:33:34,076 --> 01:33:37,811 WELL, DANNY, YOU'RE GOING TO HEAR IT RIGHT NOW. 2114 01:33:37,813 --> 01:33:40,614 I'M LISTENING. 2115 01:33:40,616 --> 01:33:45,118 IT--IT STARTED MANY, MANY YEARS AGO IN 1849, WASN'T IT, POP? 2116 01:33:45,120 --> 01:33:47,787 YEAH. YEAH. '49. THAT'S RIGHT. IN THE SUMMER. 2117 01:33:47,789 --> 01:33:49,222 IT WAS THE YEAR OF THE GOLD RUSH. 2118 01:33:49,224 --> 01:33:50,624 YEAH, I SAW THE PICTURE. 2119 01:33:50,626 --> 01:33:52,258 HOW'D YOU LIKE CHARLIE IN IT? 2120 01:33:52,260 --> 01:33:54,094 STICK TO THE SUBJECT. 2121 01:33:54,096 --> 01:33:56,997 WELL, YOU SEE, IT STARTED THE DAY 2122 01:33:56,999 --> 01:33:58,431 I SAVED POP FROM DROWNING. 2123 01:33:58,433 --> 01:34:00,900 THAT'S WHEN HE FIRST DISCOVERED WHO I WAS. 2124 01:34:00,902 --> 01:34:02,969 I HAVE A STRAWBERRY MARK ON MY LEFT THIGH, 2125 01:34:02,971 --> 01:34:04,638 AND MY BATHING SUIT DOESN'T COVER IT. 2126 01:34:04,640 --> 01:34:07,407 POP NOTICED IT. YOU'LL SEE IT SOMEDAY. 2127 01:34:07,409 --> 01:34:09,876 WELL, POP CASUALLY MENTIONED THAT HIS FATHER 2128 01:34:09,878 --> 01:34:13,179 KNEW A MAN IN ALASKA WITH THE VERY SAME MARKING. 2129 01:34:13,181 --> 01:34:16,616 THEY SHARED A CLAIM IN THE BIG YELLOW TAIL MINE. 2130 01:34:16,618 --> 01:34:18,118 INTERESTING? 2131 01:34:18,120 --> 01:34:19,753 VERY. VERY. 2132 01:34:19,755 --> 01:34:21,321 I MEAN, THE WAY JUDY TELLS IT. 2133 01:34:21,323 --> 01:34:22,756 I KNOW THE STORY WELL, 2134 01:34:22,758 --> 01:34:25,759 BUT I NEVER GET TIRED OF HEARING HER RELATE IT. 2135 01:34:25,761 --> 01:34:26,893 GO AHEAD, JUDY. 2136 01:34:26,895 --> 01:34:28,995 THANKS. WELL, RIGHT ABOUT HERE, 2137 01:34:28,997 --> 01:34:31,631 I THINK I OUGHT TO MENTION MY GRANDFATHER'S MAP. 2138 01:34:31,633 --> 01:34:34,200 OH, A VERY GOOD-LOOKING MAN HE WAS, TOO. 2139 01:34:34,202 --> 01:34:35,602 THE MAP WITH A MINE. 2140 01:34:35,604 --> 01:34:39,272 YES, YES. PARDON THE INTRUSION. 2141 01:34:39,274 --> 01:34:42,008 WELL, MY GRANDFATHER WAS LOST IN THE BLIZZARD OF '51, 2142 01:34:42,010 --> 01:34:45,545 AND POP AND HIS FATHER HAVE BEEN LOOKING FOR ME EVERY SINCE. 2143 01:34:45,547 --> 01:34:48,415 POP CHANGED HIS NAME TO BUTLER WHILE SEARCHING FOR ME. 2144 01:34:48,417 --> 01:34:50,316 WELL, OF COURSE NOW YOU'RE VERY RICH. 2145 01:34:50,318 --> 01:34:53,420 NO. AND THIS IS THE PART YOU WON'T BELIEVE. 2146 01:34:53,422 --> 01:34:56,356 THE MAN THAT POP'S FATHER THOUGHT WAS MY GRANDFATHER 2147 01:34:56,358 --> 01:34:59,392 TURNED OUT TO BE NO RELATION OF MINE AT ALL. 2148 01:34:59,394 --> 01:35:01,494 WELL, HOW DID YOU FIND THAT OUT? 2149 01:35:01,496 --> 01:35:04,698 MY GRANDMOTHER TOLD ME! 2150 01:35:04,700 --> 01:35:07,967 WELL, NOW THAT MAKES SENSE. 2151 01:35:07,969 --> 01:35:10,804 WHY DIDN'T YOU TELL ME THAT IN THE FIRST PLACE? 2152 01:35:10,806 --> 01:35:13,139 I DIDN'T THINK YOU'D BELIEVE IT. 2153 01:35:13,141 --> 01:35:15,709 OH, JUDY, YOU UNDERESTIMATE ME. 2154 01:35:15,711 --> 01:35:18,244 YOU SEE, I DO BELIEVE IN YOU. 2155 01:35:18,246 --> 01:35:19,345 NOW DOESN'T THAT MAKE YOU ELIGIBLE 2156 01:35:19,347 --> 01:35:20,980 TO SING WITH THE BAND? 2157 01:35:27,522 --> 01:35:30,056 HURRY BACK. YOU HAVEN'T HEARD THE SURPRISE. 2158 01:35:45,874 --> 01:35:50,510 ♪ IF I HAD A DOZEN HEARTS ♪ 2159 01:35:50,512 --> 01:35:54,347 ♪ AND IF YOU HAD ONLY ONE ♪ 2160 01:35:54,349 --> 01:35:55,448 WHAT A LIAR. 2161 01:35:55,450 --> 01:35:59,352 ♪ IF I HAD A DOZEN HEARTS ♪ 2162 01:35:59,354 --> 01:36:03,189 ♪ I WOULD LOVE YOU 12 TIMES ONE ♪ 2163 01:36:03,191 --> 01:36:04,824 YELLOWTAIL MINE. 2164 01:36:04,826 --> 01:36:07,427 ♪ IF I HAD A DOZEN LIPS ♪ 2165 01:36:07,429 --> 01:36:10,230 ♪ I WOULD SAY ♪ 2166 01:36:10,232 --> 01:36:11,231 GRANDFATHER'S MAP. 2167 01:36:11,233 --> 01:36:14,534 ♪ 12 TIMES A DAY ♪ 2168 01:36:14,536 --> 01:36:16,169 STRAWBERRY MARK. 2169 01:36:16,171 --> 01:36:20,874 ♪ DARLING, I LOVE YOU ♪ 2170 01:36:20,876 --> 01:36:23,176 WELL, SEEING IS BELIEVING. 2171 01:36:23,178 --> 01:36:27,447 ♪ IF I HAD A DOZEN ARMS ♪ 2172 01:36:27,449 --> 01:36:31,518 ♪ THEY WOULD ALL BE HOLDING YOU ♪ 2173 01:36:31,520 --> 01:36:32,685 BUT I FORGIVE YOU. 2174 01:36:32,687 --> 01:36:36,589 ♪ IF I HAD A DOZEN DREAMS ♪ 2175 01:36:36,591 --> 01:36:41,094 ♪ IN YOUR ARMS, THEY WOULD ALL COME TRUE ♪ 2176 01:36:41,096 --> 01:36:43,229 KNOW WHY? ♪ ALTHOUGH ♪ 2177 01:36:43,231 --> 01:36:45,231 BECAUSE I LOVE YOU. ♪ I KNOW ♪ 2178 01:36:45,233 --> 01:36:50,570 ♪ A DOZEN HEARTS ARE FUN ♪ 2179 01:36:50,572 --> 01:36:52,772 ♪ I COULDN'T LOVE YOU ♪ 2180 01:36:52,774 --> 01:36:57,544 ♪ MUCH MORE THAN I DO WITH ONE ♪ 2181 01:36:57,546 --> 01:36:59,579 [APPLAUSE] 2182 01:37:03,084 --> 01:37:04,551 I LOVE YOU, PIE FACE. 2183 01:37:04,553 --> 01:37:06,352 I'LL BE WAITING FOR YOU OVER WITH POP. 2184 01:37:06,354 --> 01:37:07,720 OK, SWEETIE. 2185 01:37:14,529 --> 01:37:16,196 THAT WAS LOVELY, JUDY. 2186 01:37:16,198 --> 01:37:19,132 THANKS. WELL, POP, WHAT'S THE BIG SURPRISE? 2187 01:37:19,134 --> 01:37:23,136 JUDY, YOU SAVED ME TWICE, WHEN I MET YOU AND TONIGHT. 2188 01:37:23,138 --> 01:37:26,005 I CAN'T REPAY YOU, BUT I HAVE AN IDEA. 2189 01:37:26,007 --> 01:37:27,841 I'VE DISCUSSED IT WITH EDITH, 2190 01:37:27,843 --> 01:37:29,075 AND WE HOPE YOU'LL BE PLEASED 2191 01:37:29,077 --> 01:37:31,211 THAT I'M GOING TO MENTION YOU IN MY WILL. 2192 01:37:31,213 --> 01:37:33,179 OH, NO, THAT'S OUT, POP. 2193 01:37:33,181 --> 01:37:35,181 NOT THAT I DON'T APPRECIATE THE THOUGHT AND ALL, 2194 01:37:35,183 --> 01:37:36,883 BUT, OH, I DON'T KNOW, 2195 01:37:36,885 --> 01:37:39,853 I DON'T SEEM TO BE ABLE TO GET ALONG WITH MONEY. 2196 01:37:39,855 --> 01:37:41,354 MY HAPPINESS WILL COME WITH DANNY, 2197 01:37:41,356 --> 01:37:42,422 SINGING WITH THE BAND 2198 01:37:42,424 --> 01:37:43,990 ON THOSE ONE-NIGHT STANDS. 2199 01:37:43,992 --> 01:37:45,792 BAD HOTELS, BAD FOOD, 2200 01:37:45,794 --> 01:37:47,093 BUT WE'LL BE TOGETHER. 2201 01:37:47,095 --> 01:37:49,929 WE'LL BE RIDING ON CLOUD 9 JUST OUTSIDE OF HEAVEN. 2202 01:37:49,931 --> 01:37:52,632 I SEE WHAT YOU MEAN, AND I THINK YOU'RE RIGHT. 2203 01:37:52,634 --> 01:37:55,034 TWO YOUNG KIDS IN LOVE MIGHT GET ALL MIXED UP 2204 01:37:55,036 --> 01:37:57,270 WITH A MILLION IN THE BANK. 2205 01:37:57,272 --> 01:37:59,706 A MILLION?! 2206 01:37:59,708 --> 01:38:00,740 KEEP TALKING, POP. 2207 01:38:00,742 --> 01:38:02,876 MAYBE YOU CAN CHANGE MY MIND. 2208 01:38:02,878 --> 01:38:05,845 CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP 2209 01:38:06,882 --> 01:38:07,881 CAPTIONING INSTITUTE 2210 01:38:07,883 --> 01:38:08,882 --www.ncicap.org--